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Reader-in-Residence: Andi Gilker<\/p>","display_title":"Reader-in-Residence: Andi Gilker","subtitle":null,"subtitle_html":"","uri":"program\/reader-in-residence-andi-gilker","slug":"reader-in-residence-andi-gilker","cover":{"id":"h3tcgniq","modified":1758833808,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/program\/reader-in-residence-andi-gilker\/f0df9b2f4d-1758833808\/andi-rir-webcover.png","type":"image","mime":"image\/png","size":469697,"extension":"png","filename":"andi-rir-webcover.png","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Program","dates":{"display_date":"October 15, 2025","start_year":"2025","start_month":"10","start_day":"15","start_time":"12:00:00","end_year":"2025","end_month":"10","end_day":"15","end_time":"13:30:00"},"frontend_uri":"program\/reader-in-residence-andi-gilker"},"external_link":"","use_item_cover":"true"}],"featured_bottom":[{"header_top_left":"Upcoming Program","header_top_right":"November 5, 12\u20131:30pm","show_on_landing":null,"title":"Reader-in-Residence: Anne McGuire","type":"image","cover":{"id":"","modified":1759424527,"url":"https:\/\/content.blackwoodgallery.ca\/media\/site\/ab89c1c959-1759424527\/anne-rir-webcover.png","type":"image","mime":"image\/png","size":172465,"extension":"png","filename":"anne-rir-webcover.png","caption":"","caption_plaintext":"","srcset":"\"\"","bg":"https:\/\/content.blackwoodgallery.ca\/media\/site\/ab89c1c959-1759424527\/anne-rir-webcover-1200x.png"},"text":"","colour_text":"rgb(0, 0, 0)","colour_bg":"rgb(255, 255, 255)","video":"","video_embed":null,"video_bg":null,"link_type":"internal","internal_link":{"id":"pv19b16k","date":null,"title":"Reader-in-Residence: Anne McGuire","title_html":"

Reader-in-Residence: Anne McGuire<\/p>","display_title":"Reader-in-Residence: Anne McGuire","subtitle":null,"subtitle_html":"","uri":"program\/reader-in-residence-anne-mcguire","slug":"reader-in-residence-anne-mcguire","cover":{"id":"pv19b16k","modified":1758834065,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/program\/reader-in-residence-anne-mcguire\/c2451b1a01-1758834065\/anne-rir-webcover.png","type":"image","mime":"image\/png","size":178657,"extension":"png","filename":"anne-rir-webcover.png","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Program","dates":{"display_date":"November 5, 2025","start_year":"2025","start_month":"11","start_day":"5","start_time":"12:00:00","end_year":"2025","end_month":"11","end_day":"5","end_time":"13:30:00"},"frontend_uri":"program\/reader-in-residence-anne-mcguire"},"external_link":"","use_item_cover":"false"},{"header_top_left":"Current Lightbox Program","header_top_right":"Until September 30","show_on_landing":null,"title":"Lines of Inquiry 4","type":"image","cover":{"id":"","modified":1755203844,"url":"https:\/\/content.blackwoodgallery.ca\/media\/site\/79b97e249a-1755203844\/loi4_16x10.png","type":"image","mime":"image\/png","size":205469,"extension":"png","filename":"loi4_16x10.png","caption":"","caption_plaintext":"","srcset":"\"\"","bg":"https:\/\/content.blackwoodgallery.ca\/media\/site\/79b97e249a-1755203844\/loi4-16x10-1200x.png"},"text":"","colour_text":"rgb(0, 0, 0)","colour_bg":"rgb(255, 255, 255)","video":"","video_embed":null,"video_bg":null,"link_type":"internal","internal_link":{"id":"hbqxuv8k","date":null,"title":"Lines of Inquiry 4","title_html":"

Lines of Inquiry 4<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"projects\/lines-of-inquiry-4","slug":"lines-of-inquiry-4","cover":null,"blueprint":"Project","dates":{"display_date":"Summer 2025","start_year":"","start_month":"","start_day":"","start_time":"","end_year":"","end_month":"","end_day":"","end_time":""},"frontend_uri":"projects\/lines-of-inquiry-4"},"external_link":"","use_item_cover":"false"}],"feature_block_title":"News","feature_block":"Running with Concepts: The Mediatic Edition<\/em><\/a>, a virtual public program, fellowship, and experimental conference runs October 7, 2020\u2013January 24, 2021.
\n
\nBurning Glass, Reading Stone<\/em><\/a>, an 8-part lightbox series runs September 8, 2020\u2013June 27, 2021. Currently on view in the lightboxes: Radical Hope<\/em><\/a>.","header_text":"","sduk_about":"*The Society for the Diffusion of Useful Knowledge* is a serial broadsheet publication produced by the Blackwood, University of Toronto Mississauga. Initiated in conjunction with *The Work of Wind: Air, Land, Sea* in 2018\u201319 to expand perspectives on environmental violence through artistic practices, cultural inquiry, and political mobilization, the SDUK continues as a signature triannual Blackwood publishing initiative in 2023.\n\nReflecting the Blackwood\u2019s ongoing commitment to activating open-ended conversations with diverse publics beyond the gallery space, *The Society for the Diffusion of Useful Knowledge* serves as a platform for varied forms of circulation, dispersal, and diffusion. The series shares interdisciplinary knowledges; terminologies; modes of visual, cultural, and scientific literacy; strategies for thought and action; resources; and points of connection between local and international practices\u2014artistic, activist, scholarly, and otherwise\u2014during a time increasingly marked by alienation and isolation. Distributed free-of-charge as a print publication, and available through a dedicated reading platform on the Blackwood website and as a downloadable PDF, the SDUK engages a diffuse network of readers and contributors.\n\n###THE SOCIETY FOR THE DIFFUSION OF USEFUL KNOWLEDGE (SDUK)\n\n*The Society for the Diffusion of Useful Knowledge* (SDUK) composes and circulates an ecology of knowledge based on the relationship and antagonism of \u201cuseful\u201d ideas. The name of this innovative platform is borrowed from a non-profit society founded in London in 1826, focused on publishing inexpensive texts such as the widely read Penny Magazine and The Library of Useful Knowledge, and aimed at spreading important world knowledge to anyone seeking to self-educate. Both continuing and troubling the origins of the society, the Blackwood\u2019s SDUK platform asks: what constitutes useful knowledge? For whom? And who decides?","sduk_about_html":"

The Society for the Diffusion of Useful Knowledge<\/em> is a serial broadsheet publication produced by the Blackwood, University of Toronto Mississauga. Initiated in conjunction with The Work of Wind: Air, Land, Sea<\/em> in 2018\u201319 to expand perspectives on environmental violence through artistic practices, cultural inquiry, and political mobilization, the SDUK continues as a signature triannual Blackwood publishing initiative in 2023.<\/p>\n

Reflecting the Blackwood\u2019s ongoing commitment to activating open-ended conversations with diverse publics beyond the gallery space, The Society for the Diffusion of Useful Knowledge<\/em> serves as a platform for varied forms of circulation, dispersal, and diffusion. The series shares interdisciplinary knowledges; terminologies; modes of visual, cultural, and scientific literacy; strategies for thought and action; resources; and points of connection between local and international practices\u2014artistic, activist, scholarly, and otherwise\u2014during a time increasingly marked by alienation and isolation. Distributed free-of-charge as a print publication, and available through a dedicated reading platform on the Blackwood website and as a downloadable PDF, the SDUK engages a diffuse network of readers and contributors.<\/p>\n

THE SOCIETY FOR THE DIFFUSION OF USEFUL KNOWLEDGE (SDUK)<\/h3>\n

The Society for the Diffusion of Useful Knowledge<\/em> (SDUK) composes and circulates an ecology of knowledge based on the relationship and antagonism of \u201cuseful\u201d ideas. The name of this innovative platform is borrowed from a non-profit society founded in London in 1826, focused on publishing inexpensive texts such as the widely read Penny Magazine and The Library of Useful Knowledge, and aimed at spreading important world knowledge to anyone seeking to self-educate. Both continuing and troubling the origins of the society, the Blackwood\u2019s SDUK platform asks: what constitutes useful knowledge? For whom? And who decides?<\/p>","reader_about":"The Reader is a responsive writing initiative aimed at tracking ongoing, in-progress, and forthcoming Blackwood programs, and the broader contexts in which our programs respond, operate, and circulate.
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\nWith regular posts by Blackwood staff and guest contributors, including reading lists, short essays, forms of experimental writing, audio, images, and video, the Reader adopts a short format to mediate between the pace of online publishing and long-term, durational programs and research projects. Throughout fall 2025 and winter 20026, the Reader is supported by Research and Outreach Assistant Liam Mullen.","sduk":[{"id":"gcyof0ww","date":"2023-05-15","title":"SDUK15: CONFIDING","title_html":"

SDUK15: CONFIDING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/confiding","slug":"confiding","cover":{"id":"gcyof0ww","modified":1747926779,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/confiding\/3bbc1be605-1683910036\/sduk15_cover.jpg","type":"image","mime":"image\/jpeg","size":841227,"extension":"jpg","filename":"sduk15_cover.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding","preview_mode":"false","number":"15","abstract":"This milestone fifteenth issue, **CONFIDING**, addresses trust and collaboration: the tools, methods, and strategies collaborators use to build mutual confidence while working together. With an international slate of largely co-authored contributions, this issue models forms of experimental and collaborative authorship through letters, exercises, interviews, oral histories, and more.\n\n**Contributors**: Tasha Beeds, Elspeth Brown, Quill Christie-Peters, Tonatiuh L\u00f3pez, Performance RAR (Agung Eko Sutrisno, Muhammad Gerly, Agesna Johdan, Bagong Julianto), The Post Film Collective (Marcus Bergner, Sawsan Maher, Mirra Markha\u00ebva, Robin Vanbesien, Elli Vassalou), Vania Gonzalvez Rodriguez, Heather Kai Smith, Alisha Stranges, Michelle Sylliboy, quori theodor, Ilya Vidrin, Jess Watkin","abstract_html":"

This milestone fifteenth issue, CONFIDING<\/strong>, addresses trust and collaboration: the tools, methods, and strategies collaborators use to build mutual confidence while working together. With an international slate of largely co-authored contributions, this issue models forms of experimental and collaborative authorship through letters, exercises, interviews, oral histories, and more.<\/p>\n

Contributors<\/strong>: Tasha Beeds, Elspeth Brown, Quill Christie-Peters, Tonatiuh L\u00f3pez, Performance RAR (Agung Eko Sutrisno, Muhammad Gerly, Agesna Johdan, Bagong Julianto), The Post Film Collective (Marcus Bergner, Sawsan Maher, Mirra Markha\u00ebva, Robin Vanbesien, Elli Vassalou), Vania Gonzalvez Rodriguez, Heather Kai Smith, Alisha Stranges, Michelle Sylliboy, quori theodor, Ilya Vidrin, Jess Watkin<\/p>","contributions":[{"id":"brsv2quf","date":null,"title":"Cover (15)","title_html":"

Cover (15)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/cover","credits":[]},{"id":"ec5g5upu","date":null,"title":"How to Read this Broadsheet (15)","title_html":"

How to Read this Broadsheet (15)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/how-to-read-this-broadsheet","slug":"how-to-read-this-broadsheet","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/how-to-read-this-broadsheet","credits":[]},{"id":"svq6lojf","date":null,"title":"Variations on Idiorrhythmy","title_html":"

Variations on Idiorrhythmy<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/variations-on-idiorrhythmy","slug":"variations-on-idiorrhythmy","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/variations-on-idiorrhythmy","credits":[{"heading":"","list":["ksrwret9"],"entities":[{"id":"ksrwret9","date":null,"title":"Heather Kai Smith","title_html":"

Heather Kai Smith<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/heather-kai-smith","slug":"heather-kai-smith","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ksrwret9\/people\/heather-kai-smith","text":"Heather Kai Smith<\/strong> (she\/her) is a visual artist and educator originally from Calgary, Canada. Drawing is at the root of her practice, working through the communicative potential of the medium. Her work references and activates images of collective engagement, histories of communal living strategies, and organized dissent. Smith is currently a Collegiate Assistant Professor at The University of Chicago. Recent independent and collaborative exhibitions include Logan Center Exhibitions (Chicago), Vancouver Art Gallery, Tallinn Art Hall (Estonia), Walter Phillips Gallery (Banff), studio e gallery (Seattle), and Morris and Helen Belkin Art Gallery (Vancouver)."}]}]},{"id":"srj00w2s","date":null,"title":"Thresholds of Resistance","title_html":"

Thresholds of Resistance<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/thresholds-of-resistance","slug":"thresholds-of-resistance","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/thresholds-of-resistance","credits":[{"heading":"","list":["bfkb56mi"],"entities":[{"id":"bfkb56mi","date":null,"title":"Ilya Vidrin","title_html":"

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The Archive and Us<\/p>","display_title":"","subtitle":"Permanently Under Construction","subtitle_html":"

Permanently Under Construction<\/p>","uri":"publications\/sduk\/confiding\/the-archive-and-us","slug":"the-archive-and-us","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/the-archive-and-us","credits":[{"heading":"","list":["6l6rr15s","62kyruyh"],"entities":[{"id":"6l6rr15s","date":null,"title":"Vania Gonzalvez Rodriguez","title_html":"

Vania Gonzalvez Rodriguez<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/vania-gonzalvez-rodriguez","slug":"vania-gonzalvez-rodriguez","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/6l6rr15s\/people\/vania-gonzalvez-rodriguez","text":"Vania Gonzalvez Rodriguez<\/strong> is a Bolivian artist and cultural producer based in London, UK. Vania's practice explores languages, memory, grief, and archives. Vania is interested in how ritual and embodied knowledges can be tools for healing. Vania works at the Barbican Centre as a learning curator."},{"id":"62kyruyh","date":null,"title":"mother tongues","title_html":"

mother tongues<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mother-tongues","slug":"mother-tongues","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/62kyruyh\/people\/mother-tongues","text":"mother tongues<\/strong> is a transdisciplinary research-led project applying decolonial, feminist, and queer pedagogies to explore language and identity. Their practice responds to language\u2019s impact on personal and collective empowerment and aims to democratize archival collections and knowledge production. mother tongues is formed collaboratively by Kaya Birch-Skerritt, Marina Georgiou, and Vania Gonzalvez; they collaborate with artists, curators, and researchers, and are based in London, UK."}]}]},{"id":"pnvwpj3g","date":null,"title":"Coral Vision","title_html":"

Coral Vision<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/coral-vision","slug":"coral-vision","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/coral-vision","credits":[{"heading":"","list":["bhd9pc7b"],"entities":[{"id":"bhd9pc7b","date":null,"title":"Jess Watkin","title_html":"

Jess Watkin<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jess-watkin","slug":"jess-watkin","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/bhd9pc7b\/people\/jess-watkin","text":"Dr. Jess Watkin<\/strong> finished her PhD at the University of Toronto's Centre for Drama, Theatre & Performance Studies. Her research focuses on Disability dramaturgy, care-full approaches to performance creation\/production, and Disability-related activism. She is a Blind artist-scholar living in Toronto, who loves making tactile art and showing up as the Disabled artist in many creative spaces to ensure care is prioritized for all."}]}]},{"id":"rxbduwaj","date":null,"title":"Casting Our Kino-Eyes Over the Collective Horizon","title_html":"

Casting Our Kino-Eyes Over the Collective Horizon<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/casting-our-kino-eyes-over-the-collective-horizon","slug":"casting-our-kino-eyes-over-the-collective-horizon","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/casting-our-kino-eyes-over-the-collective-horizon","credits":[{"heading":"","list":["mrqa6m6n"],"entities":[{"id":"mrqa6m6n","date":null,"title":"The Post Film Collective","title_html":"

The Post Film Collective<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/the-post-film-collective","slug":"the-post-film-collective","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/mrqa6m6n\/people\/the-post-film-collective","text":"The Post Collective<\/strong> is an autonomous platform founded in 2018 in Belgium by Marcus Bergner, Sawsan Maher, Mirra Markhaeva, and Elli Vassalou: artists, activists, and researchers with diverse legal statuses. The collective aims to provide employment and a community for its members, with generative modes of dialogue and storytelling forming the basis of their experiential approach to art and design. The Post Collective seeks to develop creative alternatives to the dominant systems of control and exclusion, facilitating a position to critically rethink and re-conceptualize a shared future as community. The Post Film<\/em> Collective<\/strong>, in collaboration with Robin Vanbesien, explores a plurivocal film practice guided by collective auto-ethnography. Their cin\u00e9-assemblies practice cinema as a form of communal assembly, involving collective knowledge production, mutual exchange, and an ethics of connectedness."}]}]},{"id":"qq14iu65","date":null,"title":"KOMQWEJWIKASIKL 2","title_html":"

KOMQWEJWIKASIKL 2<\/p>","display_title":"KOMQWEJWI'KASIKL 2","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/komqwejwikasikl-2","slug":"komqwejwikasikl-2","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/komqwejwikasikl-2","credits":[{"heading":"","list":["8r1b7lft"],"entities":[{"id":"8r1b7lft","date":null,"title":"Michelle Sylliboy","title_html":"

Michelle Sylliboy<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/michelle-sylliboy","slug":"michelle-sylliboy","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/8r1b7lft\/people\/michelle-sylliboy","text":"Three-time award-winning author and interdisciplinary artist Michelle Sylliboy<\/strong> (Mi\u2019kmaq\/L\u2019nu) was born in Boston, Massachusetts, and raised on her traditional L\u2019nuk territory in We\u2019koqmaq, Cape Breton. Her published collection of photographs and L\u2019nuk hieroglyphic poetry Kiskajeyi\u2014I Am Ready<\/em> won the 2020 Indigenous Voices Award. In 2021, she received the Indigenous Artist Recognition Award from Arts Nova Scotia. In 2022, she was longlisted for the Sobey Art Award. As a PhD candidate in Simon Fraser University\u2019s Philosophy of Education program, she focused on the artistic promotion of her original written komqwej\u2019wikasikl language."}]}]},{"id":"aubksd4k","date":null,"title":"Animating Myths to Protect Ecology","title_html":"

Animating Myths to Protect Ecology<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/animating-myths-to-protect-ecology","slug":"animating-myths-to-protect-ecology","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/animating-myths-to-protect-ecology","credits":[{"heading":"","list":["zu5ksltj"],"entities":[{"id":"zu5ksltj","date":null,"title":"Performance RAR","title_html":"

Performance RAR<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/performance-rar","slug":"performance-rar","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zu5ksltj\/people\/performance-rar","text":"Performance RAR<\/strong> (Agung Eko Sutrisno, Muhammad Gerly, Agesna Johdan, and Bagong Julianto) is a performance art collective based in Bandung, West Java, Indonesia. Their practice focuses on highlighting community archives and collective memory in order to complicate a single official history, particularly Dutch colonial artifacts and narratives. Apart from that, in collective practice, they also try to collect historical traces of the development of performance art in Indonesia, and study its current development."}]}]},{"id":"57fz7oys","date":null,"title":"Embodying Ancestral Love","title_html":"

Embodying Ancestral Love<\/p>","display_title":"","subtitle":"The Indigenous Youth Residency Program","subtitle_html":"

The Indigenous Youth Residency Program<\/p>","uri":"publications\/sduk\/confiding\/embodying-ancestral-love","slug":"embodying-ancestral-love","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/embodying-ancestral-love","credits":[{"heading":"","list":["ov76hyc6","d8vsa761"],"entities":[{"id":"ov76hyc6","date":null,"title":"Tasha Beeds","title_html":"

Tasha Beeds<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tasha-beeds","slug":"tasha-beeds","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ov76hyc6\/people\/tasha-beeds","text":"Tasha Beeds<\/strong> is an Indigenous scholar of n\u00eahiyaw, Scottish-M\u00e9tis, and Bajan ancestry from the Treaty 6 territories of Saskatchewan. She activates as a mama, k\u00f4hkom, poet, Water Walker, and Midewiwin from Minweyweywigaan Lodge. Tasha\u2019s collective work celebrates and promotes Indigenous nationhood and sovereignty. She advocates for the protection of Creation based on carrying ancestral legacies forward for future generations. Tasha is in her second year as the Ron Ianni Fellow at the University of Windsor\u2019s Indigenous Legal Orders Institute. She is the inaugural Anako Indigenous Research Institute Scholar at Carleton University, a limited term Lecturer in Indigenous Studies at the University of Saskatchewan and a Na\u2019ah Illahee Sovereign Futures Indigenous Environmental Leader. Having walked approximately 7000 kms for the Great Lakes and the Kawartha Lakes, Tasha recently led her first two Water Walks for Junction Creek in Sudbury and for the Saskatchewan River (year 1 of 4), continuing her late mentor Josephine-ba Mandamin\u2019s legacy."},{"id":"d8vsa761","date":null,"title":"Quill Christie-Peters","title_html":"

Quill Christie-Peters<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/quill-christie-peters","slug":"quill-christie-peters","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/d8vsa761\/people\/quill-christie-peters","text":"Quill Christie-Peters<\/strong> is an Anishinaabe visual artist and arts programmer from Treaty 3 currently residing in Thunder Bay. She creates paintings that visualize the love our ancestors have for our bodies, our communities, and our homelands."}]}]},{"id":"bn5gq5fp","date":null,"title":"Meal of Choices","title_html":"

Meal of Choices<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/meal-of-choices","slug":"meal-of-choices","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/meal-of-choices","credits":[{"heading":"","list":["kdsggkpa"],"entities":[{"id":"kdsggkpa","date":null,"title":"quori theodor","title_html":"

quori theodor<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/quori-theodor","slug":"quori-theodor","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/kdsggkpa\/people\/quori-theodor","text":"quori theodor<\/strong> \/ adore is an invitation to self, unlearning as insubordination. their work addresses questions of capital disobedience through the media of food. they are a founding member of Spiral Theory Test Kitchen (along with Precious Okoyomon and Bobbi Menuez) and Circle Time School (in partnership with Telfar Global and DIS Magazine<\/em>). they have shown work internationally, most recently with the Aspen Art Museum, Performance Space, New York, and Puppets and Puppets Fall 2023 collection. they are the current guest editor of Mishou Magazine<\/em>. they are based in New York City on unceded Lenape territory."}]}]},{"id":"x77yaxbt","date":null,"title":"The Pussy Palace Oral History Project","title_html":"

The Pussy Palace Oral History Project<\/p>","display_title":"","subtitle":"Sensory Portraits of Public Sex","subtitle_html":"

Sensory Portraits of Public Sex<\/p>","uri":"publications\/sduk\/confiding\/the-pussy-palace-oral-history-project","slug":"the-pussy-palace-oral-history-project","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/the-pussy-palace-oral-history-project","credits":[{"heading":"","list":["e9lhuwtg","z73opj00"],"entities":[{"id":"e9lhuwtg","date":null,"title":"Elspeth Brown","title_html":"

Elspeth Brown<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/elspeth-brown","slug":"elspeth-brown","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/e9lhuwtg\/people\/elspeth-brown","text":"Elspeth H. Brown<\/strong> is Professor of History at the University of Toronto and Associate Vice-Principal Research at the University of Toronto Mississauga. Her research focuses on modern queer and trans history; the history and theory of photography; and the history of US capitalism. She is the author of Work! A Queer History of Modeling<\/em> (Duke University, 2019); co-editor of \u201cQueering Photography,\u201d a special issue of Photography and Culture<\/em> (2014); and Feeling Photography<\/em> (Duke, 2014), among other books. She has published in GLQ<\/em>, TSQ<\/em>; Gender and History<\/em>; American Quarterly<\/em>; Radical History Review<\/em>; Photography and Culture<\/em>; Feminist Studies<\/em>; Aperture<\/em>; No More Potlucks<\/em>, and others. She is Director of the LGBTQ Oral History Digital Collaboratory, a multi-year and public digital humanities research initiative focusing on gay, queer, and trans life stories, using new methodologies in digital history, collaborative research, and archival practice. At the University of Toronto, she is also Faculty Lead for the Critical Digital Humanities Initiative. She is an active volunteer and former President of the Board for The ArQuives."},{"id":"z73opj00","date":null,"title":"Alisha Stranges","title_html":"

Alisha Stranges<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/alisha-stranges","slug":"alisha-stranges","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/z73opj00\/people\/alisha-stranges","text":"Alisha Stranges<\/strong> is a queer, community-based, and public humanities scholar, theatre creator, and performer. In January 2021, Stranges joined the Collaboratory as the Project Oral Historian for the Pussy Palace Oral History Project, where she now serves as Research Manager. Stranges holds an MA in Women and Gender Studies from the University of Toronto (2020). Her master\u2019s research project examines the therapeutic resonances of improvised rhythm tap dance for survivors of psychological trauma. Stranges received a diploma in Theatre Performance from Humber College (2006) and spent a decade devising original plays within Toronto\u2019s queer, independent theatre community. From 2010\u201315, she returned annually to Buddies in Bad Times Theatre as a teaching-artist and co-facilitator for PrideCab, an intensive training program in collective creation and performance for queer, trans, and gender variant youth. In 2019, she launched the Qu(e)erying Religion anti-Archive Project, which documents over 10 years of supportive programming for life-giving queer spirituality at the University of Toronto."}]}]},{"id":"rf0tmo00","date":null,"title":"In Search of Lost Confidence","title_html":"

In Search of Lost Confidence<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/in-search-of-lost-confidence","slug":"in-search-of-lost-confidence","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/in-search-of-lost-confidence","credits":[{"heading":"","list":["35a8bujt"],"entities":[{"id":"35a8bujt","date":null,"title":"Tonatiuh L\u00f3pez","title_html":"

Tonatiuh L\u00f3pez<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tonatiuh-lopez","slug":"tonatiuh-lopez","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/35a8bujt\/people\/tonatiuh-lopez","text":"Tonatiuh L\u00f3pez<\/strong> (born Ecatepec, 1989) is an independent curator, writer, and editor. His practice is marked by the intention of summing up art and life, both with poetic gestures and through the realization of socially engaged art projects. Since 2016, he has been a member of MArCE. Tonatiuh is also an activist for the love and sexual freedom of the communities of men who have sex with other men and people who use drugs. He lives and works in Mexico City and Ecatepec."}]}]},{"id":"thl26uvg","date":null,"title":"En Busca de la Confianza Perdida","title_html":"

En Busca de la Confianza Perdida<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/en-busca-de-la-confianza-perdida","slug":"en-busca-de-la-confianza-perdida","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/en-busca-de-la-confianza-perdida","credits":[{"heading":"","list":["35a8bujt"],"entities":[{"id":"35a8bujt","date":null,"title":"Tonatiuh L\u00f3pez","title_html":"

Tonatiuh L\u00f3pez<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tonatiuh-lopez","slug":"tonatiuh-lopez","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/35a8bujt\/people\/tonatiuh-lopez","text":"Tonatiuh L\u00f3pez<\/strong> (born Ecatepec, 1989) is an independent curator, writer, and editor. His practice is marked by the intention of summing up art and life, both with poetic gestures and through the realization of socially engaged art projects. Since 2016, he has been a member of MArCE. Tonatiuh is also an activist for the love and sexual freedom of the communities of men who have sex with other men and people who use drugs. He lives and works in Mexico City and Ecatepec."}]}]},{"id":"z7201tq9","date":null,"title":"Local Useful Knowledge (15)","title_html":"

Local Useful Knowledge (15)<\/p>","display_title":"Local Useful Knowledge","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/local-useful-knowledge","slug":"local-useful-knowledge","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/local-useful-knowledge","credits":[]},{"id":"we9twgcs","date":null,"title":"Glossary (15)","title_html":"

Glossary (15)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/confiding\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/confiding\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/confiding\/58c5973129-1684242804\/blackwood_sduk15_confiding.pdf"},{"id":"pfk8cqsw","date":"2023-01-01","title":"SDUK14: LINGERING","title_html":"

SDUK14: LINGERING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/lingering","slug":"lingering","cover":{"id":"pfk8cqsw","modified":1672938677,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/lingering\/480bd377b9-1672938677\/sduk14_cover.jpg","type":"image","mime":"image\/jpeg","size":472329,"extension":"jpg","filename":"sduk14_cover.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering","preview_mode":"false","number":"14","abstract":"Our fourteenth SDUK broadsheet, **LINGERING**, follows and complements *WISH YOU WERE HERE, WISH HERE WAS BETTER*, a mobile public event series presented by the Blackwood that made space \u201cfor people impacted by the ongoing overdose crisis\u2014and its cascading systemic issues of precarity, houselessness, and criminalization\u2014to mourn, while providing opportunities to imagine and work towards a more just future.\u201d Throughout this broadsheet, contributors *linger* with these sociopolitical issues, among others. They navigate complex emotions like grief, joy, and mourning while developing vital forms of activism; celebrating disability and queerness; shaping institutions; or finding poetry in everyday life.\n\n**Contributors**: Jeffrey Ansloos, Sarah Bird, Matthew Bonn, Brothers Sick, Emily Cadotte, Lynn Crosbie, Rayne Foy-Vachon, Karl Gardner, Craig Jennex, Shan Kelley, Mya Moniz, Kayla Moryoussef, Mourning School, Rasheen Oliver, Tamara Oyola-Santiago, Kimone Rodney, Fady Shanouda, nancy viva davis halifax, Chrystal Waban Toop, What Would an HIV Doula Do?, Karen K. Yoshida","abstract_html":"

Our fourteenth SDUK broadsheet, LINGERING<\/strong>, follows and complements WISH YOU WERE HERE, WISH HERE WAS BETTER<\/em>, a mobile public event series presented by the Blackwood that made space \u201cfor people impacted by the ongoing overdose crisis\u2014and its cascading systemic issues of precarity, houselessness, and criminalization\u2014to mourn, while providing opportunities to imagine and work towards a more just future.\u201d Throughout this broadsheet, contributors linger<\/em> with these sociopolitical issues, among others. They navigate complex emotions like grief, joy, and mourning while developing vital forms of activism; celebrating disability and queerness; shaping institutions; or finding poetry in everyday life.<\/p>\n

Contributors<\/strong>: Jeffrey Ansloos, Sarah Bird, Matthew Bonn, Brothers Sick, Emily Cadotte, Lynn Crosbie, Rayne Foy-Vachon, Karl Gardner, Craig Jennex, Shan Kelley, Mya Moniz, Kayla Moryoussef, Mourning School, Rasheen Oliver, Tamara Oyola-Santiago, Kimone Rodney, Fady Shanouda, nancy viva davis halifax, Chrystal Waban Toop, What Would an HIV Doula Do?, Karen K. Yoshida<\/p>","contributions":[{"id":"gakczd02","date":null,"title":"Cover (14)","title_html":"

Cover (14)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/cover-14","slug":"cover-14","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/cover-14","credits":[]},{"id":"wu0oqqv4","date":null,"title":"How to Read this Broadsheet (14)","title_html":"

How to Read this Broadsheet (14)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/how-to-read-this-broadsheet-14","slug":"how-to-read-this-broadsheet-14","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/how-to-read-this-broadsheet-14","credits":[]},{"id":"m44lwbss","date":null,"title":"Charming Life\/Troubling Death","title_html":"

Charming Life\/Troubling Death<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/charming-life-troubling-death","slug":"charming-life-troubling-death","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/charming-life-troubling-death","credits":[{"heading":"","list":["ad4v6wzb"],"entities":[{"id":"ad4v6wzb","date":null,"title":"Shan Kelley","title_html":"

Shan Kelley<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/shan-kelley","slug":"shan-kelley","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ad4v6wzb\/people\/shan-kelley","text":"Shan Kelley<\/strong> was raised in the prairie backdrop of Alberta, Canada\u2019s beef and petroleum heartland. His work sits amidst a slippage of intersections between art and activism. In this fascination with language, Kelley uses text as material, to scrutinize the ways relationships to self, identity, body, and power are deconstructed, created, and curated. After an HIV+ diagnosis in 2009 he became increasingly inspired to find his voice within the context of disease and adversity, and to push forward using art as action again apathy or surrender."}]}]},{"id":"gjy18kpu","date":null,"title":"\"Every Death a Policy Failure\": The Other Public Health Crisis","title_html":"

\"Every Death a Policy Failure\": The Other Public Health Crisis<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/every-death-a-policy-failure-the-other-public-health-crisis","slug":"every-death-a-policy-failure-the-other-public-health-crisis","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/every-death-a-policy-failure-the-other-public-health-crisis","credits":[{"heading":"","list":["pl3lgspy"],"entities":[{"id":"pl3lgspy","date":null,"title":"Matthew Bonn","title_html":"

Matthew Bonn<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/matthew-bonn","slug":"matthew-bonn","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/pl3lgspy\/people\/matthew-bonn","text":"Matthew Bonn<\/strong> is the program manager with the Canadian Association of People Who Use Drugs. He\u2019s also a board member of the International Network of Health and Hepatitis in Substance Users and a knowledge translator for the Dr. Peter Centre. His writing has appeared in The Conversation<\/em>, CATIE, Doctors Nova Scotia<\/em>, Policy Options<\/em>, and The Coast<\/em>. Matthew was on the 64th Canadian Delegation to the Commission on Narcotic Drugs. He is a current drug user and formerly incarcerated person."}]},{"heading":"","list":[],"entities":[]}]},{"id":"kbxrz97a","date":null,"title":"Queer Collectivity in the Echoes of the Dance Floor","title_html":"

Queer Collectivity in the Echoes of the Dance Floor<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/queer-collectivity-in-the-echoes-of-the-dance-floor","slug":"queer-collectivity-in-the-echoes-of-the-dance-floor","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/queer-collectivity-in-the-echoes-of-the-dance-floor","credits":[{"heading":"","list":["b4tep3fh"],"entities":[{"id":"b4tep3fh","date":null,"title":"Craig Jennex","title_html":"

Craig Jennex<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/craig-jennex","slug":"craig-jennex","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/b4tep3fh\/people\/craig-jennex","text":"Craig Jennex<\/strong> is an Assistant Professor of English at Toronto Metropolitan University. He is co-author of Out North: An Archive of Queer Activism and Kinship in Canada<\/em> and co-editor of Popular Music and the Politics of Hope: Queer and Feminist Interventions<\/em>. His forthcoming book Liberation on the Dance Floor<\/em> will be published by Cambridge University Press in 2023."}]}]},{"id":"fbof2jyc","date":null,"title":"Nowhere to Isolate: Homeless Health Peel in and beyond the Pandemic","title_html":"

Nowhere to Isolate: Homeless Health Peel in and beyond the Pandemic<\/p>","display_title":"Nowhere to Isolate","subtitle":"Homeless Health Peel in and beyond the Pandemic","subtitle_html":"

Homeless Health Peel in and beyond the Pandemic<\/p>","uri":"publications\/sduk\/lingering\/nowhere-to-isolate-homeless-health-peel-in-and-beyond-the-pandemic","slug":"nowhere-to-isolate-homeless-health-peel-in-and-beyond-the-pandemic","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/nowhere-to-isolate-homeless-health-peel-in-and-beyond-the-pandemic","credits":[{"heading":"","list":["2wucx4d0","vzmfmdhl","lgf7bhbs"],"entities":[{"id":"2wucx4d0","date":null,"title":"Rasheen Oliver","title_html":"

Rasheen Oliver<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/rasheen-oliver","slug":"rasheen-oliver","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/2wucx4d0\/people\/rasheen-oliver","text":"Rasheen Oliver<\/strong> is Director of Operations at Homeless Health Peel. Oliver has nine years of experience working as an RPN. She graduated from Sheridan College and started her career in long-term care working with stable geriatric patients with comorbid mental health conditions and complex behaviours. She brings this empathy and compassion to Homeless Health Peel where she views patients as individuals and not just a diagnosis."},{"id":"vzmfmdhl","date":null,"title":"Kimone Rodney","title_html":"

Kimone Rodney<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kimone-rodney","slug":"kimone-rodney","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vzmfmdhl\/people\/kimone-rodney","text":"Kimone Rodney<\/strong> is the Nurse In Charge at Homeless Health Peel. She obtained her Registered Practical Nursing diploma at Sheridan College. From a young age, she knew she would dedicate herself to helping others. With a particular interest in mental health, women\u2019s health, preventative health, and palliative care, Rodney brings a dedication that is deeply rooted in her faith, to provide the highest quality of care to every one of our patients who have been left behind.\u00a0"},{"id":"lgf7bhbs","date":null,"title":"Mya Moniz","title_html":"

Mya Moniz<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mya-moniz","slug":"mya-moniz","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/lgf7bhbs\/people\/mya-moniz","text":"Mya Moniz<\/strong> is the Advocacy Podcast Coordinator for Restoration and Empowerment for Social Transition (REST Centres). Moniz is an independent youth and former crown ward of the Peel Children\u2019s Aid Society. She studies English, Professional Writing and Communications, and Sociology at the University of Toronto. She also sits at the Senior Leadership Table for the Peel Alliance to End Homelessness, and is a member of the Peel Poverty Action Group and REST\u2019s Youth Council."}]}]},{"id":"pcog1ktx","date":null,"title":"Questions Of, For & About Consent","title_html":"

Questions Of, For & About Consent<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/questions-of-for-about-consent","slug":"questions-of-for-about-consent","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/questions-of-for-about-consent","credits":[{"heading":"","list":["1kge4efn"],"entities":[{"id":"1kge4efn","date":null,"title":"What Would an HIV Doula Do?","title_html":"

What Would an HIV Doula Do?<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/what-would-an-hiv-doula-do","slug":"what-would-an-hiv-doula-do","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/1kge4efn\/people\/what-would-an-hiv-doula-do","text":"The What Would an HIV Doula Do?<\/strong> collective comprises artists, activists, academics, chaplains, doulas, health care practitioners, nurses, filmmakers, AIDS service organization employees, dancers, community educators, and others from across the HIV spectrum joined in response to the ongoing AIDS crisis. We understand a doula as someone in community who holds space for others during a time of transition. For us, HIV is a series of moments in someone\u2019s life that does not start with diagnosis nor end with treatment or death."}]}]},{"id":"63cxzz8g","date":null,"title":"Puerto Rican Harm Reduction is Everywhere","title_html":"

Puerto Rican Harm Reduction is Everywhere<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/puerto-rican-harm-reduction-is-everywhere","slug":"puerto-rican-harm-reduction-is-everywhere","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/puerto-rican-harm-reduction-is-everywhere","credits":[{"heading":"","list":["vegmeztl"],"entities":[{"id":"vegmeztl","date":null,"title":"Tamara Oyola-Santiago","title_html":"

Tamara Oyola-Santiago<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tamara-oyola-santiago","slug":"tamara-oyola-santiago","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vegmeztl\/people\/tamara-oyola-santiago","text":"Tamara Oyola-Santiago<\/strong> is a public health educator and harm reductionist navigating the multiplicities of home, justice, and healing. She is co-founder of Bronx M\u00f3vil where radical love and hope humanize."}]}]},{"id":"xi329jm9","date":null,"title":"La Reducci\u00f3n de Da\u00f1os de Puerto Rico est\u00e1 en Todas Partes","title_html":"

La Reducci\u00f3n de Da\u00f1os de Puerto Rico est\u00e1 en Todas Partes<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/la-reduccion-de-danos-de-puerto-rico-esta-en-todas-partes","slug":"la-reduccion-de-danos-de-puerto-rico-esta-en-todas-partes","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/la-reduccion-de-danos-de-puerto-rico-esta-en-todas-partes","credits":[{"heading":"","list":["vegmeztl"],"entities":[{"id":"vegmeztl","date":null,"title":"Tamara Oyola-Santiago","title_html":"

Tamara Oyola-Santiago<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tamara-oyola-santiago","slug":"tamara-oyola-santiago","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vegmeztl\/people\/tamara-oyola-santiago","text":"Tamara Oyola-Santiago<\/strong> is a public health educator and harm reductionist navigating the multiplicities of home, justice, and healing. She is co-founder of Bronx M\u00f3vil where radical love and hope humanize."}]}]},{"id":"g03x0rq2","date":null,"title":"An Army of the Sick Can\u2019t Be Defeated","title_html":"

An Army of the Sick Can\u2019t Be Defeated<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/an-army-of-the-sick-can-t-be-defeated","slug":"an-army-of-the-sick-can-t-be-defeated","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/an-army-of-the-sick-can-t-be-defeated","credits":[{"heading":"","list":["yd1gidl1"],"entities":[{"id":"yd1gidl1","date":null,"title":"Brothers Sick","title_html":"

Brothers Sick<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/brothers-sick","slug":"brothers-sick","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/yd1gidl1\/people\/brothers-sick","text":"Brothers Sick<\/strong> is the sibling collaboration of New York\u2013based artists Ezra and Noah Benus, whose activities centre on disability justice, illness, and care. Drawing on lived experience\u2014disability, queerness, chronic illness and pain, Jewish upbringing\u2014their work often contrasts image and text. They utilize their own text compositions with photos, footage, and medical files from the Benus\u2019s personal archive that document their care routines to create powerful contemplations of how we understand the body as healthy or ill. They integrate reflections on histories and legacies of activism, illness, eugenics, otherness, Jewishness, and spirituality with the contemporary, ongoing struggles of marginalized and sick\/disabled people."}]}]},{"id":"51yur7pf","date":null,"title":"Gesture toward Justice: The Possibilities of Disability Art","title_html":"

Gesture toward Justice: The Possibilities of Disability Art<\/p>","display_title":"Gesture toward Justice","subtitle":"The Possibilities of Disability Art","subtitle_html":"

The Possibilities of Disability Art<\/p>","uri":"publications\/sduk\/lingering\/gesture-toward-justice-the-possibilities-of-disability-art","slug":"gesture-toward-justice-the-possibilities-of-disability-art","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/gesture-toward-justice-the-possibilities-of-disability-art","credits":[{"heading":"","list":["d0dcmq6h","s01t8rbu","o829t2f0"],"entities":[{"id":"d0dcmq6h","date":null,"title":"Fady Shanouda","title_html":"

Fady Shanouda<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/fady-shanouda","slug":"fady-shanouda","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/d0dcmq6h\/people\/fady-shanouda","text":"Dr. Fady Shanouda<\/strong> is a critical disability studies scholar who draws on feminist new materialism to examine disabled and mad students' experiences in higher education. He is Assistant Professor at the Feminist Institute of Social Transformation (FIST) at Carleton University. He conducts this research diversely-positioned as a disabled, fat, POC, immigrant, and settler who is living, working, and creating on the ancestral and traditional territories of the Algonquin nation."},{"id":"s01t8rbu","date":null,"title":"nancy viva davis halifax","title_html":"

nancy viva davis halifax<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/nancy-viva-davis-halifax","slug":"nancy-viva-davis-halifax","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/s01t8rbu\/people\/nancy-viva-davis-halifax","text":"nancy viva davis halifax<\/strong> was born on the North shore of New Brunswick on Mi'gma'gi territory \\ they is a white \\ queer \\ crip poet & settler \\ a celtic mongrel \\\u202f they is the author of\u202fhook\u202f& has recently completed\u202fact normal\u202f\\ their writing is oriented as an activist & embodied practice\u2014of the body & responsive to wounds written on body\\s\u202f\\ they imagines life as lived through deep connections & ways of knowin\u2019 that are off-centre multiple sensuous \\ their life is entangled with a glorious array of sparkley wonderfuls."},{"id":"o829t2f0","date":null,"title":"Karen K. Yoshida","title_html":"

Karen K. Yoshida<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/karen-k-yoshida","slug":"karen-k-yoshida","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/o829t2f0\/people\/karen-k-yoshida","text":"Karen K. Yoshida<\/strong> is Professor Emeritus at the Department of Physical Therapy, University of Toronto. Since 1987, she has initiated and led an innovative Critical Disability Studies component in partnership with the disability rights community. She was a fellow in Columbia University\u2019s Oral History Summer Institute in 2008. Her most recent research has focused on activist disability oral history, disability leadership in the community, and arts-based dissemination. Karen led the oral history research project that is part of the SSHRC-funded Bodies in Translation Partnership grant.
\n\u00a0"}]}]},{"id":"2c599cmd","date":null,"title":"Start Slow, Feel the Vibrations in Your Gut","title_html":"

Start Slow, Feel the Vibrations in Your Gut<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/start-slow-feel-the-vibrations-in-your-gut","slug":"start-slow-feel-the-vibrations-in-your-gut","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/start-slow-feel-the-vibrations-in-your-gut","credits":[{"heading":"","list":["fvg9tl11"],"entities":[{"id":"fvg9tl11","date":null,"title":"Mourning School","title_html":"

Mourning School<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mourning-school","slug":"mourning-school","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/fvg9tl11\/people\/mourning-school","text":"Mourning School<\/strong> is an artistic study program on the notion of being in grief as the stuff of our everyday, initiated by Lucie Gottlieb and Rosa Paardenkooper. In a series of exhibitions, public programming, and publications, we imagine new ways of collective mourning to give name to and make space for the feelings that come with death, dying, loss, and mourning."}]}]},{"id":"ggfr96bf","date":null,"title":"A Good Death: Supporting the Living and Dying","title_html":"

A Good Death: Supporting the Living and Dying<\/p>","display_title":"A Good Death","subtitle":"Supporting the Living and Dying","subtitle_html":"

Supporting the Living and Dying<\/p>","uri":"publications\/sduk\/lingering\/a-good-death-supporting-the-living-and-dying","slug":"a-good-death-supporting-the-living-and-dying","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/a-good-death-supporting-the-living-and-dying","credits":[{"heading":"","list":["7k1bn3ae","crfmktme","g0a7a86i","r2i5ijit"],"entities":[{"id":"7k1bn3ae","date":null,"title":"Sarah Bird","title_html":"

Sarah Bird<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sarah-bird","slug":"sarah-bird","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/7k1bn3ae\/people\/sarah-bird","text":"Sarah Bird<\/strong> is a death doula and grief educator. In addition to her decades-long experience in healthcare, Sarah trained to become a death doula through the Institute of Traditional Medicine in Toronto, Ontario, and splits her time working between private practice and community hospice. Alongside her intensive training, she is a grief movement guide, grief ritualist, and collaborates with organizations such as the Alzheimer Society Toronto to co-facilitate bereavement support groups."},{"id":"crfmktme","date":null,"title":"Rayne Foy-Vachon","title_html":"

Rayne Foy-Vachon<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/rayne-foy-vachon","slug":"rayne-foy-vachon","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/crfmktme\/people\/rayne-foy-vachon","text":"Rayne Foy-Vachon<\/strong> is an end-of-life\/death doula from Winnipeg, Manitoba. Her work focuses primarily within the 2SLGBTQ+ community and is rooted in harm reduction, trauma-informed care, sex positivity, and social determinants of health through a social justice lens.\u202fRayne comes from an eighteen-year background as the Clinic Coordinator at Nine Circles Community Health Centre. Her journey as a death doula began in April 2021 and has since evolved into a successful end-of-life business\u2014Dying to Help End of Life Services."},{"id":"g0a7a86i","date":null,"title":"Kayla Moryoussef","title_html":"

Kayla Moryoussef<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kayla-moryoussef","slug":"kayla-moryoussef","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/g0a7a86i\/people\/kayla-moryoussef","text":"Kayla Moryoussef<\/strong> has been a death doula and grief worker since 2012, having been trained and certified through the Home Hospice Association, where she now trains and teaches others. She works in Toronto and everywhere, virtually. She started her private practice, Good Death Doula, in 2019."},{"id":"r2i5ijit","date":null,"title":"Chrystal Waban Toop","title_html":"

Chrystal Waban Toop<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/chrystal-waban-toop","slug":"chrystal-waban-toop","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/r2i5ijit\/people\/chrystal-waban-toop","text":"Chrystal Waban Toop<\/strong> is a restorative circle keeper, public speaker, published author, life spectrum doula, counsellor, sociologist, and registered social services worker. For over twenty years, she has focused on healing as an intergenerational residential school survivor whose path began as a youth-at-risk, surviving on the streets of downtown Ottawa and Thunder Bay. Chrystal is a member of the Algonquins of Pikwakanagan First Nation and the founder of Blackbird Medicines, a professional social enterprise that advances healing justice through her work as an Indigenous counselor, spiritual caregiver, and matriarch."}]}]},{"id":"hywiwt54","date":null,"title":"The Corpses of the Future","title_html":"

The Corpses of the Future<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/the-corpses-of-the-future","slug":"the-corpses-of-the-future","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/the-corpses-of-the-future","credits":[{"heading":"","list":["4zhhejf9"],"entities":[{"id":"4zhhejf9","date":null,"title":"Lynn\u202fCrosbie","title_html":"

Lynn\u202fCrosbie<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lynn-crosbie","slug":"lynn-crosbie","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/4zhhejf9\/people\/lynn-crosbie","text":"Lynn\u202fCrosbie<\/strong>\u202fis a cultural critic, author, and poet. A PhD in English literature with a background in visual studies, she teaches at OCADU and the University of Toronto. Her books include\u202fQueen Rat,\u202fDorothy L\u2019Amour, and\u202fLiar<\/em>. She is also the author of the controversial book\u202fPaul\u2019s Case<\/em>, and most recently\u202fLife Is About Losing Everything\u202f<\/em>and the Trillium Book Award-nominated novel\u202fWhere Did You Sleep Last Night<\/em>. She is a contributing editor at\u202fFashion<\/em>\u202fand a National Magazine Award winner who has written about sports, style, art, and music.\u00a0"}]}]},{"id":"gpm61gbd","date":null,"title":"On the Incommensurability of Police and Harm Reduction","title_html":"

On the Incommensurability of Police and Harm Reduction<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/on-the-incommensurability-of-police-and-harm-reduction","slug":"on-the-incommensurability-of-police-and-harm-reduction","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/on-the-incommensurability-of-police-and-harm-reduction","credits":[{"heading":"","list":["jlguuyyr","1cfhf9m0"],"entities":[{"id":"jlguuyyr","date":null,"title":"Jeffrey Ansloos","title_html":"

Jeffrey Ansloos<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jeffrey-ansloos","slug":"jeffrey-ansloos","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/jlguuyyr\/people\/jeffrey-ansloos","text":"Jeffrey Ansloos<\/strong> is Associate Professor and Canada Research Chair in Critical Studies in Indigenous Health at the Ontario Institute for Studies in Education, University of Toronto, where he directs the Critical Health and Social Action Lab. He is also affiliated faculty in UofT\u2019s School of Cities and the University of Victoria\u2019s School of Child and Youth Care. His research focuses on environment and health justice; structural determinants of mental health; and the felt and biopolitical dimensions of suicide in Indigenous communities."},{"id":"1cfhf9m0","date":null,"title":"Karl Gardner","title_html":"

Karl Gardner<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/karl-gardner","slug":"karl-gardner","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/1cfhf9m0\/people\/karl-gardner","text":"Karl Gardner<\/strong> writes and works with social movements committed to migrant justice, Indigenous solidarity, and abolition. He is currently a post-doctoral fellow at the University of Toronto in Political Science, where his work is exploring migrant and Indigenous solidarity in settler colonial contexts. He is also working with the Critical Health and Social Action Lab on a project examining the increasing role of police in contexts of harm reduction and mental health crisis."}]}]},{"id":"zp8aecm9","date":null,"title":"Crises of Visibility: The Activism of MDs","title_html":"

Crises of Visibility: The Activism of MDs<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/crises-of-visibility-the-activism-of-mds","slug":"crises-of-visibility-the-activism-of-mds","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/crises-of-visibility-the-activism-of-mds","credits":[{"heading":"","list":["hzilqorv"],"entities":[{"id":"hzilqorv","date":null,"title":"Emily Cadotte","title_html":"

Emily Cadotte<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/emily-cadotte","slug":"emily-cadotte","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/hzilqorv\/people\/emily-cadotte","text":"Emily Cadotte<\/strong> is a doctoral student at the University of Western Ontario where she is also the editor of\u202ftba: journal of art, media, and visual culture<\/em>.\u202fShe holds an MA from OCAD University where she was awarded the program medal for Contemporary Art, Design and New Media Histories. She has taught at Brock University and OCADU, and worked in various arts admin roles. She has published in\u202fArt Education<\/em>,\u202fEsse<\/em>,\u202fand\u202fCanadian Art<\/em>."}]}]},{"id":"c84id8r6","date":null,"title":"Glossary (14)","title_html":"

Glossary (14)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/lingering\/glossary-14","slug":"glossary-14","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/lingering\/glossary-14","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/lingering\/f2c3a21a48-1673446726\/blackwood_sduk14_lingering.pdf"},{"id":"0gvf4lbm","date":"2022-09-09","title":"SDUK 13: WADING","title_html":"

SDUK 13: WADING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/wading","slug":"wading","cover":{"id":"0gvf4lbm","modified":1663087235,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/wading\/7c2a4d71c0-1663087235\/blackwoodgallery_broadsheet_13_wading_02-pages.jpg","type":"image","mime":"image\/jpeg","size":1340207,"extension":"jpg","filename":"blackwoodgallery_broadsheet_13_wading_02-pages.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading","preview_mode":"false","number":"13","abstract":"Our thirteenth SDUK broadsheet dives into approaches for navigating social and ecological crises. **WADING** complements the Blackwood\u2019s summer and fall presentation of *Lyfeboat prototype* and event series, *Nearshore Gatherings*\u2014both platforms for community engagement with ecology and environmental activism. This issue traverses further from the shoreline into the vast oceans of inquiry on land-based education, institutional critique, biocultural diversity, food and land sovereignty, and equity in the outdoors. \n\n**Contributors**: Madhur Anand, Magdalyn Asimakis, Robin Buyers, Lianne Marie Leda Charlie, C\u00e9line Chuang, Carolynne Crawley, Sienna Fekete, The Forest Curriculum (Abhijan Toto and Pujita Guha), Maggie Groat, Aimi Hamraie, Sonia Hill, Maria Hupfield, Asunci\u00f3n Molinos Gordo, Camille Mayers, Fikile Nxumalo, Vasuki Shanmuganathan, Christina Sharpe, Zo\u00eb Wool","abstract_html":"

Our thirteenth SDUK broadsheet dives into approaches for navigating social and ecological crises. WADING<\/strong> complements the Blackwood\u2019s summer and fall presentation of Lyfeboat prototype<\/em> and event series, Nearshore Gatherings<\/em>\u2014both platforms for community engagement with ecology and environmental activism. This issue traverses further from the shoreline into the vast oceans of inquiry on land-based education, institutional critique, biocultural diversity, food and land sovereignty, and equity in the outdoors. <\/p>\n

Contributors<\/strong>: Madhur Anand, Magdalyn Asimakis, Robin Buyers, Lianne Marie Leda Charlie, C\u00e9line Chuang, Carolynne Crawley, Sienna Fekete, The Forest Curriculum (Abhijan Toto and Pujita Guha), Maggie Groat, Aimi Hamraie, Sonia Hill, Maria Hupfield, Asunci\u00f3n Molinos Gordo, Camille Mayers, Fikile Nxumalo, Vasuki Shanmuganathan, Christina Sharpe, Zo\u00eb Wool<\/p>","contributions":[{"id":"tcnfkjxw","date":null,"title":"Cover (13)","title_html":"

Cover (13)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/cover-13","slug":"cover-13","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/cover-13","credits":[]},{"id":"t9fq0g30","date":null,"title":"How to Read this Broadsheet (13)","title_html":"

How to Read this Broadsheet (13)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/how-to-read-this-broadsheet-13","slug":"how-to-read-this-broadsheet-13","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/how-to-read-this-broadsheet-13","credits":[]},{"id":"htj9ezgg","date":null,"title":"Butterfly Effects","title_html":"

Butterfly Effects<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/butterfly-effects","slug":"butterfly-effects","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/butterfly-effects","credits":[{"heading":"","list":["tbvuro9q"],"entities":[{"id":"tbvuro9q","date":null,"title":"Maggie Groat","title_html":"

Maggie Groat<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/maggie-groat","slug":"maggie-groat","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/tbvuro9q\/people\/maggie-groat","text":"Maggie Groat<\/strong> is an artist, mother, birthworker, and gardener whose current research surrounds states of becoming, decolonial ways-of-being, how plants and gardens can be portals, slowness, the utility of images, and the transformative potentials of salvaged materials during times of living through climate emergency. Her methodologies are informed by states of being in-between, acts of care, site-specific responsiveness, strategies of collage, and hopeful speculation."}]}]},{"id":"m2h05x72","date":null,"title":"what the river reveals: remembering like the water","title_html":"

what the river reveals: remembering like the water<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/what-the-river-reveals","slug":"what-the-river-reveals","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/what-the-river-reveals","credits":[{"heading":"","list":["k77xww32"],"entities":[{"id":"k77xww32","date":null,"title":"C\u00e9line Chuang","title_html":"

C\u00e9line Chuang<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/celine-chuang","slug":"celine-chuang","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/k77xww32\/people\/celine-chuang","text":"C\u00e9line Chuang<\/strong> is a writer, designer, and facilitator with familial and ancestral ties to Hong Kong, Mauritius, and Moiyen and Fujian, China. Her interdisciplinary practice engages memory, lineage, diaspora, and de\/anti-colonial spatiality. C\u00e9line\u2019s work has appeared in\u202fGUTS<\/em>, The Funambulist<\/em>, Geez<\/em>, and\u202fThe Waking (Ruminate).<\/em> Raised by the river in Mohkinstsis, Treaty 7 territory (Calgary), she now lives in \u140a\u14a5\u1422\u147f\u148c\u141a\u1422\u1472\u1426\u1403\u1472 \/ amiskwac\u00eew\u00e2skahikan (Edmonton)."}]}]},{"id":"0i9z47pu","date":null,"title":"Dechinta | In the Bush: Northern Harvesting and Land-based Learning","title_html":"

Dechinta | In the Bush: Northern Harvesting and Land-based Learning<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/dechinta-in-the-bush-northern-harvesting-and-land-based-learning","slug":"dechinta-in-the-bush-northern-harvesting-and-land-based-learning","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/dechinta-in-the-bush-northern-harvesting-and-land-based-learning","credits":[{"heading":"","list":["gdkxblez"],"entities":[{"id":"gdkxblez","date":null,"title":"Lianne Marie Leda Charlie","title_html":"

Lianne Marie Leda Charlie<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lianne-marie-leda-charlie","slug":"lianne-marie-leda-charlie","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/gdkxblez\/people\/lianne-marie-leda-charlie","text":"Lianne Marie Leda Charlie<\/strong> is Wolf Clan and Tag\u00e9 Cho Hud\u00e4n (Northern Tutchone-speaking people of the Yukon). She was born in Whitehorse to Luanna Larusson and late father Peter Andrew Charlie. Her maternal grandparents are Donna Olsen (Danish ancestry) and Hj\u00e1lmar Benedict Larusson (Icelandic) and her paternal grandparents are Leda Jimmy of T\u00e1nints\u0119 Ch\u00fa Dach\u00e4k and Big Salmon Charlie of Gy\u00f2 Cho Ch\u00fa. Lianne has a PhD in Political Science from the University of Hawai`i at M\u0101noa, and is a faculty member with Dechinta Centre for Research and Learning."}]}]},{"id":"txibl9nr","date":null,"title":"Filling Spirits: Community-oriented Cuisine and Gardening","title_html":"

Filling Spirits: Community-oriented Cuisine and Gardening<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/filling-spirits-community-oriented-cuisine-and-gardening","slug":"filling-spirits-community-oriented-cuisine-and-gardening","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/filling-spirits-community-oriented-cuisine-and-gardening","credits":[{"heading":"","list":["12o8lbjc","xkv80eey","0vehgz73","js934bmr","xq8ul61i"],"entities":[{"id":"12o8lbjc","date":null,"title":"Robin Buyers","title_html":"

Robin Buyers<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/robin-buyers","slug":"robin-buyers","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/12o8lbjc\/people\/robin-buyers","text":"Robin Buyers<\/strong> co-leads the Noojimo\u2019iwein Gitigaan\/Healing Garden at St. Matthew\u2019s United Church, Toronto. Gifted the name by Elder Peduhbun Migizi Kwe, Noojimo\u2019iwein Gitigaan is \"a place for healing, learning, sharing, and reflection about Canada\u2019s history and the legacy of Indian Residential Schools.\" By stewarding the small green space differently, the Church\u2019s Indigenous People's Solidarity Group and volunteers seek to model how small urban spaces may become sites of re-connection with Creation and respect for Indigenous spirituality."},{"id":"xkv80eey","date":null,"title":"Sienna Fekete","title_html":"

Sienna Fekete<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sienna-fekete","slug":"sienna-fekete","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xkv80eey\/people\/sienna-fekete","text":"Sienna Fekete<\/strong> is a curator and educator based in New York City with a background in radio, podcasting, and music. She is the host of the Points of View podcast, a Curatorial Fellow at The Kitchen, and the co-founder of Chroma, a cultural agency and creative studio centring the work and perspectives of women of colour. She looks forward to creating more women of colour-led initiatives, producing audio projects, spearheading public programming, and growing her practice as a curator who builds collectively with her community."},{"id":"0vehgz73","date":null,"title":"Sonia Hill","title_html":"

Sonia Hill<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sonia-hill","slug":"sonia-hill","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/0vehgz73\/people\/sonia-hill","text":"Sh\u00e9:kon, sewakwekon Sonia ionkias. Sonia Hill<\/strong> is Mohawk from Six Nations, Lebanese from Beirut, and Scottish. Hill was born and raised in the city and suburbs of Hamilton. They are currently finishing a Master\u2019s degree in Sociology at McMaster University, Director of the Indigenous Sustenance Reclamation Network, and the network's Regional Program Coordinator for Kahnekanoron."},{"id":"js934bmr","date":null,"title":"Camille Mayers","title_html":"

Camille Mayers<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/camille-mayers","slug":"camille-mayers","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/js934bmr\/people\/camille-mayers","text":"Chef Camille Mayers<\/strong> comes from a long line of chefs: their grandmother spent her life catering in Guyana, passing down those skills to their mother, who began teaching Camille from a young age. Passionate for locally sourced foods and increasing diversity within Toronto\u2019s food industry, they were motivated to create the city\u2019s first Black and Indigenous Farmers Market. As a Black, Non-Binary, and Queer person, they have always felt compelled to combat anti-Blackness and oppression, and are always looking for ways to incorporate food and love for their communities."},{"id":"xq8ul61i","date":null,"title":"Vasuki Shanmuganathan","title_html":"

Vasuki Shanmuganathan<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/vasuki-shanmuganathan","slug":"vasuki-shanmuganathan","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xq8ul61i\/people\/vasuki-shanmuganathan","text":"Vasuki Shanmuganathan<\/strong> is a researcher, artist, and curator. In 2016, she founded the Tamil Archive Project collective, which combines art, knowledge sharing, and archival practices into accessible events centred on communal care. Her emerging art and curatorial practice engages with archives and symbiotic connections to trace the material and immaterial borders of the digital. She has curated exhibitions for The Public Gallery, Scarborough Arts, and Make Room, exhibited most recently at Lakeshore Arts, and has an upcoming digital exhibit at DARC. Vasuki holds a PhD from the University of Toronto in Critical Race and Cultural Studies.\u202f"}]}]},{"id":"3s2cuvy3","date":null,"title":"Interview with Omehen","title_html":"

Interview with Omehen<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/interview-with-omehen","slug":"interview-with-omehen","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/interview-with-omehen","credits":[{"heading":"","list":["310sag3d"],"entities":[{"id":"310sag3d","date":null,"title":"The Forest Curriculum","title_html":"

The Forest Curriculum<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/the-forest-curriculum","slug":"the-forest-curriculum","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/310sag3d\/people\/the-forest-curriculum","text":"The Forest Curriculum<\/strong> (Bangkok\/Yogyakarta\/Manila\/Seoul\/Berlin\/Santa Barbara) is an itinerant and nomadic platform for interdisciplinary research and mutual co-learning, based in Southeast Asia. Founded and co-directed by curators Abhijan Toto and Pujita Guha, and with Rosalia Namsai Engchuan, Dennis Dizon, bela, Zeke Sales and others, it works with artists, collectives, researchers, Indigenous organizations and thinkers, musicians, and activists to assemble a located critique of the Anthropocene via the naturecultures of the forested belt that connects South and Southeast Asia."}]}]},{"id":"mthb45j6","date":null,"title":"Parasitic Oscillations","title_html":"

Parasitic Oscillations<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/parasitic-oscillations","slug":"parasitic-oscillations","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/parasitic-oscillations","credits":[{"heading":"","list":["7dibkknr"],"entities":[{"id":"7dibkknr","date":null,"title":"Madhur Anand","title_html":"

Madhur Anand<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/madhur-anand","slug":"madhur-anand","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/7dibkknr\/people\/madhur-anand","text":"Madhur Anand<\/strong> is a poet and professor of ecology at the University of Guelph. She is the author of A New Index for Predicting Catastrophes<\/em> (2015), This Red Line Goes Straight to Your Heart<\/em> (2020), which won the Governor General's Literary Award for Nonfiction, and Parasitic Oscillations<\/em> (2022)."}]}]},{"id":"apqnfyrp","date":null,"title":"Msit No\u2019kmaq: Deepening Relations with Mother Earth","title_html":"

Msit No\u2019kmaq: Deepening Relations with Mother Earth<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/msit-no-kmaq","slug":"msit-no-kmaq","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/msit-no-kmaq","credits":[{"heading":"","list":["b4cccnhu"],"entities":[{"id":"b4cccnhu","date":null,"title":"Carolynne Crawley","title_html":"

Carolynne Crawley<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/carolynne-crawley","slug":"carolynne-crawley","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/b4cccnhu\/people\/carolynne-crawley","text":"Carolynne Crawley<\/strong>, founder of Msit No\u2019kmaq and co-founder of Turtle Protectors, is\u202fMi'kmaw with Black and Irish ancestry.\u202fShe is from Mi\u2019kma\u2019ki territory but Toronto has been her home since childhood.\u202fShe is dedicated to social and environmental justice.\u202fCarolynne is also a Forest Therapy Guide, Kairos Blanket Exercise Facilitator, Holistic Nutritionist, Storyteller, co-producer of the documentary Reckoning with the Wendigo<\/em>, and a member of the Indigenous Land Stewardship Circle."}]}]},{"id":"dotyjxmy","date":null,"title":"Thinking with Black Ecologies in Educational Research","title_html":"

Thinking with Black Ecologies in Educational Research<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/thinking-with-black-ecologies-in-educational-research","slug":"thinking-with-black-ecologies-in-educational-research","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/thinking-with-black-ecologies-in-educational-research","credits":[{"heading":"","list":["k4uwvrjq"],"entities":[{"id":"k4uwvrjq","date":null,"title":"Fikile Nxumalo","title_html":"

Fikile Nxumalo<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/fikile-nxumalo","slug":"fikile-nxumalo","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/k4uwvrjq\/people\/fikile-nxumalo","text":"Dr. Fikile Nxumalo<\/strong> is Assistant Professor at the Ontario Institute for Studies in Education, University of Toronto, where she directs the Childhood Place Pedagogy Lab. She is also affiliated faculty in the School of the Environment at the University of Toronto. Her research focuses on anti-colonial place-based and environmental education."}]}]},{"id":"xamlmp17","date":null,"title":"Peasant CV","title_html":"

Peasant CV<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/peasant-cv","slug":"peasant-cv","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/peasant-cv","credits":[{"heading":"","list":["ox9ct1v3"],"entities":[{"id":"ox9ct1v3","date":null,"title":"Asunci\u00f3n Molinos Gordo","title_html":"

Asunci\u00f3n Molinos Gordo<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/asuncion-molinos-gordo","slug":"asuncion-molinos-gordo","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ox9ct1v3\/people\/asuncion-molinos-gordo","text":"Asunci\u00f3n Molinos Gordo<\/strong> is a research-based artist influenced by disciplines such as anthropology, sociology, and cultural studies. The main focus of her work is contemporary peasantry. She has produced work reflecting on land usage, farmers\u2019 strikes, bureaucracy on territory, transformation of rural labour, biotechnology and global food trade. Molinos Gordo won the Sharjah Biennial Prize 2015 with her project WAM<\/em> (World Agriculture Museum<\/em>) and represented Spain at the Havana Biennial, 2019."}]}]},{"id":"rpjcz2ft","date":null,"title":"How Not to be Consumed","title_html":"

How Not to be Consumed<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/how-not-to-be-consumed","slug":"how-not-to-be-consumed","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/how-not-to-be-consumed","credits":[{"heading":"","list":["hpcgya0m","uf4983za","2jxwgzuw"],"entities":[{"id":"hpcgya0m","date":null,"title":"Aimi Hamraie","title_html":"

Aimi Hamraie<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/aimi-hamraie","slug":"aimi-hamraie","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/hpcgya0m\/people\/aimi-hamraie","text":"Aimi Hamraie<\/strong> (they\/them) is Associate Professor of Medicine, Health, and Society and of American Studies at Vanderbilt University, and Director of the\u202fCritical Design Lab. Hamraie is author of\u202fBuilding Access: Universal Design and the Politics of Disability<\/em>\u202f(University of Minnesota Press, 2017), host of the\u202fContra* podcast\u202fon disability and design, and a member of the\u202fU.S. Access Board.\u202f"},{"id":"uf4983za","date":null,"title":"Maria Hupfield","title_html":"

Maria Hupfield<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/maria-hupfield","slug":"maria-hupfield","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/uf4983za\/people\/maria-hupfield","text":"Maria Hupfield<\/strong> (she\/her) is a transdisciplinary maker working at the intersection of performance art, design and sculpture. She is the 2022 ArtworxTO Artist in Residence with solo projects at Patel Brown, Toronto, and Nuit Blanche fall 2022. Hupfield is an Assistant Professor and Canadian Research Chair, cross-appointed to the Departments of Visual Studies and English and Drama at UTM, with a graduate appointment in the Daniels Faculty. Hupfield is lead artist at the Indigenous Creation Studio. She is Marten Clan and an off-rez member of the Anishinaabe Nation belonging to Wasauksing First Nation."},{"id":"2jxwgzuw","date":null,"title":"Zo\u00eb Wool","title_html":"

Zo\u00eb Wool<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/zoe-wool","slug":"zoe-wool","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/2jxwgzuw\/people\/zoe-wool","text":"Zo\u00eb H Wool<\/strong> is Assistant Professor in Anthropology at the University of Toronto Mississauga, where she teaches about toxicity, disability, and the tyranny of normativity. She is author of\u202fAfter War: The Weight of Life at Walter Reed,<\/em> co-founder of Project Pleasantville, a community-engaged archive of Black leadership and environmental racism, and is Director of the TWIG Research Kitchen, a convivial feminist space for work on toxicity, waste, and infrastructure."}]}]},{"id":"leqgght7","date":null,"title":"Against Renewal","title_html":"

Against Renewal<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/against-renewal","slug":"against-renewal","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/against-renewal","credits":[{"heading":"","list":["aw2gwbio"],"entities":[{"id":"aw2gwbio","date":null,"title":"Christina Sharpe","title_html":"

Christina Sharpe<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/christina-sharpe","slug":"christina-sharpe","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/aw2gwbio\/people\/christina-sharpe","text":"Christina Sharpe<\/strong> is a writer, Professor, and Tier 1 Canada Research Chair in Black Studies in the Humanities at York University.\u202f She is also a Senior Research Associate at the Centre for the Study of Race, Gender & Class, University of Johannesburg, and a Matakyev Research Fellow at the Center for Imagination in the Borderlands at Arizona State University.\u202f Sharpe is the author of\u202fMonstrous Intimacies: Making Post-Slavery Subjects<\/em>\u202f(2010) and\u202fIn the Wake: On Blackness and Being<\/em>\u202f(2016).\u202fHer third book\u202fOrdinary Notes<\/em> will be\u202fpublished in Canada by Knopf. Her critical introduction to\u202fNomenclature: New and Collected Poems<\/em>\u202fof Dionne Brand will be published in fall 2022. She is working on two books:\u202fBlack. Still. Life.<\/em> (2025) and To\u202fHave Been to the End of the World: 25 Essays on Art.<\/em>"}]}]},{"id":"fo2xnknz","date":null,"title":"Rooting in Exile","title_html":"

Rooting in Exile<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/rooting-in-exile","slug":"rooting-in-exile","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/rooting-in-exile","credits":[{"heading":"","list":["zuokhtzx"],"entities":[{"id":"zuokhtzx","date":null,"title":"Magdalyn Asimakis","title_html":"

Magdalyn Asimakis<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/magdalyn-asimakis","slug":"magdalyn-asimakis","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zuokhtzx\/people\/magdalyn-asimakis","text":"Magdalyn Asimakis<\/strong> is a curator and writer based in Toronto. Her practice considers embodied knowledge in relation to Western display practices and methods of knowing. She is the co-founder of the curatorial project\u202f ma ma<\/em>, and a PhD candidate at Queen's University."}]}]},{"id":"radqu9yc","date":null,"title":"Glossary (13)","title_html":"

Glossary (13)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/wading\/glossary-13","slug":"glossary-13","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/wading\/glossary-13","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/wading\/79d2aee8a8-1663162390\/blackwood_sduk13_wading.pdf"},{"id":"e4a5xwgu","date":"2022-05-09","title":"SDUK 12: BONDING","title_html":"

SDUK 12: BONDING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/bonding","slug":"bonding","cover":{"id":"e4a5xwgu","modified":1651586655,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/bonding\/cb42549749-1651586655\/12_bonding_cover.jpg","type":"image","mime":"image\/jpeg","size":746892,"extension":"jpg","filename":"12_bonding_cover.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding","preview_mode":"false","number":"12","abstract":"The twelfth SDUK broadsheet examines the diverse means by which individuals and communities build lasting or fleeting bonds. Coinciding with the conclusion of *Crossings: Itineraries of Encounter*, the Blackwood\u2019s 2021\u201322 lightbox series, this issue, **BONDING**, echoes themes seen throughout *Crossings*: migration, diaspora, borders, and archives. Where the lightbox exhibitions examine image-making practices, this SDUK issue engages print culture in new and recurring formats including visual storytelling, poetry, a letter exchange, and a recipe. \n\n**Contributors**: Tehmina Ahmad, Hangama Amiri, Tings Chak, Kori Doty, Fatme Elkadry, Mercedes Eng, Fern Facette, Gabrielle Griffith, Amanda Huynh, Rula Kahil, Theodore (ted) Kerr, Clifford Prince King, Nadia Kurd, Kriss Li, Karie Liao, A.J. Lowik, Neda Maghbouleh, Rehab Nazzal, Cecily Nicholson, Laila Omar, Nat Raha, Waard Ward","abstract_html":"

The twelfth SDUK broadsheet examines the diverse means by which individuals and communities build lasting or fleeting bonds. Coinciding with the conclusion of Crossings: Itineraries of Encounter<\/em>, the Blackwood\u2019s 2021\u201322 lightbox series, this issue, BONDING<\/strong>, echoes themes seen throughout Crossings<\/em>: migration, diaspora, borders, and archives. Where the lightbox exhibitions examine image-making practices, this SDUK issue engages print culture in new and recurring formats including visual storytelling, poetry, a letter exchange, and a recipe. <\/p>\n

Contributors<\/strong>: Tehmina Ahmad, Hangama Amiri, Tings Chak, Kori Doty, Fatme Elkadry, Mercedes Eng, Fern Facette, Gabrielle Griffith, Amanda Huynh, Rula Kahil, Theodore (ted) Kerr, Clifford Prince King, Nadia Kurd, Kriss Li, Karie Liao, A.J. Lowik, Neda Maghbouleh, Rehab Nazzal, Cecily Nicholson, Laila Omar, Nat Raha, Waard Ward<\/p>","contributions":[{"id":"p9sgngxd","date":null,"title":"Cover (12)","title_html":"

Cover (12)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/cover-12","slug":"cover-12","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/cover-12","credits":[{"heading":"","list":[],"entities":[]}]},{"id":"qqt2pyn1","date":null,"title":"Seams of Resilience","title_html":"

Seams of Resilience<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/seams-of-resilience","slug":"seams-of-resilience","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/seams-of-resilience","credits":[{"heading":"","list":["mhic4cku"],"entities":[{"id":"mhic4cku","date":null,"title":"Hangama Amiri","title_html":"

Hangama Amiri<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/hangama-amiri","slug":"hangama-amiri","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/mhic4cku\/people\/hangama-amiri","text":"Hangama Amiri<\/strong> holds an MFA from Yale University, a BFA from NSCAD University, and was a Canadian Fulbright and Post-Graduate Fellow at Yale University (2015\u201316). Her work has been exhibited in New York City, Toronto, France, Italy, London (UK), and Bulgaria. She won the 2011 Lieutenant Governor\u2019s Community Volunteerism Award, the 2013 Portia White Protege Award, and a runner-up honorable mention at RBC Canadian Painting Competition in 2015. Amiri was an Artist-in-Residence at the Banff Centre (2017), Joya AiR Residency, Spain (2017), World of CO Residency, Bulgaria (2018), and Long Road Projects, Florida (2019)."}]}]},{"id":"q00jtgrt","date":null,"title":"How to Read this Broadsheet (12)","title_html":"

How to Read this Broadsheet (12)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/how-to-read-this-broadsheet-12","slug":"how-to-read-this-broadsheet-12","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/how-to-read-this-broadsheet-12","credits":[]},{"id":"e6kh49np","date":null,"title":"In Errors We See Ourselves","title_html":"

In Errors We See Ourselves<\/p>","display_title":"","subtitle":"The Misrepresentations of Robert Rayford","subtitle_html":"

The Misrepresentations of Robert Rayford<\/p>","uri":"publications\/sduk\/bonding\/in-errors-we-see-ourselves","slug":"in-errors-we-see-ourselves","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/in-errors-we-see-ourselves","credits":[{"heading":"","list":["m2zrxz3s"],"entities":[{"id":"m2zrxz3s","date":null,"title":"Theodore (ted) Kerr","title_html":"

Theodore (ted) Kerr<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/theodore-kerr","slug":"theodore-kerr","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/m2zrxz3s\/people\/theodore-kerr","text":"Theodore (ted) Kerr<\/strong> is a Canadian born, Brooklyn based writer and organizer. For the US's National Library of Medicine he curated, A People's History of Pandemic: AIDS, Posters, and Stories of Public Health<\/em>. He edited an On Curating<\/em> issue entitled, What You Don't Know About AIDS Could Fill a Museum<\/em>. He is a founding member of What Would an HIV Doula Do? With Alexandra Juhasz, he co-wrote the book, We Are Having This Conversation Now: The Times of AIDS Cultural Production<\/em> (Duke University Press, 2022)."}]}]},{"id":"j28uygz7","date":null,"title":"The Pain that Bonds Us","title_html":"

The Pain that Bonds Us<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/the-pain-that-bonds-us","slug":"the-pain-that-bonds-us","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/the-pain-that-bonds-us","credits":[{"heading":"","list":["wtaa3mlg","9d41yzzh","3hxsbnig"],"entities":[{"id":"wtaa3mlg","date":null,"title":"Rula Kahil","title_html":"

Rula Kahil<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/rula-kahil","slug":"rula-kahil","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/wtaa3mlg\/people\/rula-kahil","text":"Rula Kahil<\/strong> is a teaching-stream Assistant Professor at UofT Sociology and formerly a postdoctoral fellow and research associate on the RISE project. Rula\u2019s research interests include emotions and identity formation, immigrant women\u2019s mental health, and qualitative methodologies. She is currently developing a psychosocial toolkit that can help newcomer mothers and their supporters cope with difficult emotions they carry with them into migration and settlement."},{"id":"9d41yzzh","date":null,"title":"Laila Omar","title_html":"

Laila Omar<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/laila-omar","slug":"laila-omar","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/9d41yzzh\/people\/laila-omar","text":"Laila Omar<\/strong> is a Sociology PhD Candidate at the University of Toronto. Her research interests include international migration and qualitative methods, with a special focus on the integration process of refugees and immigrants from the Middle East and North Africa in Canada. Laila explores how Syrian refugee mothers and youth experience time and conceptualize their futures after their resettlement. Her research is funded by a SSHRC Doctoral Fellowship and is published in Journal of Ethnic and Migration Studies<\/em>."},{"id":"3hxsbnig","date":null,"title":"Neda Maghbouleh","title_html":"

Neda Maghbouleh<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/neda-maghbouleh","slug":"neda-maghbouleh","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/3hxsbnig\/people\/neda-maghbouleh","text":"Neda Maghbouleh<\/strong> is a Canada Research Chair in Migration, Race, and Identity and teaches Sociology at the University of Toronto Mississauga. Recognized as an authority on the racialization of migrants from the Middle Eastern and North African region, she is author of The Limits of Whiteness: Iranian Americans and the Everyday Politics of Race<\/em> (2017) and winner of a 2018-23 Ontario Early Researcher Award and major SSHRC Insight grant."}]}]},{"id":"uf9e2m2d","date":null,"title":"Undocumented: The Architecture of Migrant Detention","title_html":"

Undocumented: The Architecture of Migrant Detention<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/undocumented-the-architecture-of-migrant-detention","slug":"undocumented-the-architecture-of-migrant-detention","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/undocumented-the-architecture-of-migrant-detention","credits":[{"heading":"","list":["1aq4m2r8"],"entities":[{"id":"1aq4m2r8","date":null,"title":"Tings Chak","title_html":"

Tings Chak<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tings-chak","slug":"tings-chak","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/1aq4m2r8\/people\/tings-chak","text":"Tings Chak \u7fdf\u5ead\u541b<\/strong>\u00a0is an artist and writer based in Shanghai. She is Art Director of the Tricontinental: Institute for Social Research\u00a0and member of the art and culture working group of the\u00a0International People's Assembly. Undocumented: The Architecture of Migrant Detention<\/em> is\u00a0based on her work as a migrant justice organizer in Toronto. Her current research focuses on\u00a0the culture of national liberation and socialist struggles."}]}]},{"id":"20z39bxp","date":null,"title":"carver","title_html":"

carver<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/carver","slug":"carver","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/carver","credits":[{"heading":"","list":["xj0snu0l"],"entities":[{"id":"xj0snu0l","date":null,"title":"Cecily Nicholson","title_html":"

Cecily Nicholson<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/cecily-nicholson","slug":"cecily-nicholson","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xj0snu0l\/people\/cecily-nicholson","text":"Cecily Nicholson<\/strong> is an award-winning author of three books of poetry. She volunteers with community impacted by carcerality and food insecurity. Her readings, talks, and residencies have been hosted by spaces such as New York University\u2019s Tisch School of the Arts, Woodland Pattern Book Center, Milwaukee, the Holloway Series in Poetry UC Berkeley, and the Surrey School District."}]}]},{"id":"kwttfp2e","date":null,"title":"\"Holding the Door Open for Change\"","title_html":"

\"Holding the Door Open for Change\"<\/p>","display_title":"","subtitle":"Reflections on Transgender and Gender-diverse Reproductive Care","subtitle_html":"

Reflections on Transgender and Gender-diverse Reproductive Care<\/p>","uri":"publications\/sduk\/bonding\/holding-the-door-open-for-change","slug":"holding-the-door-open-for-change","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/holding-the-door-open-for-change","credits":[{"heading":"","list":["433ec903","dgl5sp1f","f3xw0xzl","u4m1djuw","sci4qm5c"],"entities":[{"id":"433ec903","date":null,"title":"Tehmina Ahmad","title_html":"

Tehmina Ahmad<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tehmina-ahmad","slug":"tehmina-ahmad","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/433ec903\/people\/tehmina-ahmad","text":"Tehmina Ahmad<\/strong> is a Resident Physician in Endocrinology and Metabolism, and the current Endocrinology Chief for the 2021\u201322 year at the University of Toronto. She has an interest in transgender and gender-diverse health, in addition to reproductive endocrinology. As a queer physician and fierce advocate, she recognizes how underrepresented the 2SLGBTQ+ community are in medicine and strives to raise the profile of her 2SLGBTQ+ patients and colleagues."},{"id":"dgl5sp1f","date":null,"title":"Kori Doty","title_html":"

Kori Doty<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kori-doty","slug":"kori-doty","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/dgl5sp1f\/people\/kori-doty","text":"Kori Doty<\/strong> is a non-binary, trans, neurodivergent community educator based on Lekwungen Territory in the home of the Esquimalt, Songhees, and WSANEC First Nations. Their biological ancestry is primarily made up of working class Northern European settlers and they also claim cultural lineage to pioneers in psychedelics and queer rebels. They write things on the internet, recently in print (Demeter '22), and through their Patreon. They specialize in gender and sexuality, harm reduction, and psychedelics. They are also training in somatic sex education."},{"id":"f3xw0xzl","date":null,"title":"Gabrielle Griffith","title_html":"

Gabrielle Griffith<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/gabrielle-griffith","slug":"gabrielle-griffith","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/f3xw0xzl\/people\/gabrielle-griffith","text":"Gabrielle Griffith<\/strong> is a full spectrum doula and educator who prioritizes support for the queer and trans community. Gabrielle is sex and kink positive, helping people get informed and feel empowered along their reproductive journey by providing fact-based information to families. Working from a trauma-informed, sex positive, and queer lens, they believe that choice, consent, courage, community, and care are the foundation of reproductive care education."},{"id":"u4m1djuw","date":null,"title":"A.J. Lowik","title_html":"

A.J. Lowik<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/aj-lowik","slug":"aj-lowik","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/u4m1djuw\/people\/aj-lowik","text":"Dr. A.J. Lowik<\/strong> (they\/them) is the Gender Equity Advisor at the Centre for Gender and Sexual Health Equity in Vancouver, on the ancestral, traditional lands of the x\u02b7m\u0259\u03b8k\u02b7\u0259y\u0313\u0259m (Musqueam), s\u0259lilw\u0259ta\u026c (Tsleil-Waututh) and S\u1e35wx\u0331w\u00fa7mesh (Squamish) peoples. They are a trans scholar and health researcher whose work focuses on trans and non-binary people\u2019s reproductive lives and experiences accessing health care. A renowned expert on trans- and gender-inclusion, they work with researchers, health and social service organizations, educators, lawyers, and policymakers."},{"id":"sci4qm5c","date":null,"title":"Nat Raha","title_html":"

Nat Raha<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/nat-raha","slug":"nat-raha","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/sci4qm5c\/people\/nat-raha","text":"Nat Raha<\/strong> is a poet and activist-scholar based in Edinburgh. She is the author of three collections of poetry: of sirens, body & faultlines<\/em> (2018), countersonnets<\/em> (2013), and Octet<\/em> (2010). Her writing has appeared in South Atlantic Quarterly, Third Text, TSQ, MAP Magazine<\/em>, and Transgender Marxism<\/em>. Her poetry is anthologised in We Want It All: An Anthology of Radical Trans Poetics, ON CARE<\/em>, and What the Fire Sees<\/em>. Nat holds a PhD in queer Marxism from the University of Sussex, and co-edits Radical Transfeminism<\/em> Zine."}]}]},{"id":"wz9ihjmd","date":null,"title":"Epistolary Lifelines","title_html":"

Epistolary Lifelines<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/epistolary-lifelines","slug":"epistolary-lifelines","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/epistolary-lifelines","credits":[{"heading":"","list":["1qk1j18c","s6aakyj6"],"entities":[{"id":"1qk1j18c","date":null,"title":"Mercedes Eng","title_html":"

Mercedes Eng<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mercedes-eng","slug":"mercedes-eng","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/1qk1j18c\/people\/mercedes-eng","text":"Mercedes Eng<\/strong> is a poet and text-based artist. She is the author of\u00a0Mercenary English<\/em>,\u00a0Prison Industrial Complex Explodes<\/em> (winner of the BC Poetry Prize), and\u00a0my yt mama<\/em>. Her writing has appeared in the Lambda-nominated\u00a0anthology\u00a0Hustling Verse: An Anthology of Sex Workers\u2019 Poetry<\/em>,\u00a0Jacket 2<\/em>,\u00a0Asian American Literary Review<\/em>,\u00a0The Capilano Review<\/em>,\u00a0The Abolitionist<\/em>, r\/ally<\/em>,\u00a0Survaillance<\/em>,\u00a0and\u00a0M\u2019aidez<\/em>. Mercedes is the incoming Writer-in-Residence at Simon Fraser University."},{"id":"s6aakyj6","date":null,"title":"Kriss Li","title_html":"

Kriss Li<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kriss-li","slug":"kriss-li","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/s6aakyj6\/people\/kriss-li","text":"Kriss Li<\/strong> is a multimedia artist who creates fictional narratives, animations, documentaries, and installations that explore structures of power and the hidden sites of possibility that we can exploit towards greater collective capacities. Kriss\u2019s practice is informed by community organizing, especially at Prisoner Correspondence Project, a volunteer-run solidarity initiative for LGBTQ prisoners. Kriss was born in Chengdu, China, and currently lives on the unceded territories of the x\u02b7m\u0259\u03b8k\u02b7\u0259y\u0313\u0259m (Musqueam), S\u1e35wx\u0331w\u00fa7mesh (Squamish), and Sel\u0313\u00edl\u0313witulh (Tsleil-Waututh) Nations."}]}]},{"id":"kzli55qf","date":null,"title":"Palestinian Children: Art Therapy and Intergenerational Trauma","title_html":"

Palestinian Children: Art Therapy and Intergenerational Trauma<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/palestinian-children-art-therapy-and-intergenerational-trauma","slug":"palestinian-children-art-therapy-and-intergenerational-trauma","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/palestinian-children-art-therapy-and-intergenerational-trauma","credits":[{"heading":"","list":["f0jn2n7q"],"entities":[{"id":"f0jn2n7q","date":null,"title":"Rehab Nazzal","title_html":"

Rehab Nazzal<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/rehab-nazzal","slug":"rehab-nazzal","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/f0jn2n7q\/people\/rehab-nazzal","text":"Rehab Nazzal<\/strong> is a Palestinian-born artist based in Toronto. Her work deals with the effects of settler colonial violence on peoples, land, and other non-human life in colonized territories. Nazzal\u2019s works have been exhibited across Canada, Palestine, and internationally. She holds a PhD in Art and Visual Culture from Western University, an MFA from Ryerson University, and a BFA from the University of Ottawa. She is the recipient of the Social Justice Award from Ryerson University and the Edmund and Isobel Ryan Visual Arts Award from the University of Ottawa, and grants from SSHRC, Canada Council for the Arts, Ontario Arts Council, and the City of Ottawa."}]}]},{"id":"zbdfzxef","date":null,"title":"Diasporic Dumplings","title_html":"

Diasporic Dumplings<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/diasporic-dumplings","slug":"diasporic-dumplings","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/diasporic-dumplings","credits":[{"heading":"","list":["32bzku7n"],"entities":[{"id":"32bzku7n","date":null,"title":"Amanda Huynh","title_html":"

Amanda Huynh<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/amanda-huynh","slug":"amanda-huynh","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/32bzku7n\/people\/amanda-huynh","text":"Amanda Huynh \u9ec3\u73ee\u8a69<\/strong> is a product and food designer based in Lenapehoking (Brooklyn, NY), where she is an Assistant Professor of Industrial Design at Pratt Institute. Amanda is the co-founder of Edible Projects and works with food as her material of choice. She holds a BDes in Industrial Design from Emily Carr University and a Master\u2019s in Food Design from Scuola Politecnica di Design in Milan, Italy. Born and raised in Treaty 7 territory, she is the proud daughter of immigrant refugee parents."}]}]},{"id":"1v3y8m9k","date":null,"title":"Solidarity as a Force","title_html":"

Solidarity as a Force<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/solidarity-as-a-force","slug":"solidarity-as-a-force","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/solidarity-as-a-force","credits":[{"heading":"Karie Liao","list":[],"entities":[]}]},{"id":"hfmhz5xo","date":null,"title":"Weaving to Reclaim the Bonds of Culture and Land","title_html":"

Weaving to Reclaim the Bonds of Culture and Land<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/weaving-to-reclaim-the-bonds-of-culture-and-land","slug":"weaving-to-reclaim-the-bonds-of-culture-and-land","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/weaving-to-reclaim-the-bonds-of-culture-and-land","credits":[{"heading":"","list":["ex260pjt"],"entities":[{"id":"ex260pjt","date":null,"title":"Nadia Kurd","title_html":"

Nadia Kurd<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/nadia-kurd","slug":"nadia-kurd","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ex260pjt\/people\/nadia-kurd","text":"Born and raised in Southwestern Ontario, Dr. Nadia Kurd<\/strong> (she\/her) is an art historian and curator. A recipient of numerous grants and awards, she has curated exhibitions that have focused on unacknowledged histories, material culture and emerging artists in Canada. Nadia is currently based in Edmonton and serves on the Editorial Committee for BlackFlash Magazine<\/em>."}]}]},{"id":"lpccw3dx","date":null,"title":"Glossary (12)","title_html":"

Glossary (12)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bonding\/glossary-12","slug":"glossary-12","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bonding\/glossary-12","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/bonding\/7769067653-1652104277\/blackwood_sduk12_bonding.pdf"},{"id":"2afxid5m","date":"2022-01-12","title":"SDUK 11: PACING","title_html":"

SDUK 11: PACING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/pacing","slug":"pacing","cover":{"id":"2afxid5m","modified":1758295833,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/pacing\/429cd0f65a-1641577482\/pacing_cover.jpg","type":"image","mime":"image\/jpeg","size":124094,"extension":"jpg","filename":"pacing_cover.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing","preview_mode":"false","number":"11","abstract":"Themes of movement, memory, histories, and archives animate this eleventh SDUK broadsheet, *PACING*. In the first issue of 2022, contributors amplify and expand on themes found throughout Blackwood programs, here engaging the pace of reading and writing that is unique to publishing.\n\n**Contributors**: Adwoa Afful, Oana Avasilichioaei, Tasha Beeds, Corinn Gerber, Bracken Hanuse Corlett, Mostafa Henaway, Janelle Joseph, Debra Kriger, Maandeeq Mohamed, Cecily Nicholson, Ayodamola Tanimowo Okunseinde, Cleopatria Peterson, Lee Su-Feh, Jacob Wren","abstract_html":"

Themes of movement, memory, histories, and archives animate this eleventh SDUK broadsheet, PACING<\/em>. In the first issue of 2022, contributors amplify and expand on themes found throughout Blackwood programs, here engaging the pace of reading and writing that is unique to publishing.<\/p>\n

Contributors<\/strong>: Adwoa Afful, Oana Avasilichioaei, Tasha Beeds, Corinn Gerber, Bracken Hanuse Corlett, Mostafa Henaway, Janelle Joseph, Debra Kriger, Maandeeq Mohamed, Cecily Nicholson, Ayodamola Tanimowo Okunseinde, Cleopatria Peterson, Lee Su-Feh, Jacob Wren<\/p>","contributions":[{"id":"w1c3rl7m","date":null,"title":"Cover (11)","title_html":"

Cover (11)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/cover-11","slug":"cover-11","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/cover-11","credits":[]},{"id":"rlxhxtp1","date":null,"title":"How to Read this Broadsheet (11)","title_html":"

How to Read this Broadsheet (11)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/how-to-read-this-broadsheet-11","slug":"how-to-read-this-broadsheet-11","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/how-to-read-this-broadsheet-11","credits":[]},{"id":"262wpd91","date":null,"title":"Power of People","title_html":"

Power of People<\/p>","display_title":"","subtitle":"Scale and Collective Conjuring","subtitle_html":"

Scale and Collective Conjuring<\/p>","uri":"publications\/sduk\/pacing\/power-of-people-scale-and-collective-conjuring","slug":"power-of-people-scale-and-collective-conjuring","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/power-of-people-scale-and-collective-conjuring","credits":[{"heading":"","list":["5bn3fsug"],"entities":[{"id":"5bn3fsug","date":null,"title":"Ayodamola Tanimowo Okunseinde","title_html":"

Ayodamola Tanimowo Okunseinde<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ayodamola-tanimowo-okunseinde","slug":"ayodamola-tanimowo-okunseinde","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/5bn3fsug\/people\/ayodamola-tanimowo-okunseinde","text":"Ayodamola Tanimowo Okunseinde<\/strong> is a Nigerian American artist, designer, educator, and time traveller living and working in New York. His works range from painting and speculative design to physically interactive works, wearable technology, and explorations of \u201creclamation.\u201d He has exhibited and presented at the 11th Shanghai Biennale; 17th Venice Architecture Biennale; Tribeca Storyscapes, New York; Eyeo Festival; Brooklyn Museum, New York; Beyond the Cradle, MIT Media Lab, Cambridge, MA; and Afrotectopia, New York, among others. Okunseinde is currently a PhD student in anthropology at the New School for Social Research, New York, and holds an MFA in Design and Technology from the Parsons School of Design, New York, where he serves as Assistant Professor of Interaction and Media Design."}]}]},{"id":"hnccry0f","date":null,"title":"Walking through Mishibizhiw: Challenging the Measured Pace of Colonization","title_html":"

Walking through Mishibizhiw: Challenging the Measured Pace of Colonization<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/walking-through-mishibizhiw-challenging-the-measured-pace-of-colonization","slug":"walking-through-mishibizhiw-challenging-the-measured-pace-of-colonization","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/walking-through-mishibizhiw-challenging-the-measured-pace-of-colonization","credits":[{"heading":"","list":["ov76hyc6"],"entities":[{"id":"ov76hyc6","date":null,"title":"Tasha Beeds","title_html":"

Tasha Beeds<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tasha-beeds","slug":"tasha-beeds","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ov76hyc6\/people\/tasha-beeds","text":"Tasha Beeds<\/strong> is an Indigenous scholar of n\u00eahiyaw, Scottish-M\u00e9tis, and Bajan ancestry from the Treaty 6 territories of Saskatchewan. She activates as a mama, k\u00f4hkom, poet, Water Walker, and Midewiwin from Minweyweywigaan Lodge. Tasha\u2019s collective work celebrates and promotes Indigenous nationhood and sovereignty. She advocates for the protection of Creation based on carrying ancestral legacies forward for future generations. Tasha is in her second year as the Ron Ianni Fellow at the University of Windsor\u2019s Indigenous Legal Orders Institute. She is the inaugural Anako Indigenous Research Institute Scholar at Carleton University, a limited term Lecturer in Indigenous Studies at the University of Saskatchewan and a Na\u2019ah Illahee Sovereign Futures Indigenous Environmental Leader. Having walked approximately 7000 kms for the Great Lakes and the Kawartha Lakes, Tasha recently led her first two Water Walks for Junction Creek in Sudbury and for the Saskatchewan River (year 1 of 4), continuing her late mentor Josephine-ba Mandamin\u2019s legacy."}]}]},{"id":"8lipdjke","date":null,"title":"Permanent Precarity","title_html":"

Permanent Precarity<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/permanent-precarity","slug":"permanent-precarity","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/permanent-precarity","credits":[{"heading":"","list":["cs8fu88u"],"entities":[{"id":"cs8fu88u","date":null,"title":"Mostafa Henaway","title_html":"

Mostafa Henaway<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mostafa-henaway","slug":"mostafa-henaway","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/cs8fu88u\/people\/mostafa-henaway","text":"Mostafa Henaway<\/strong> is a writer, organizer, and researcher. Mostafa has is a longtime organizer at the\u202fImmigrant Workers Centre\u202fin Montreal, working with precarious immigrants and migrants for labour and migrant justice. Before that he organized with Taxi drivers in Toronto with the Ontario Coalition Against Poverty. He is also a PhD candidate at Concordia University in Geography, Planning and Environmental Studies focusing on the economic and social impact of Amazon warehouses. He is also a writer on issues of precarious work, migration and warehouse worker organizing. He is also the co-editor of Montreal! A Citizen's Guide to City Politics<\/em>."}]}]},{"id":"lny28xvt","date":null,"title":"Soundpace \/\/ Eavesdropping on the Process of Dilettante Composer","title_html":"

Soundpace \/\/ Eavesdropping on the Process of Dilettante Composer<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/soundpace-eavesdropping-on-the-process-of-dilettante-composer","slug":"soundpace-eavesdropping-on-the-process-of-dilettante-composer","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/soundpace-eavesdropping-on-the-process-of-dilettante-composer","credits":[{"heading":"","list":["9gmbgaza"],"entities":[{"id":"9gmbgaza","date":null,"title":"Oana Avasilichioaei","title_html":"

Oana Avasilichioaei<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/oana-avasilichioaei","slug":"oana-avasilichioaei","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/9gmbgaza\/people\/oana-avasilichioaei","text":"Oana Avasilichioaei<\/strong>\u202finterweaves poetry, sound, photography, and translation to explore an expanded idea of language, polyphonic structures, and borders of listening.\u202fHer\u202fsix collections of poetry hybrids include Eight Track<\/em>\u202f(Talonbooks, 2019, finalist for the A. M. Klein Prize for Poetry and the Governor General\u2019s Literary Award) and Limbinal<\/em> (Talonbooks, 2015). She has created many performance and sound works, written a libretto for a one-act opera (Cells of Wind<\/em>, 2020\u201322), and her current project Chambersonic<\/em> is constellated around the voice."}]}]},{"id":"1wademwk","date":null,"title":"Bringing the Decolonial into Kinesiology, Health, and Sport Ethics","title_html":"

Bringing the Decolonial into Kinesiology, Health, and Sport Ethics<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/bringing-the-decolonial-into-kinesiology-health-and-sport-ethics","slug":"bringing-the-decolonial-into-kinesiology-health-and-sport-ethics","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/bringing-the-decolonial-into-kinesiology-health-and-sport-ethics","credits":[{"heading":"","list":["2mrlktye","us5acl2e"],"entities":[{"id":"2mrlktye","date":null,"title":"Janelle Joseph","title_html":"

Janelle Joseph<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/janelle-joseph","slug":"janelle-joseph","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/2mrlktye\/people\/janelle-joseph","text":"Dr. Janelle Joseph<\/strong> is Assistant Professor in the Faculty of Kinesiology and Physical Education at the University of Toronto and the founder and Director of the Indigeneity, Diaspora, Equity, and Anti-racism in Sport (IDEAS) Research Lab. Joseph\u2019s research includes three books related to race and sport."},{"id":"us5acl2e","date":null,"title":"Debra Kriger","title_html":"

Debra Kriger<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/debra-kriger","slug":"debra-kriger","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/us5acl2e\/people\/debra-kriger","text":"Dr. Debra Kriger<\/strong> (she\/her) applies health and social theories to practice. A methodologist and critical public health scientist, she originated life-sculpting methods to hear stories of the embodiment of \u201chealth risk\u201d over time, funded by the Canadian Institutes for Health Research. Kriger\u2019s research, teaching, and consulting all centre on the ways coinciding, embodied systems of oppression impact the possibilities of human thriving and movement through space and over time."}]}]},{"id":"7isum41a","date":null,"title":"The Territory Between Us","title_html":"

The Territory Between Us<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/the-territory-between-us","slug":"the-territory-between-us","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/the-territory-between-us","credits":[{"heading":"","list":["baqunuf0","dx87dm49"],"entities":[{"id":"baqunuf0","date":null,"title":"Lee Su-Feh","title_html":"

Lee Su-Feh<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lee-su-feh","slug":"lee-su-feh","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/baqunuf0\/people\/lee-su-feh","text":"Lee Su-Feh<\/strong>\u2019s work as a performance-maker encompasses choreography, teaching, dramaturgy, writing, and community organizing. Born and raised in Malaysia, Lee moved to Vancouver in 1988 and has since created a body of work that interrogates the contemporary body as a site of intersecting and displaced histories and habits. In 1995, she co-founded battery opera performance with David McIntosh, and together they have led the company to earn a reputation for being \u201cfearlessly iconoclastic,\u201d producing award-winning works that take place in theatres, on the street, in hotel rooms, and in print."},{"id":"dx87dm49","date":null,"title":"Bracken Hanuse Corlett","title_html":"

Bracken Hanuse Corlett<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/bracken-hanuse-corlett","slug":"bracken-hanuse-corlett","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/dx87dm49\/people\/bracken-hanuse-corlett","text":"Bracken Hanuse Corlett<\/strong> is an interdisciplinary artist from the Wuikinuxv and Klahoose Nations. Corlett\u2019s work incorporates Northwest Coast aesthetics and symbols, and fuses painting and drawing with digital media, audio-visual performance, animation and narration. He is a graduate of the En\u2019owkin Centre of Indigenous Art and went to Emily Carr University of Art + Design. He has studied Northwest Coast art with acclaimed Heiltsuk artists Bradley Hunt and his sons Shawn Hunt and Dean Hunt. His work has been exhibited and presented at Grunt Gallery, Vancouver; Museum of Anthropology (MOA), Vancouver; the Winnipeg Art Gallery and Urban Shaman, Winnipeg; the MacKenzie Art Gallery, Regina; ImagineNative and Toronto International Film Festival, Toronto."}]}]},{"id":"j2r4mb44","date":null,"title":"\"Ensuring I Can Let People Know They Exist\": Continuities of Black Feminist Publishing in Toronto","title_html":"

\"Ensuring I Can Let People Know They Exist\": Continuities of Black Feminist Publishing in Toronto<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/ensuring-i-can-let-people-know-they-exist-continuities-of-black-feminist-publishing-in-toronto","slug":"ensuring-i-can-let-people-know-they-exist-continuities-of-black-feminist-publishing-in-toronto","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/ensuring-i-can-let-people-know-they-exist-continuities-of-black-feminist-publishing-in-toronto","credits":[{"heading":"","list":["5h585g8p","svyi3ccy","3fo3wbpx"],"entities":[{"id":"5h585g8p","date":null,"title":"Adwoa Afful","title_html":"

Adwoa Afful<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/adwoa-afful","slug":"adwoa-afful","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/5h585g8p\/people\/adwoa-afful","text":"Adwoa Afful<\/strong> is a public health researcher and writer, born and raised in Toronto. Trained as an urban planner, Adwoa\u2019s work often explores the increasingly central role that technology is playing in community building and its implications for Black women and gender non-binary people across Toronto. Adwoa is also the founder of Black Futures Now Toronto, a grassroots initiative that works to engage Black women and non-binary people in anti-oppressive placemaking."},{"id":"svyi3ccy","date":null,"title":"Cleopatria Peterson","title_html":"

Cleopatria Peterson<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/cleopatria-peterson","slug":"cleopatria-peterson","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/svyi3ccy\/people\/cleopatria-peterson","text":"Cleopatria Peterson<\/strong> is a multidisciplinary artist who writes, printmakes, illustrates, and loves self-publishing. They graduated from the Fashion Communication program at X University, Toronto, and won the medal for Cross-Disciplinary Arts: Publications at OCAD University, Toronto. Their work focuses on themes of nature, healing, and care. Peterson is a huge advocate for encouraging people from all backgrounds to make art and is the co-founder of Old Growth Press, a small press working to change the publishing landscape with work from POC and LGBTQ+ creators."},{"id":"3fo3wbpx","date":null,"title":"Corinn Gerber","title_html":"

Corinn Gerber<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/corinn-gerber","slug":"corinn-gerber","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/3fo3wbpx\/people\/corinn-gerber","text":"Corinn Gerber<\/strong> is a PhD candidate at the University of Toronto. She is the co-founder of Passenger Books and has worked as a publisher and bookseller at various institutions in Toronto, Montreal, Berlin, Cologne, and Zurich. Her dissertation is dedicated to how Black and Afro-German feminist publishers make meaning in these places."}]}]},{"id":"fsr3kne5","date":null,"title":"Wayside Sang","title_html":"

Wayside Sang<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/wayside-sang","slug":"wayside-sang","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/wayside-sang","credits":[{"heading":"","list":["xj0snu0l"],"entities":[{"id":"xj0snu0l","date":null,"title":"Cecily Nicholson","title_html":"

Cecily Nicholson<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/cecily-nicholson","slug":"cecily-nicholson","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xj0snu0l\/people\/cecily-nicholson","text":"Cecily Nicholson<\/strong> is an award-winning author of three books of poetry. She volunteers with community impacted by carcerality and food insecurity. Her readings, talks, and residencies have been hosted by spaces such as New York University\u2019s Tisch School of the Arts, Woodland Pattern Book Center, Milwaukee, the Holloway Series in Poetry UC Berkeley, and the Surrey School District."}]}]},{"id":"fzhprcj2","date":null,"title":"Full Stop","title_html":"

Full Stop<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/full-stop","slug":"full-stop","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/full-stop","credits":[{"heading":"","list":["x5zsldfx"],"entities":[{"id":"x5zsldfx","date":null,"title":"Maandeeq Mohamed","title_html":"

Maandeeq Mohamed<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/maandeeq-mohamed","slug":"maandeeq-mohamed","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/x5zsldfx\/people\/maandeeq-mohamed","text":"Maandeeq Mohamed<\/strong> is a writer engaging Black Studies and related cultural production. Her writing is featured in Real Life<\/em>, C Magazine<\/em>, and Canadian Art<\/em>. Currently, Maandeeq is the Reviews Editor at C Magazine, as well as a PhD student in English and Gender Studies at the University of Toronto, where she is a SSHRC Joseph-Armand Bombardier Doctoral Fellow."}]}]},{"id":"kd1z42hv","date":null,"title":"In Spite of Defeatism","title_html":"

In Spite of Defeatism<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/in-spite-of-defeatism","slug":"in-spite-of-defeatism","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/in-spite-of-defeatism","credits":[{"heading":"","list":["34ada8sv"],"entities":[{"id":"34ada8sv","date":null,"title":"Jacob Wren","title_html":"

Jacob Wren<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jacob-wren","slug":"jacob-wren","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/34ada8sv\/people\/jacob-wren","text":"Jacob Wren<\/strong> makes literature, performances, and exhibitions. His books include: Polyamorous Love Song, Rich and Poor<\/em>, and Authenticity is a Feeling<\/em>. As Co-Artistic Director of Montreal-based PME-ART, he has helped create performances such as: Individualism Was A Mistake, The DJ Who Gave Too Much Information, Every Song I\u2019ve Ever Written<\/em> and Adventures can be found anywhere, m\u00eame dans la m\u00e9lancolie<\/em>. Most recently PME-ART has presented the online conference Vulnerable Paradoxes<\/em>."}]}]},{"id":"hxx85uww","date":null,"title":"Glossary (11)","title_html":"

Glossary (11)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pacing\/glossary-11","slug":"glossary-11","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pacing\/glossary-11","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/pacing\/81910bcda8-1641919399\/blackwood_sduk11_pacing.pdf"},{"id":"cbj3ium2","date":"2021-10-01","title":"SDUK 10: PRONOUNCING","title_html":"

SDUK 10: PRONOUNCING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/pronouncing","slug":"pronouncing","cover":{"id":"cbj3ium2","modified":1635281760,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/pronouncing\/5d5dfa192c-1635281760\/sduk10_cover_web.jpg","type":"image","mime":"image\/jpeg","size":839472,"extension":"jpg","filename":"sduk10_cover_web.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing","preview_mode":"false","number":"10","abstract":"The tenth SDUK broadsheet takes up *PRONOUNCING*: how speech, performance, language, and poetry shape sociopolitical discourse. In parallel with *Artists-in-Presidents: Transmissions to Power*, a series of leadership portraits and audio addresses from artists-as-leaders, the Blackwood engages discourses of speech and power throughout 2021.\n\n**Contributors**: Oana Avasilichioaei, Eliza Chandler, Jesse Chun, Zo\u00eb Dodd, Ines Doujak, Vanessa Dion Fletcher, Louise Hickman, LLana James, Maandeeq Mohamed, Matt Nish-Lapidus, Shama Rangwala, Laura Rosella, Jordan Scott, Ai Taniguchi, Rinaldo Walcott, Jacob Wren","abstract_html":"

The tenth SDUK broadsheet takes up PRONOUNCING<\/em>: how speech, performance, language, and poetry shape sociopolitical discourse. In parallel with Artists-in-Presidents: Transmissions to Power<\/em>, a series of leadership portraits and audio addresses from artists-as-leaders, the Blackwood engages discourses of speech and power throughout 2021.<\/p>\n

Contributors<\/strong>: Oana Avasilichioaei, Eliza Chandler, Jesse Chun, Zo\u00eb Dodd, Ines Doujak, Vanessa Dion Fletcher, Louise Hickman, LLana James, Maandeeq Mohamed, Matt Nish-Lapidus, Shama Rangwala, Laura Rosella, Jordan Scott, Ai Taniguchi, Rinaldo Walcott, Jacob Wren<\/p>","contributions":[{"id":"ghr82c6h","date":null,"title":"Cover (10)","title_html":"

Cover (10)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/cover-10","slug":"cover-10","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/cover-10","credits":[{"heading":"","list":[],"entities":[]}]},{"id":"qk0g4kot","date":null,"title":"Ghost Populations","title_html":"

Ghost Populations<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/ghost-populations","slug":"ghost-populations","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/ghost-populations","credits":[{"heading":"","list":["yn33e8m6"],"entities":[{"id":"yn33e8m6","date":null,"title":"Ines Doujak","title_html":"

Ines Doujak<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ines-doujak","slug":"ines-doujak","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/yn33e8m6\/people\/ines-doujak","text":"Ines Doujak<\/strong> \u202fis an artist, researcher, and writer who works in the field\u202fof visual culture and material aesthetics with a queer-feminist, anti-racist, anti-colonial focus. In her research,\u202fDoujak\u202finvestigates how global histories are characterized by cultural, class, and gender conflicts.\u202fDoujak\u202fhas presented her projects\u202fin the following institutions, among others: Kunst Haus Wien (2021); Liverpool Biennial (2021); NTU Centre for Contemporary Art Singapore (2020); Bergen Assembly (2019); Lentos Kunstmuseum, Linz (2018); Centro de Iniciativas Culturales de la Universidad de Sevilla (2018); steirischer herbst (2018); Kochi-Muziris Biennale, Kerala (2018)."}]}]},{"id":"ehqpo3qc","date":null,"title":"How to Read this Broadsheet (10)","title_html":"

How to Read this Broadsheet (10)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/how-to-read-this-broadsheet-10","slug":"how-to-read-this-broadsheet-10","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/how-to-read-this-broadsheet-10","credits":[]},{"id":"1zbmxzj0","date":null,"title":"Blunt","title_html":"

Blunt<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/blunt","slug":"blunt","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/blunt","credits":[{"heading":"","list":["wcv7c0o5"],"entities":[{"id":"wcv7c0o5","date":null,"title":"Rinaldo Walcott","title_html":"

Rinaldo Walcott<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/rinaldo-walcott","slug":"rinaldo-walcott","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/wcv7c0o5\/people\/rinaldo-walcott","text":"Rinaldo Walcott<\/strong> is Professor of Black Diaspora Cultural Studies at the Women and Gender Studies Institute, University of Toronto. He is the author of The Long Emancipation: Moving Toward Black Freedom<\/em> (Duke University Press, 2021) and On Property<\/em> (Biblioasis, 2021), which was shortlisted for the Toronto Book Awards."}]}]},{"id":"i74l2yjm","date":null,"title":"COVID-19, Language, and Identity","title_html":"

COVID-19, Language, and Identity<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/covid-19-language-and-identity","slug":"covid-19-language-and-identity","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/covid-19-language-and-identity","credits":[{"heading":"","list":["yuuighyu"],"entities":[{"id":"yuuighyu","date":null,"title":"Ai Taniguchi","title_html":"

Ai Taniguchi<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ai-taniguchi","slug":"ai-taniguchi","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/yuuighyu\/people\/ai-taniguchi","text":"Dr. Ai Taniguchi<\/strong> is an Assistant Professor of English, Language, Linguistics, and Online Teaching in the Department of Language Studies at UTM. She researches what different kinds of meanings exist in language, including social meaning. As a teaching stream faculty, her pedagogical interests include online teaching, technology in the classroom, and diversity, inclusivity, and accessibility in linguistics. She moved from Japan to the US at the age of six, grew up in Peachtree City, Georgia, completed her PhD at Michigan State University, and now lives in Toronto."}]}]},{"id":"g4yeqcyt","date":null,"title":"Finding Language","title_html":"

Finding Language<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/finding-language","slug":"finding-language","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/finding-language","credits":[{"heading":"","list":["0vvo0sk2"],"entities":[{"id":"0vvo0sk2","date":null,"title":"Vanessa Dion Fletcher","title_html":"

Vanessa Dion Fletcher<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/vanessa-dion-fletcher","slug":"vanessa-dion-fletcher","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/0vvo0sk2\/people\/vanessa-dion-fletcher","text":"Vanessa Dion Fletcher<\/strong> is a Lenape and Potawatomi neurodiverse artist. Her family is from Eel\u016bnaap\u00e8ewii Lahk\u00e8ewiitt (displaced from Lenapehoking) and European settlers. She employs porcupine quills, Wampum belts, and menstrual blood to reveal the complexities of what defines a body physically and culturally. She graduated from the School of the Art Institute of Chicago with an MFA in performance. She has exhibited at Art M\u00fbr (Montreal), Eastern Edge Gallery (Newfoundland), Queer Arts Festival (Vancouver), and the Satellite Art Show (Miami). Her work is in the Indigenous Art Centre, Joan Flasch Artists\u2019 Book Collection, Vtape, Seneca College, and the Archives of American Art at the Smithsonian."}]}]},{"id":"g2xju57k","date":null,"title":"The Abundance and Conflict of On-Demand Writing","title_html":"

The Abundance and Conflict of On-Demand Writing<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/the-abundance-and-conflict-of-on-demand-writing","slug":"the-abundance-and-conflict-of-on-demand-writing","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/the-abundance-and-conflict-of-on-demand-writing","credits":[{"heading":"","list":["wfxiijxk"],"entities":[{"id":"wfxiijxk","date":null,"title":"Louise Hickman","title_html":"

Louise Hickman<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/louise-hickman","slug":"louise-hickman","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/wfxiijxk\/people\/louise-hickman","text":"Louise Hickman<\/strong> is an activist and scholar of communication, and uses ethnographic, archival, and theoretical approaches to consider how access is produced for disabled people. She uses an interdisciplinary lens drawing on feminist theory, critical disability studies, and science and technology studies to consider the historical conditions of access work, and the ways access is co-produced through human (and primarily female) labour, technological systems, and economic models and conditions. Louise is currently a Research Associate at the Minderoo Centre for Technology and Democracy at the University of Cambridge."}]}]},{"id":"i0re1adb","date":null,"title":"Unlanguaging","title_html":"

Unlanguaging<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/unlanguaging","slug":"unlanguaging","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/unlanguaging","credits":[{"heading":"","list":["fctri755"],"entities":[{"id":"fctri755","date":null,"title":"Jesse Chun","title_html":"

Jesse Chun<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jesse-chun","slug":"jesse-chun","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/fctri755\/people\/jesse-chun","text":"Jesse Chun<\/strong> is an artist working and living in New York. Chun's work has been presented internationally at SculptureCenter; Queens Museum; The Drawing Center; the Vera List Center for Art and Politics (United States); Museum of Contemporary Art Toronto; and the Nam June Paik Art Center (South Korea). Recent awards and fellowships include Ballroom Marfa (2021) and the Joan Mitchell Foundation Painters & Sculptors Grant (2020). Chun teaches at New York University."}]}]},{"id":"lo8vtnxt","date":null,"title":"An Infinity of Traces","title_html":"

An Infinity of Traces<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/an-infinity-of-traces","slug":"an-infinity-of-traces","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/an-infinity-of-traces","credits":[{"heading":"","list":["qj0yr1nf"],"entities":[{"id":"qj0yr1nf","date":null,"title":"Matt Nish-Lapidus","title_html":"

Matt Nish-Lapidus<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/matt-nish-lapidus","slug":"matt-nish-lapidus","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/qj0yr1nf\/people\/matt-nish-lapidus","text":"Matt Nish-Lapidus<\/strong> is an artist and musician based in Tkaronto\/Toronto. Matt\u2019s varied practice probes the myth that computers should be useful rather than beautiful through examining contemporary technoculture, its histories, and its impacts on society, people, and his own life. His work results in diverse outputs including publications, recordings, installations, performances, software, and objects. Matt has performed and exhibited locally and internationally including MOCA (Toronto), The Power Plant (Toronto), INDEX Biennial (Braga), ACUD Macht Neu (Berlin), Electric Eclectics (Meaford), InterAccess (Toronto), ZKM (Karlsruhe), and more including many DIY community spaces. You can find Matt online and away-from-keyboard under various aliases and collaborations including emenel, New Tendencies, and ."}]}]},{"id":"5d2xcl16","date":null,"title":"Speaking Out: Researchers on Pandemic-Era Healthcare","title_html":"

Speaking Out: Researchers on Pandemic-Era Healthcare<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/speaking-out-researchers-on-pandemic-era-healthcare","slug":"speaking-out-researchers-on-pandemic-era-healthcare","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/speaking-out-researchers-on-pandemic-era-healthcare","credits":[{"heading":"","list":["hepfk7m1","tx2mbyoe","lpdggykd"],"entities":[{"id":"hepfk7m1","date":null,"title":"Zo\u00eb Dodd","title_html":"

Zo\u00eb Dodd<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/zoe-dodd","slug":"zoe-dodd","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/hepfk7m1\/people\/zoe-dodd","text":"Zo\u00eb Dodd<\/strong> is a long-time harm reduction worker, advocate, organizer, and scholar. She is currently the inaugural Community Scholar at MAP Centre for Urban Health Solutions at St. Michael\u2019s Hospital. For the last two decades her\u202fwork has focused on issues related to hepatitis C, HIV, drug policy, poverty, and overdose. She has been instrumental in addressing the overdose crisis, which has taken the lives of thousands of people in Canada. She is the recipient of many awards, is engaged with several research projects, and has a\u202fMaster\u2019s from York University in the Faculty of Environmental and Urban Change."},{"id":"tx2mbyoe","date":null,"title":"LLana James","title_html":"

LLana James<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/llana-james","slug":"llana-james","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/tx2mbyoe\/people\/llana-james","text":"LLana James<\/strong> is a public intellectual and scientist. Her career spans the private sector and public service. She examines how artificial intelligence disrupts healthcare practice and undermines human rights advances while it increasingly redefines the human, clinical care, rehabilitation sciences and public health systems. LLana evaluates current practices, develops, and implements multi-pronged interventions at the intersections of medicine\/clinical care, public health, data, AI, law, and race-ethnicity across multiple axes. She is wrapping up her PhD at the University of Toronto. LLana\u2019s ground-breaking work led to her current role as the AI, Medicine and Data Justice Postdoctoral Fellow at Queen\u2019s University."},{"id":"lpdggykd","date":null,"title":"Laura Rosella","title_html":"

Laura Rosella<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/laura-rosella","slug":"laura-rosella","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/lpdggykd\/people\/laura-rosella","text":"Dr. Laura Rosella<\/strong> is Associate Professor of Epidemiology in the Dalla Lana School of Public Health at the University of Toronto, where she holds a Canada Research Chair in Population Health Analytics. She also holds the inaugural Stephen Family Research Chair in Community at the Institute of Better Health, and appointments at the Vector Institute, Institute for Clinical Evaluative Sciences, and Schwartz Reisman Institute for Technology and Society. Her research focuses on using a range of population health data to support public health planning and evaluation. She currently sits on the COVID-19 modelling table informing Ontario\u2019s coronavirus response."}]}]},{"id":"hj58rajh","date":null,"title":"Living Scores","title_html":"

Living Scores<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/living-scores","slug":"living-scores","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/living-scores","credits":[{"heading":"","list":["9gmbgaza"],"entities":[{"id":"9gmbgaza","date":null,"title":"Oana Avasilichioaei","title_html":"

Oana Avasilichioaei<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/oana-avasilichioaei","slug":"oana-avasilichioaei","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/9gmbgaza\/people\/oana-avasilichioaei","text":"Oana Avasilichioaei<\/strong>\u202finterweaves poetry, sound, photography, and translation to explore an expanded idea of language, polyphonic structures, and borders of listening.\u202fHer\u202fsix collections of poetry hybrids include Eight Track<\/em>\u202f(Talonbooks, 2019, finalist for the A. M. Klein Prize for Poetry and the Governor General\u2019s Literary Award) and Limbinal<\/em> (Talonbooks, 2015). She has created many performance and sound works, written a libretto for a one-act opera (Cells of Wind<\/em>, 2020\u201322), and her current project Chambersonic<\/em> is constellated around the voice."}]}]},{"id":"uvq8w36x","date":null,"title":"Pronouncing (Un)Freedom","title_html":"

Pronouncing (Un)Freedom<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/pronouncing-un-freedom","slug":"pronouncing-un-freedom","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/pronouncing-un-freedom","credits":[{"heading":"","list":["178mbnoy"],"entities":[{"id":"178mbnoy","date":null,"title":"Shama Rangwala","title_html":"

Shama Rangwala<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/shama-rangwala","slug":"shama-rangwala","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/178mbnoy\/people\/shama-rangwala","text":"Shama Rangwala<\/strong> is an Assistant Professor in the Department of Humanities at York University, and is currently located in amiskwaciw\u00e2skahikan, Treaty 6 territory. Her research takes a cultural studies perspective to examine the adaptations of racial capitalism in the settler-colonial context."}]}]},{"id":"1gphchwy","date":null,"title":"blert","title_html":"

blert<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/blert","slug":"blert","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/blert","credits":[{"heading":"","list":["3p4h2p8s"],"entities":[{"id":"3p4h2p8s","date":null,"title":"Jordan Scott","title_html":"

Jordan Scott<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jordan-scott","slug":"jordan-scott","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/3p4h2p8s\/people\/jordan-scott","text":"Jordan Scott<\/strong> is a poet whose work includes\u202fSilt,\u202fblert,\u202fDECOMP,\u202fNight & Ox,<\/em> and\u202fI Talk Like a River<\/em>.\u202fblert<\/em> is the subject of two National Film Board of Canada projects,\u202fFlub and Utter: a poetic memoir of the mouth<\/em>\u202fand\u202fSTUTTER<\/em>. Scott was the recipient of the 2018 Latner Writers' Trust Poetry Prize for his contributions to Canadian poetry. He lives in the Comox Valley on Vancouver Island with his wife and two sons."}]}]},{"id":"o3ojzcx9","date":null,"title":"In Protest and Choir Song","title_html":"

In Protest and Choir Song<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/in-protest-and-choir-song","slug":"in-protest-and-choir-song","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/in-protest-and-choir-song","credits":[{"heading":"","list":["x5zsldfx"],"entities":[{"id":"x5zsldfx","date":null,"title":"Maandeeq Mohamed","title_html":"

Maandeeq Mohamed<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/maandeeq-mohamed","slug":"maandeeq-mohamed","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/x5zsldfx\/people\/maandeeq-mohamed","text":"Maandeeq Mohamed<\/strong> is a writer engaging Black Studies and related cultural production. Her writing is featured in Real Life<\/em>, C Magazine<\/em>, and Canadian Art<\/em>. Currently, Maandeeq is the Reviews Editor at C Magazine, as well as a PhD student in English and Gender Studies at the University of Toronto, where she is a SSHRC Joseph-Armand Bombardier Doctoral Fellow."}]}]},{"id":"0tlytkls","date":null,"title":"In Support of the Censure","title_html":"

In Support of the Censure<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/in-support-of-the-censure","slug":"in-support-of-the-censure","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/in-support-of-the-censure","credits":[{"heading":"","list":["34ada8sv"],"entities":[{"id":"34ada8sv","date":null,"title":"Jacob Wren","title_html":"

Jacob Wren<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jacob-wren","slug":"jacob-wren","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/34ada8sv\/people\/jacob-wren","text":"Jacob Wren<\/strong> makes literature, performances, and exhibitions. His books include: Polyamorous Love Song, Rich and Poor<\/em>, and Authenticity is a Feeling<\/em>. As Co-Artistic Director of Montreal-based PME-ART, he has helped create performances such as: Individualism Was A Mistake, The DJ Who Gave Too Much Information, Every Song I\u2019ve Ever Written<\/em> and Adventures can be found anywhere, m\u00eame dans la m\u00e9lancolie<\/em>. Most recently PME-ART has presented the online conference Vulnerable Paradoxes<\/em>."}]}]},{"id":"4fxtqw6r","date":null,"title":"Glossary (10)","title_html":"

Glossary (10)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/pronouncing\/glossary-10","slug":"glossary-10","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/pronouncing\/glossary-10","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/pronouncing\/2a89f56f2b-1635339442\/blackwood_sduk10_pronouncing.pdf"},{"id":"ndt26xct","date":"2021-06-22","title":"SDUK 09: DIFFUSING","title_html":"

SDUK 09: DIFFUSING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/diffusing","slug":"diffusing","cover":{"id":"ndt26xct","modified":1624023230,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/diffusing\/21b3667a24-1624023230\/09_diffusing_cover.jpg","type":"image","mime":"image\/jpeg","size":550679,"extension":"jpg","filename":"09_diffusing_cover.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing","preview_mode":"false","number":"9","abstract":"This ninth SDUK broadsheet openly engages the nineteenth-century society from which the series takes its name, by considering *DIFFUSING*: how circulation, dissemination, opacity, transparency, and anonymity shape the way knowledges, materials, and media are transferred. Whereas the original Society for the Diffusion of Useful Knowledge circulated its publications through largely one-way and top-down means, contributors to this issue explore knowledge-sharing as a more open, non-hierarchical practice.\n\n**Contributors**: Katherine Ball, Leanne Betasamosake Simpson, Mark V. Campbell, Nehal El-Hadi, Elicser Elliott, Irmgard Emmelhainz, Sophia Jaworski, Liz Howard, Lilian Leung, Immony M\u00e8n, Neurocultures Collective (Sam Ahern, Georgia Bradburn, Benjamin Brown, John-James Laidlow, Robin Knowles, Anupama Mann, Lucy Walker with Steven Eastwood), Charles Officer, Xaviera Simmons, Zo\u00eb Wool, Jacob Wren, Joy Xiang","abstract_html":"

This ninth SDUK broadsheet openly engages the nineteenth-century society from which the series takes its name, by considering DIFFUSING<\/em>: how circulation, dissemination, opacity, transparency, and anonymity shape the way knowledges, materials, and media are transferred. Whereas the original Society for the Diffusion of Useful Knowledge circulated its publications through largely one-way and top-down means, contributors to this issue explore knowledge-sharing as a more open, non-hierarchical practice.<\/p>\n

Contributors<\/strong>: Katherine Ball, Leanne Betasamosake Simpson, Mark V. Campbell, Nehal El-Hadi, Elicser Elliott, Irmgard Emmelhainz, Sophia Jaworski, Liz Howard, Lilian Leung, Immony M\u00e8n, Neurocultures Collective (Sam Ahern, Georgia Bradburn, Benjamin Brown, John-James Laidlow, Robin Knowles, Anupama Mann, Lucy Walker with Steven Eastwood), Charles Officer, Xaviera Simmons, Zo\u00eb Wool, Jacob Wren, Joy Xiang<\/p>","contributions":[{"id":"mfgufrwx","date":null,"title":"Cover (09)","title_html":"

Cover (09)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/cover-09","slug":"cover-09","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/cover-09","credits":[]},{"id":"7jx4ynt5","date":null,"title":"Because You Know Ultimately We Will Band A Militia","title_html":"

Because You Know Ultimately We Will Band A Militia<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/because-you-know-ultimately-we-will-band-a-militia","slug":"because-you-know-ultimately-we-will-band-a-militia","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/because-you-know-ultimately-we-will-band-a-militia","credits":[{"heading":"","list":["51ozj10y"],"entities":[{"id":"51ozj10y","date":null,"title":"Xaviera Simmons","title_html":"

Xaviera Simmons<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/xaviera-simmons","slug":"xaviera-simmons","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/51ozj10y\/people\/xaviera-simmons","text":"Xaviera Simmons<\/strong>\u2019 (New York, 1974) work spans photography, performance, video, sound, sculpture, and installation. She defines her studio practice\u2014rooted in an ongoing investigation of experience, memory, abstraction, and present and future histories specifically shifting notions surrounding landscape\u2014as cyclical rather than linear. She is committed equally to the examination of different artistic modes and processes; she may dedicate part of a year to photography, another part to performance, and other parts to installation, video, and sound works, keeping her practice in constant and consistent rotation, shift, and engagement."}]}]},{"id":"zd874opw","date":null,"title":"How To Read this Broadsheet (09)","title_html":"

How To Read this Broadsheet (09)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/how-to-read-this-broadsheet-09","slug":"how-to-read-this-broadsheet-09","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/how-to-read-this-broadsheet-09","credits":[]},{"id":"q6onlxu7","date":null,"title":"Four Movements of Diffusion","title_html":"

Four Movements of Diffusion<\/p>","display_title":"Four Movements of Diffusion","subtitle":"Speculative Reflections on Toxicity and the Mississauga Derailment","subtitle_html":"

Speculative Reflections on Toxicity and the Mississauga Derailment<\/p>","uri":"publications\/sduk\/diffusing\/four-movements-of-diffusion","slug":"four-movements-of-diffusion","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/four-movements-of-diffusion","credits":[{"heading":"","list":["lu8ap9cy","2jxwgzuw"],"entities":[{"id":"lu8ap9cy","date":null,"title":"Sophia Jaworski","title_html":"

Sophia Jaworski<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sophia-jaworski","slug":"sophia-jaworski","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/lu8ap9cy\/people\/sophia-jaworski","text":"Sophia Jaworski<\/strong> is a PhD candidate in the faculty of Anthropology and Women and Gender Studies at the University of Toronto. Her research interests problematize \u201cmedically unexplained chronic illness\u201d through reimagining how volatile organic compounds and petrochemical exposures are embodied and figured as toxicants by technoscience. Her dissertation examines environmental sensitivities, as well as social, disability, and data justice using ethnographic fieldwork and experimental methods, interrogating the ways atmospheres shape, and are shaped by, a politics of life and capitalism in Canada. She brings these themes to her media art practice, including works screened in New Toronto Works<\/em> and Crosscuts<\/em> Film Festival."},{"id":"2jxwgzuw","date":null,"title":"Zo\u00eb Wool","title_html":"

Zo\u00eb Wool<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/zoe-wool","slug":"zoe-wool","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/2jxwgzuw\/people\/zoe-wool","text":"Zo\u00eb H Wool<\/strong> is Assistant Professor in Anthropology at the University of Toronto Mississauga, where she teaches about toxicity, disability, and the tyranny of normativity. She is author of\u202fAfter War: The Weight of Life at Walter Reed,<\/em> co-founder of Project Pleasantville, a community-engaged archive of Black leadership and environmental racism, and is Director of the TWIG Research Kitchen, a convivial feminist space for work on toxicity, waste, and infrastructure."}]}]},{"id":"zjhzrwte","date":null,"title":"Water Filtration System: Floating University Berlin","title_html":"

Water Filtration System: Floating University Berlin<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/water-filtration-system-floating-university-berlin","slug":"water-filtration-system-floating-university-berlin","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/water-filtration-system-floating-university-berlin","credits":[{"heading":"","list":["56fp0k6h"],"entities":[{"id":"56fp0k6h","date":null,"title":"Katherine Ball","title_html":"

Katherine Ball<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/katherine-ball","slug":"katherine-ball","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/56fp0k6h\/people\/katherine-ball","text":"Katherine Ball<\/strong> is a habitat for fungi and bacteria located on planet Earth. Moving together in symbiosis, they practice the art of living on a damaged planet. Their artistic interventions reimagine the infrastructure of everyday life, including: living in an off-grid floating island building mushroom filters to clean a polluted lake, bicycling across the USA looking for \u201csolutions\u201d to the climate crisis, coordinating a national day of action to halt business at banks and corporations influencing state laws, and apprenticing with nature to learn the biological counterpart to civil disobedience. An amateur in the best sense of the word, originally from Detroit, Michigan and currently based in Berlin, Katherine strives to give more energy to our dreams than our fears."}]}]},{"id":"nqgpoavg","date":null,"title":"Looking for a Cure","title_html":"

Looking for a Cure<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/looking-for-a-cure","slug":"looking-for-a-cure","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/looking-for-a-cure","credits":[{"heading":"","list":["9tm9yud5"],"entities":[{"id":"9tm9yud5","date":null,"title":"Irmgard Emmelhainz","title_html":"

Irmgard Emmelhainz<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/irmgard-emmelhainz","slug":"irmgard-emmelhainz","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/9tm9yud5\/people\/irmgard-emmelhainz","text":"Irmgard Emmelhainz<\/strong> is a professor, writer, researcher, and translator based in Anahuac Valley (Mexico City). She holds a PhD from the Department of Art History at the University of Toronto and an MA in Art History, Theory and Criticism from The School of the Art Institute of Chicago. Her work about film, the Palestine Question, art, culture and neoliberalism has been translated to many languages and she has presented it at an array of international venues, including Harvard, the March Meeting at Sharjah, the Walter Benjamin in Palestine Conference (2015), The New School and Americas Society (2016), SBC Gallery, Montreal (2016), The University of California in San Diego, ArtBo, Bogot\u00e1, School of Visual Arts, New York, KHIO at Oslo, University of Texas El Paso (2020), Stanford University (2021), MoMA (2022), and more. Her books include Toxic Loves, Impossible Futures: Feminist Lives as Resistance<\/em> (Vanderbilt University Press, Critical Mexican Studies Series, 2021 and in Spanish by Taurus); The Tyranny of Common Sense: Mexico\u2019s Postneoliberal Conversion<\/em> (SUNY Press, 2020); Jean-Luc Godard\u2019s Political Filmmaking<\/em> (Palgrave Macmillan, 2019); and The Sky is Incomplete: Travel Chronicles in Palestine<\/em> (Taurus Mexico, 2017), forthcoming from Vanderbilt University Press in 2023."}]}]},{"id":"rlzjyi0i","date":null,"title":"Theory of Ice","title_html":"

Theory of Ice<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/theory-of-ice","slug":"theory-of-ice","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/theory-of-ice","credits":[{"heading":"","list":["gne1ukat"],"entities":[{"id":"gne1ukat","date":null,"title":"Leanne Betasamosake Simpson","title_html":"

Leanne Betasamosake Simpson<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/leanne-betasamosake-simpson","slug":"leanne-betasamosake-simpson","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/gne1ukat\/people\/leanne-betasamosake-simpson","text":"Leanne Betasamosake Simpson<\/strong> is a Michi Saagiig Nishnaabeg scholar, writer, musician and member of Alderville First Nation. She is the author of seven previous books, including newly released, A Short History of the Blockade<\/em>, and the novel Noopiming: A Cure for White Ladies<\/em>. Leanne has released four albums including f(l)ight<\/em> and Noopiming Sessions<\/em>, and her new work, the critically acclaimed Theory of Ice<\/em>. Her latest book, co-authored with Robyn Maynard and entitled Rehearsals for Living<\/em> is forthcoming in 2022."}]}]},{"id":"i1x2s21y","date":null,"title":"Legible Motivations: \"Not Everything is Genuine\"","title_html":"

Legible Motivations: \"Not Everything is Genuine\"<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/legible-motivations-not-everything-is-genuine","slug":"legible-motivations-not-everything-is-genuine","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/legible-motivations-not-everything-is-genuine","credits":[{"heading":"","list":["lifaw046","bissec0j","ui1mf1qj","96k97mx0"],"entities":[{"id":"lifaw046","date":null,"title":"Nehal El-Hadi","title_html":"

Nehal El-Hadi<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/nehal-el-hadi","slug":"nehal-el-hadi","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/lifaw046\/people\/nehal-el-hadi","text":"Nehal El-Hadi<\/strong> is a writer, researcher and editor whose work explores the intersections of and interactions between the body, place, and technology. A science and environmental journalist by trade, she completed a PhD in Planning at the University of Toronto, where she studied the relationships between virtual and material public urban spaces. She is currently based in Toronto, where she is the Science + Technology Editor at The Conversation Canada<\/em>, and Editor-in-Chief of Studio Magazine<\/em>."},{"id":"bissec0j","date":null,"title":"Mark V. Campbell","title_html":"

Mark V. Campbell<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mark-v-campbell","slug":"mark-v-campbell","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/bissec0j\/people\/mark-v-campbell","text":"Mark V. Campbell<\/strong> (aka DJ Grumps), founder at Northside Hip Hop Archive, is a DJ, curator, and scholar. As a co-founder of the Bigger than Hip Hop Show at CHRY 105.5 FM, Mark DJed and hosted the show from 1997\u20132015, and served as a Member of the Board at the Ontario Arts Council from 2015\u20132018. As a curator, Mark has organized exhibitions related to Canadian hip hop, including the T-Dot Pioneers<\/em> trilogy, Mixtapes: Hip-Hop\u2019s Lost Archive<\/em>, \u2026Everything Remains Raw: Photographing Toronto Hip Hop Culture from Analogue to Digital<\/em>, and For the Record: An Idea of the North<\/em>. As a scholar, Mark has published widely in various academic journals, and his co-edited collection We Still Here: Hip Hop North of the 49th Parallel<\/em> was released in 2020 by McGill-Queen's Press."},{"id":"ui1mf1qj","date":null,"title":"Elicser Elliott","title_html":"

Elicser Elliott<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/elicser-elliott","slug":"elicser-elliott","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ui1mf1qj\/people\/elicser-elliott","text":"Elicser Elliott<\/strong> is a Toronto based aerosol artist whose creations adorn the cultural landscape here and abroad. An integral part of Toronto\u2019s street art community for over a decade, he has been recognized and praised by both street and fine art collectors all over the world. His work has been featured in many publications and hung in prestigious galleries like the Art Gallery of Ontario and Royal Ontario Museum. Although he is a Montreal native, Elicser grew up in St. Vincent. On his family\u2019s return to Canada, he was introduced to street art while attending the Etobicoke School of the Arts. However, he had not seriously considered art as a possible occupation until he had a discussion with a guidance counselor who encouraged him to study animation at Sheridan College."},{"id":"96k97mx0","date":null,"title":"Charles Officer","title_html":"

Charles Officer<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/charles-officer","slug":"charles-officer","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/96k97mx0\/people\/charles-officer","text":"Charles Officer<\/strong> is an acclaimed writer, director, producer and founder of Canesugar Filmworks. A former creative director and graphic designer, his film works include the recent crime-noir Akilla\u2019s Escape<\/em> (TIFF 2020), and feature documentary Mighty Jerome<\/em>. Officer\u2019s Unarmed Verses<\/em> cemented his distinct visual brand of storytelling, winning awards at Hot Docs and TIFF Top Ten Festival. From garnering record setting CSA Nominations for his debut feature Nurse.Fighter.Boy<\/em> to his truth to power documentary The Skin We\u2019re In<\/em>, Charles is committed to amplifying diverse stories that integrate the arts. He is a founding member of Canada\u2019s first Black Screen Office, and serves on the board of trustees at the AGO and Reel Canada."}]}]},{"id":"1h3oescz","date":null,"title":"As if our Future Past Bore a Bad Algorithm","title_html":"

As if our Future Past Bore a Bad Algorithm<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/as-if-our-future-past-bore-a-bad-algorithm","slug":"as-if-our-future-past-bore-a-bad-algorithm","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/as-if-our-future-past-bore-a-bad-algorithm","credits":[{"heading":"","list":["56wx33zl"],"entities":[{"id":"56wx33zl","date":null,"title":"Liz Howard","title_html":"

Liz Howard<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/liz-howard","slug":"liz-howard","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/56wx33zl\/people\/liz-howard","text":"Liz Howard<\/strong>\u2019s debut collection Infinite Citizen of the Shaking Tent<\/em> won the 2016 Griffin Poetry Prize, was shortlisted for the 2015 Governor General\u2019s Award for poetry, and was named a Globe and Mail<\/em> top 100 book. Her poetry has appeared in Canadian Art<\/em>, The Fiddlehead<\/em>, Poetry Magazine<\/em>, and Best Canadian Poetry 2018<\/em>. Howard received a Bachelor of Science from the University of Toronto, and an MFA in Creative Writing from the University of Guelph. She is of mixed settler and Anishinaabe heritage. Born and raised on Treaty 9 territory in northern Ontario, she currently lives in Toronto."}]}]},{"id":"vhnoio54","date":null,"title":"Co-creating Moving Images","title_html":"

Co-creating Moving Images<\/p>","display_title":"The Neurocultures Collective: Co-creating Moving Images","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/co-creating-moving-images","slug":"co-creating-moving-images","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/co-creating-moving-images","credits":[]},{"id":"surmi2gb","date":null,"title":"Receipts","title_html":"

Receipts<\/p>","display_title":"","subtitle":"Public Visualization Lab","subtitle_html":"

Public Visualization Lab<\/p>","uri":"publications\/sduk\/diffusing\/receipts","slug":"receipts","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/receipts","credits":[{"heading":"","list":["nzy67xt2","ld59f5on"],"entities":[{"id":"nzy67xt2","date":null,"title":"Immony M\u00e8n","title_html":"

Immony M\u00e8n<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/immony-men","slug":"immony-men","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/nzy67xt2\/people\/immony-men","text":"Immony M\u00e8n<\/strong> is an artist, educator, community-based researcher, and Assistant Professor in the Faculty of Design at OCAD University. As an artist, he has exhibited nationally and internationally. His research focusses on developing a theoretical framework for understanding (specifically Khmer\/Cambodian) diasporic experience through media praxis, critical race theory, and community engagement. M\u00e8n\u2019s practice take the form of research-creation projects such as interactive installations, interdisciplinary performances, social artworks, and participatory community projects."},{"id":"ld59f5on","date":null,"title":"Lilian Leung","title_html":"

Lilian Leung<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lilian-leung","slug":"lilian-leung","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ld59f5on\/people\/lilian-leung","text":"Lilian Leung<\/strong> is an interactive designer, artist, and community-based researcher with over six years of industry experience working on projects ranging from design direction, UX design, and workshops. They are currently located in Tkaronto and on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh people. Their current practice circles new and evolving methods of placemaking and placekeeping in virtual reality, trans- and post-media practices, and interactive documentary. They are a recent graduate from the Digital Futures Master\u2019s program at OCAD University, received their BDes from the University of Hertfordshire, UK, and Diploma in Graphic Design & Illustration from Capilano University, BC."}]}]},{"id":"o0yq85on","date":null,"title":"Weaving a Local, Grassroots Web","title_html":"

Weaving a Local, Grassroots Web<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/weaving-a-local-grassroots-web","slug":"weaving-a-local-grassroots-web","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/weaving-a-local-grassroots-web","credits":[{"heading":"","list":["rydjp3nh"],"entities":[{"id":"rydjp3nh","date":null,"title":"Joy Xiang","title_html":"

Joy Xiang<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/joy-xiang","slug":"joy-xiang","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/rydjp3nh\/people\/joy-xiang","text":"Joy Xiang<\/strong> is a writer, arts worker, and perpetual late bloomer living in Tkaronto. Her work engages desire, migration, material flows, and media nostalgia and futurity. She prioritizes collective and collaborative processes, and learning ways of being together in complication and intimacy. Her first zine cold blood used cold-blooded creatures as a metaphor for creative and survival-focused adaptation strategies. She has been on the editorial team of Milkweed<\/em>, re:asian<\/em>, and Canadian Art<\/em>; written for Mercer Union, Ada X, and Hamilton Artists Inc.; and held positions at Blackwood Gallery and Vtape. She is a member of the feminist working group EMILIA-AMALIA."}]}]},{"id":"qo88em0o","date":null,"title":"The First Chapter","title_html":"

The First Chapter<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/the-first-chapter","slug":"the-first-chapter","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/the-first-chapter","credits":[{"heading":"","list":["34ada8sv"],"entities":[{"id":"34ada8sv","date":null,"title":"Jacob Wren","title_html":"

Jacob Wren<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jacob-wren","slug":"jacob-wren","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/34ada8sv\/people\/jacob-wren","text":"Jacob Wren<\/strong> makes literature, performances, and exhibitions. His books include: Polyamorous Love Song, Rich and Poor<\/em>, and Authenticity is a Feeling<\/em>. As Co-Artistic Director of Montreal-based PME-ART, he has helped create performances such as: Individualism Was A Mistake, The DJ Who Gave Too Much Information, Every Song I\u2019ve Ever Written<\/em> and Adventures can be found anywhere, m\u00eame dans la m\u00e9lancolie<\/em>. Most recently PME-ART has presented the online conference Vulnerable Paradoxes<\/em>."}]}]},{"id":"k9caqla1","date":null,"title":"Glossary (09)","title_html":"

Glossary (09)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/diffusing\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/diffusing\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/diffusing\/678229d6ea-1624044659\/blackwood_sduk09_diffusing.pdf"},{"id":"pzbb7c36","date":"2021-01-01","title":"SDUK 08: MEDIATING","title_html":"

SDUK 08: MEDIATING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/mediating","slug":"mediating","cover":{"id":"pzbb7c36","modified":1611353086,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/mediating\/6d69ab3770-1611353086\/08_mediating_cover.jpg","type":"image","mime":"image\/jpeg","size":762226,"extension":"jpg","filename":"08_mediating_cover.jpg","caption":"","caption_plaintext":"","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating","preview_mode":"false","number":"8","abstract":"This eighth SDUK broadsheet takes *MEDIATING* as its theme, in parallel with the Blackwood\u2019s virtual program *Running with Concepts: The Mediatic Edition*, to consider sites and practices of mediation in culture, technology, and media. Following *SDUK07: TILTING* (an urgent 2-part issue in response to the first wave of COVID-19), the series returns for 2021\u2014albeit in a form that continues to be shaped by the effects of the pandemic\u2014and launches simultaneously on the Blackwood website.\n\n**Contributors**: Meredith Broussard, Ted Chiang, Taeyoon Choi, D.T. Cochrane, Beth Coleman, Constance Hockaday, Shalini Kantayya, Feminist Data Manifest-No (Marika Cifor, Patricia Garcia, TL Cowan, Jasmine Rault, Tonia Sutherland, Anita Say Chan, Jennifer Rode, Anna Lauren Hoffmann, Niloufar Salehi, Lisa Nakamura), Emily Mast & Yehuda Duenyas (HOW ARE WE), Mike Pepi, Tommy Pico, Tiara Roxanne, Stephanie Syjuco","abstract_html":"

This eighth SDUK broadsheet takes MEDIATING<\/em> as its theme, in parallel with the Blackwood\u2019s virtual program Running with Concepts: The Mediatic Edition<\/em>, to consider sites and practices of mediation in culture, technology, and media. Following SDUK07: TILTING<\/em> (an urgent 2-part issue in response to the first wave of COVID-19), the series returns for 2021\u2014albeit in a form that continues to be shaped by the effects of the pandemic\u2014and launches simultaneously on the Blackwood website.<\/p>\n

Contributors<\/strong>: Meredith Broussard, Ted Chiang, Taeyoon Choi, D.T. Cochrane, Beth Coleman, Constance Hockaday, Shalini Kantayya, Feminist Data Manifest-No (Marika Cifor, Patricia Garcia, TL Cowan, Jasmine Rault, Tonia Sutherland, Anita Say Chan, Jennifer Rode, Anna Lauren Hoffmann, Niloufar Salehi, Lisa Nakamura), Emily Mast & Yehuda Duenyas (HOW ARE WE), Mike Pepi, Tommy Pico, Tiara Roxanne, Stephanie Syjuco<\/p>","contributions":[{"id":"by0eazgk","date":null,"title":"Cover (08)","title_html":"

Cover (08)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/cover","credits":[]},{"id":"smwjk6fu","date":null,"title":"Block Out the Sun","title_html":"

Block Out the Sun<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/block-out-the-sun","slug":"block-out-the-sun","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/block-out-the-sun","credits":[{"heading":"","list":["8ls2anq2"],"entities":[{"id":"8ls2anq2","date":null,"title":"Stephanie Syjuco","title_html":"

Stephanie Syjuco<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/stephanie-syjuco","slug":"stephanie-syjuco","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/8ls2anq2\/people\/stephanie-syjuco","text":"Stephanie Syjuco<\/strong> works in photography, sculpture, and installation, moving from handmade and craft-inspired mediums to digital editing and archive excavations. Recently, she has focused on how photography and image-based processes are implicated in the construction of racialized, exclusionary narratives of history and citizenship. Born in the Philippines, she is the recipient of a Guggenheim Fellowship and has exhibited widely, including at the Museum of Modern Art, the Whitney Museum, San Francisco Museum of Modern Art, among others. She is an Associate Professor at the University of California, Berkeley, and resides in Oakland, California."}]}]},{"id":"q0a5alpx","date":null,"title":"How to Read this Broadsheet (08)","title_html":"

How to Read this Broadsheet (08)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/how-to-read","slug":"how-to-read","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/how-to-read","credits":[]},{"id":"jo9iezuf","date":null,"title":"Racial Justice in the Distributed Web","title_html":"

Racial Justice in the Distributed Web<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/racial-justice-in-the-distributed-web","slug":"racial-justice-in-the-distributed-web","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/racial-justice-in-the-distributed-web","credits":[{"heading":"","list":["yqg15nc5"],"entities":[{"id":"yqg15nc5","date":null,"title":"Taeyoon Choi","title_html":"

Taeyoon Choi<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/taeyoon-choi","slug":"taeyoon-choi","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/yqg15nc5\/people\/taeyoon-choi","text":"Taeyoon Choi<\/strong> is an artist and educator based in Seoul and New York. He explores the poetics in science, technology, society, and human relations. He works with computer programming, drawing, and writing, oftentimes in collaboration with fellow artists, experts, and community members. He believes in the intersectionalities of art, activism, and education, and works on disability rights, environmental justice, and anti-racism. He co-founded School for Poetic Computation in 2013 where he continues to organize and teach experimental classes. Through his diverse practices, he seeks a sense of gentleness, magnanimity, justice, solidarity, and intellectual kinship."}]}]},{"id":"wb5bou9u","date":null,"title":"Coded Bias: Race, Technology, and Algorithms","title_html":"

Coded Bias: Race, Technology, and Algorithms<\/p>","display_title":"Coded Bias<\/em>: Race, Technology, and Algorithms","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/coded-bias-race-technology-and-algorithms","slug":"coded-bias-race-technology-and-algorithms","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/coded-bias-race-technology-and-algorithms","credits":[{"heading":"","list":["ygj4d5na","2xpbim9l","n0kekta5"],"entities":[{"id":"ygj4d5na","date":null,"title":"Meredith Broussard","title_html":"

Meredith Broussard<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/meredith-broussard","slug":"meredith-broussard","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ygj4d5na\/people\/meredith-broussard","text":"Meredith Broussard<\/strong> is an associate professor at the Arthur L. Carter Journalism Institute at New York University and the author of Artificial Unintelligence: How Computers Misunderstand the World<\/em>. Her research focuses on artificial intelligence in investigative reporting, with a particular interest in using data analysis for social good. A former features editor at the Philadelphia Inquirer<\/em>, she has also worked as a software developer at AT&T Bell Labs and the MIT Media Lab. Her features and essays have appeared in The Atlantic<\/em>, Slate<\/em>, Vox<\/em>, and other outlets."},{"id":"2xpbim9l","date":null,"title":"Beth Coleman","title_html":"

Beth Coleman<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/beth-coleman","slug":"beth-coleman","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/2xpbim9l\/people\/beth-coleman","text":"Beth Coleman<\/strong> researches experimental digital media, and specializes in race theory, game culture, and literary studies. She is currently working on two books and has previously published Hello, Avatar: Rise of the Networked Generation<\/em>, a critically acclaimed book examining the many modes of online identity and how users live on the continuum between the virtual and the real. She has also curated numerous art exhibits and media installations within North America and in Europe. Her current research investigates aspects of human narrative and digital data in the engagement of global cities, including aspects of locative media, mobile media, and smart cities."},{"id":"n0kekta5","date":null,"title":"Shalini Kantayya","title_html":"

Shalini Kantayya<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/shalini-kantayya","slug":"shalini-kantayya","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/n0kekta5\/people\/shalini-kantayya","text":"Filmmaker Shalini Kantayya<\/strong> premiered Coded Bias<\/em> at the 2020 Sundance Film Festival. She directed for the National Geographic television series Breakthrough<\/em>, which was broadcast globally in June 2017. Her debut documentary, Catching the Sun<\/em>, premiered at the LA Film Festival and was named a New York Times<\/em> \"Critics\u2019 Pick.\" Catching the Sun<\/em> was released globally on Netflix on Earth Day 2016, with executive producer Leonardo DiCaprio, and was nominated for the Environmental Media Association Award for Best Documentary. Kantayya is a TED Fellow, a William J. Fulbright Scholar, and an Associate of the UC Berkeley Graduate School of Journalism."}]}]},{"id":"5agyvk7q","date":null,"title":"Feminist Data Manifest-No","title_html":"

Feminist Data Manifest-No<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/feminist-data-manifest-no","slug":"feminist-data-manifest-no","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/feminist-data-manifest-no","credits":[{"heading":"","list":["n7yfm4ej"],"entities":[{"id":"n7yfm4ej","date":null,"title":"Feminist Data Manifest-No","title_html":"

Feminist Data Manifest-No<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/feminist-data-manifest-no","slug":"feminist-data-manifest-no","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/n7yfm4ej\/people\/feminist-data-manifest-no","text":"The drafting of the Feminist Data Manifest-No<\/strong> was led by Marika Cifor (University of Washington) and Patricia Garcia (University of Michigan). In addition to their efforts, the first complete draft is the collective labour of T.L. Cowan (University of Toronto); Jasmine Rault (University of Toronto); Tonia Sutherland (University of Hawai\u2019i at M\u0101noa); Anita Say Chan (University of Illinois Urbana-Champaign); Jennifer Rode (University College London); Anna Lauren Hoffmann (University of Washington); Niloufar Salehi (University of California, Berkeley); and Lisa Nakamura (University of Michigan). The result of their shared thinking, the Manifesto-No is a set of declarations and commitments for feminist data studies. Situating their work within a long genealogy of feminist thinking and praxis, following Ruha Benjamin, they drafted the Manifest-No as a way to \u201cremember to imagine and craft the worlds you cannot live without, just as you dismantle the worlds you cannot live within.\u201d"}]}]},{"id":"66b8jx7z","date":null,"title":"Artists-In-Presidents","title_html":"

Artists-In-Presidents<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/artists-in-presidents","slug":"artists-in-presidents","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/artists-in-presidents","credits":[{"heading":"","list":["4fq3itzm"],"entities":[{"id":"4fq3itzm","date":null,"title":"Constance Hockaday","title_html":"

Constance Hockaday<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/constance-hockaday","slug":"constance-hockaday","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/4fq3itzm\/people\/constance-hockaday","text":"Constance Hockaday<\/strong> is a queer Chilean-American from the US\/Mexico Border. She is a director and visual artist who creates immersive social sculptures on urban waterways. She has worked with the Floating Neutrinos since 2001, and collaborated with Swoon\u2019s Swimming Cities<\/em> projects, sailing floating sculptures along the Hudson, Mississippi, and the Adriatic Sea (2006\u201309). In 2011, she created The Boatel<\/em>, a floating art hotel in New York\u2019s Far Rockaways made of refurbished salvaged boats\u2014an effort to reconnect New Yorkers to their waterfront. Her 2014 piece All These Darlings and Now Us<\/em> highlighted the displacement of San Francisco\u2019s queer community: more than 1000 people watched peep show performances on a raft of retrofitted sailboats featuring artists from two recently shuttered iconic queer businesses. Hockaday holds an MFA in Social Practice and MA in Conflict Resolution. She is also a Senior TED Fellow and an artist-in-residence at The Center for the Art of Performance at UCLA."}]}]},{"id":"37icx4si","date":null,"title":"The Great Silence","title_html":"

The Great Silence<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/the-great-silence","slug":"the-great-silence","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/the-great-silence","credits":[{"heading":"","list":["gmpuhds8"],"entities":[{"id":"gmpuhds8","date":null,"title":"Ted Chiang","title_html":"

Ted Chiang<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ted-chiang","slug":"ted-chiang","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/gmpuhds8\/people\/ted-chiang","text":"Ted Chiang<\/strong> is the author of Stories of Your Life and Others<\/em> and The Lifecycle of Software Objects<\/em>. He was born and raised in Port Jefferson, New York, and attended Brown University, where he received a degree in computer science. His work has received the John W. Campbell Award, four Nebula Awards, four Hugo Awards, four Locus Awards, a Theodore Sturgeon Memorial Award, a Sidewise Award, and a British Science Fiction Association Award. He lives outside of Seattle, Washington."}]}]},{"id":"3q5g6c0u","date":null,"title":"Elements of Technology Criticism","title_html":"

Elements of Technology Criticism<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/elements-of-technology-criticism","slug":"elements-of-technology-criticism","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/elements-of-technology-criticism","credits":[{"heading":"","list":["6tfdx1d0"],"entities":[{"id":"6tfdx1d0","date":null,"title":"Mike Pepi","title_html":"

Mike Pepi<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mike-pepi","slug":"mike-pepi","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/6tfdx1d0\/people\/mike-pepi","text":"Mike Pepi<\/strong> is a critic of art and technology. He is based in New York."}]}]},{"id":"mmvp0qhx","date":null,"title":"Junk","title_html":"

Junk<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/junk","slug":"junk","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/junk","credits":[{"heading":"","list":["62ehyjvr"],"entities":[{"id":"62ehyjvr","date":null,"title":"Tommy Pico","title_html":"

Tommy Pico<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tommy-pico","slug":"tommy-pico","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/62ehyjvr\/people\/tommy-pico","text":"Tommy Pico<\/strong> is a poet, podcaster, and TV writer. He is author of the books IRL<\/em>, Nature Poem<\/em>, Junk<\/em>, Feed<\/em>, and myriad of keen tweets including \u201csittin\u2019 on the cock of the gay.\u201d Originally from the Viejas Indian Reservation of the Kumeyaay Nation, he now splits his time between Los Angeles and Brooklyn. He co-curates the reading series Poets with Attitude, co-hosts the podcast Food 4 Thot<\/em> and Scream, Queen!<\/em>, is poetry editor at Catapult Magazine<\/em>, writes on the FX show Reservation Dogs<\/em>, and is a contributing editor at Literary Hub<\/em>."}]}]},{"id":"x040at8x","date":null,"title":"HOW ARE WE: A SMART CONTRACT","title_html":"

HOW ARE WE: A SMART CONTRACT<\/p>","display_title":"HOW ARE WE:
\nA SMART CONTRACT","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/how-are-we-a-smart-contract","slug":"how-are-we-a-smart-contract","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/how-are-we-a-smart-contract","credits":[{"heading":"Emily Mast & Yehuda Duenyas","list":[],"entities":[]}]},{"id":"4ubp7y33","date":null,"title":"Forecasted Future","title_html":"

Forecasted Future<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/forecasted-future","slug":"forecasted-future","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/forecasted-future","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"ctdtnron","date":null,"title":"They are. We are. I am.","title_html":"

They are. We are. I am.<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/they-are-we-are-i-am","slug":"they-are-we-are-i-am","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/they-are-we-are-i-am","credits":[{"heading":"","list":["zzmwz6wi"],"entities":[{"id":"zzmwz6wi","date":null,"title":"Tiara Roxanne","title_html":"

Tiara Roxanne<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/tiara-roxanne","slug":"tiara-roxanne","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zzmwz6wi\/people\/tiara-roxanne","text":"Tiara Roxanne<\/strong> (PhD) is an Indigenous cyberfeminist, scholar, and artist based in Berlin. Her research and artistic practice investigates the encounter between the Indigenous Body and AI. More particularly, she explores the colonial structure embedded within artificial intelligence learning systems in her writing, and in performance art using textiles. Currently her work is mediated through the colour red. She received the Zora Neale Hurston Award from Naropa University in 2013, where she completed an MFA. Under the supervision of Catherine Malabou, Tiara completed her dissertation, \"Recovering Indigeneity: Territorial Dehiscence and Digital Immanence\" in June 2019. Tiara has presented her work at Images Festival (Toronto), Squeaky Wheel Film & Media Art Center (NY), Trinity Square Video (Toronto), SOAS (London), SLU (Madrid), Transmediale (Berlin), Duke University (NC), re:publica (Berlin), Tech Open Air (Berlin), AMOQA (Athens), among others. She is currently a researcher at DeZIM-Institut."}]}]},{"id":"48d4ctd7","date":null,"title":"Glossary (08)","title_html":"

Glossary (08)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/mediating\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/mediating\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/mediating\/d6f7799ee9-1611352925\/blackwood_sduk08_mediating.pdf"},{"id":"v7435ajj","date":"2020-05-08","title":"SDUK 07: TILTING (2)","title_html":"

SDUK 07: TILTING (2)<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/tilting-2","slug":"tilting-2","cover":{"id":"v7435ajj","modified":1608234539,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/tilting-2\/a78e04eb0f-1607022168\/sduk_07_tilting_2-cover.jpg","type":"image","mime":"image\/jpeg","size":1745694,"extension":"jpg","filename":"sduk_07_tilting_2-cover.jpg","caption":"Cover image: Ivetta Sunyoung Kang, Proposition 1: Hands<\/em>, 2020. Single-channel video, 4:33. Performed by Ivetta Sunyoung Kang and Eric Dong Ho You. Modified from 16:9 aspect ratio. Courtesy the artist.","caption_plaintext":"Cover image: Ivetta Sunyoung Kang, *Proposition 1: Hands*, 2020. Single-channel video, 4:33. Performed by Ivetta Sunyoung Kang and Eric Dong Ho You. Modified from 16:9 aspect ratio. Courtesy the artist.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2","preview_mode":"false","number":"7.2","abstract":"Following the release of *TILTING* (1) on April 20, 2020, *TILTING* (2) continues to circulate and distribute responses to COVID-19\u2019s persistent reconfiguration of collective conditions. Both issues are drawn from contributions to a March 23 call for submissions proposing that we take up The Invisible Committee\u2019s call to tilt our approaches to organizing in the face of urgent situations with good faith, careful attention, and decisive action. *TILTING* (2) builds on the first issue\u2019s attention to economic inequality, bodily vulnerability, conditions of isolation and distancing, viral timescales across varied geographies, and digital infrastructures, while turning to questions of ritual, potentiality in vulnerability, intersections of coloniality and virality, memorialization, migrant labour, and the varied modes of reading that emerge in emergency. \n\n**Contributors**: shaina sarah isles evero fedelin agbayani, Ali Ahadi, Mitchell Akiyama, Beverly Bain, Emily Cadotte, Alex Cameron, Gian Cruz, Kara Ditte Hansen & cheyanne turions, Mark Dudiak, Lynn Hutchinson Lee, Ivetta Sunyoung Kang, Olivia Klevorn, Jesse LeCavalier, Min Sook Lee, Jayda Marley, Nicola Privato, Jarrett Robert Rose, Imre Szeman, Laura Tibi, Mirusha Yogarajah","abstract_html":"

Following the release of TILTING<\/em> (1) on April 20, 2020, TILTING<\/em> (2) continues to circulate and distribute responses to COVID-19\u2019s persistent reconfiguration of collective conditions. Both issues are drawn from contributions to a March 23 call for submissions proposing that we take up The Invisible Committee\u2019s call to tilt our approaches to organizing in the face of urgent situations with good faith, careful attention, and decisive action. TILTING<\/em> (2) builds on the first issue\u2019s attention to economic inequality, bodily vulnerability, conditions of isolation and distancing, viral timescales across varied geographies, and digital infrastructures, while turning to questions of ritual, potentiality in vulnerability, intersections of coloniality and virality, memorialization, migrant labour, and the varied modes of reading that emerge in emergency. <\/p>\n

Contributors<\/strong>: shaina sarah isles evero fedelin agbayani, Ali Ahadi, Mitchell Akiyama, Beverly Bain, Emily Cadotte, Alex Cameron, Gian Cruz, Kara Ditte Hansen & cheyanne turions, Mark Dudiak, Lynn Hutchinson Lee, Ivetta Sunyoung Kang, Olivia Klevorn, Jesse LeCavalier, Min Sook Lee, Jayda Marley, Nicola Privato, Jarrett Robert Rose, Imre Szeman, Laura Tibi, Mirusha Yogarajah<\/p>","contributions":[{"id":"edf72mvy","date":null,"title":"Cover (07.2)","title_html":"

Cover (07.2)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/cover","credits":[]},{"id":"9obs82ci","date":null,"title":"tl;dr part 2","title_html":"

tl;dr part 2<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/tl-dr-part-2","slug":"tl-dr-part-2","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/tl-dr-part-2","credits":[{"heading":"","list":["ndcwbio2"],"entities":[{"id":"ndcwbio2","date":null,"title":"Editorial","title_html":"

Editorial<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/editorial","slug":"editorial","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ndcwbio2\/people\/editorial","text":""}]}]},{"id":"q86q6qyz","date":null,"title":"Proposition 1: Hands","title_html":"

Proposition 1: Hands<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/proposition-1-hands","slug":"proposition-1-hands","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/proposition-1-hands","credits":[{"heading":"","list":["hpgse14n"],"entities":[{"id":"hpgse14n","date":null,"title":"Ivetta Sunyoung Kang","title_html":"

Ivetta Sunyoung Kang<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ivetta-sunyoung-kang","slug":"ivetta-sunyoung-kang","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/hpgse14n\/people\/ivetta-sunyoung-kang","text":"Ivetta Sunyoung Kang<\/strong> is an interdisciplinary visual\/video artist and writer based in Montreal since 2012. She obtained her MFA at Concordia University. She makes work across moving-image based media, text, and performance and also writes poetry and fiction. She has presented films and videos at numerous film festivals and galleries, including JeonJu International Film Festival, South Korea; Chennai International Women Film Festival, India; Leonard and Bina Ellen Art Gallery and MAI, Canada; and SomoS Art House, Germany. She is a co-founding member of an artist collective called Quite Ourselves."}]}]},{"id":"bs1po7er","date":null,"title":"Breaking with the Past","title_html":"

Breaking with the Past<\/p>","display_title":"","subtitle":"The Radical Possibilities of Collective Vulnerability","subtitle_html":"

The Radical Possibilities of Collective Vulnerability<\/p>","uri":"publications\/sduk\/tilting-2\/breaking-with-the-past","slug":"breaking-with-the-past","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/breaking-with-the-past","credits":[{"heading":"","list":["nx5uv6sm"],"entities":[{"id":"nx5uv6sm","date":null,"title":"Jarrett Robert Rose","title_html":"

Jarrett Robert Rose<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jarrett-robert-rose","slug":"jarrett-robert-rose","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/nx5uv6sm\/people\/jarrett-robert-rose","text":"Jarrett Robert Rose<\/strong> is an American international student and doctoral candidate in the department of sociology at York University. His intellectual and pedagogical orientations are located at the nexus of power, psychosomatic health, identity, and social theory. Currently, Rose studies the normative social, political, and therapeutic implications of the revival of psychedelic healing and counterculture."}]}]},{"id":"f62ejqxn","date":null,"title":"On Solar Futures","title_html":"

On Solar Futures<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/on-solar-futures","slug":"on-solar-futures","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/on-solar-futures","credits":[{"heading":"","list":["d2xrky6c"],"entities":[{"id":"d2xrky6c","date":null,"title":"Imre Szeman","title_html":"

Imre Szeman<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/imre-szeman","slug":"imre-szeman","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/d2xrky6c\/people\/imre-szeman","text":"Imre Szeman<\/strong> teaches at the University of Waterloo. He volunteered this text in solidarity with TILTING<\/em> contributors and the Blackwood."}]}]},{"id":"08kenler","date":null,"title":"technology of care","title_html":"

technology of care<\/p>","display_title":"","subtitle":"an email thread between two sisters across borders","subtitle_html":"

an email thread between two sisters across borders<\/p>","uri":"publications\/sduk\/tilting-2\/technology-of-care","slug":"technology-of-care","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/technology-of-care","credits":[{"heading":"","list":["4wb0ia17"],"entities":[{"id":"4wb0ia17","date":null,"title":"Mirusha Yogarajah","title_html":"

Mirusha Yogarajah<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mirusha-yogarajah","slug":"mirusha-yogarajah","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/4wb0ia17\/people\/mirusha-yogarajah","text":"Mirusha Yogarajah<\/strong> received her Master\u2019s of Public Policy degree from the University of Toronto in 2019 and, before that, she double-majored in ethnic studies, political science, and liberal arts honours. She chose these academic pursuits in order to have a tangible and productive means of addressing systemic inequities. Through this work, she refined her approach to policy by prioritizing iteration and the end-users of policy. She uses storytelling and design to create narratives that galvanize change. Her work aims to showcase the multifaceted experiences of being a person on the margins and the delicate and intimate experiences they host alongside survival."}]}]},{"id":"j6ebgk22","date":null,"title":"W.E.I.R.D.: Emergency","title_html":"

W.E.I.R.D.: Emergency<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/emergency","slug":"emergency","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/emergency","credits":[{"heading":"","list":["vsn1c596"],"entities":[{"id":"vsn1c596","date":null,"title":"Nicola Privato","title_html":"

Nicola Privato<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/nicola-privato","slug":"nicola-privato","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vsn1c596\/people\/nicola-privato","text":"Nicola Privato<\/strong> is a Venice-based musician and digital artist. Privato studied jazz guitar at Trieste Conservatory, graduating in 2010. He has played national and international festivals (Veneto Jazz, JAM, JEFF, Ubi Jazz, Treviso Jazz, Palermo Jazz, Mediterraneo Jazz, and many others) while experimenting with electronics and programming languages, and developing interactive audiovisual installations for musicians exploring the ways technology, social media, and information can be integrated in music performances."}]}]},{"id":"1t1t7j2p","date":null,"title":"COVID-19 AR","title_html":"

COVID-19 AR<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/covid-19-ar","slug":"covid-19-ar","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/covid-19-ar","credits":[{"heading":"","list":["ga7pfhi7"],"entities":[{"id":"ga7pfhi7","date":null,"title":"Mitchell Akiyama","title_html":"

Mitchell Akiyama<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mitchell-akiyama","slug":"mitchell-akiyama","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ga7pfhi7\/people\/mitchell-akiyama","text":"Mitchell Akiyama<\/strong> is a Toronto-based artist, scholar, and composer. His eclectic body of work includes objects and installations that trouble received ideas about perception and sensory experience; writings about contemporary art, animals, and cities; along with many albums of music and scores for film and dance. He holds a PhD in communications from McGill University and an MFA from Concordia University and is currently a SSRHC Postdoctoral Fellow at York University\u2019s Sensorium Centre for Digital Arts & Technology."}]}]},{"id":"sz6umxeq","date":null,"title":"X","title_html":"

X<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/x","slug":"x","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/x","credits":[{"heading":"","list":["gf0f4ka8","4obpqqkv"],"entities":[{"id":"gf0f4ka8","date":null,"title":"Kara Ditte Hansen","title_html":"

Kara Ditte Hansen<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kara-ditte-hansen","slug":"kara-ditte-hansen","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/gf0f4ka8\/people\/kara-ditte-hansen","text":"Kara Ditte Hansen<\/strong> is a visual artist and organizer based in Vancouver. Her work combines film, video installation, sculpture, social practice, and performance. She received a BFA from Emily Carr University of Art and Design in 2013. Thereafter, she participated in the thematic residency Confuse the Cat<\/em> led by Michael Portnoy and Kira Nova at the Banff Centre. She is a founding member of the collective non-profit organization Duplex Artists\u2019 Society, a gallery and studio space that has been supporting emerging artists through exhibitions, talks, performances, and readings since 2015. Now, she is in the process of completing her first film, An Event So Fast<\/em> (2020)."},{"id":"4obpqqkv","date":null,"title":"cheyanne turions","title_html":"

cheyanne turions<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/cheyanne-turions","slug":"cheyanne-turions","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/4obpqqkv\/people\/cheyanne-turions","text":"cheyanne turions<\/strong> is the curator at SFU Galleries (Burnaby and Vancouver). She volunteered this text in solidarity with her collaborator, Kara Ditte Hansen, as well as TILTING<\/em> contributors and the Blackwood."}]}]},{"id":"inwnq9zf","date":null,"title":"The Ill-Fated Class of 2020","title_html":"

The Ill-Fated Class of 2020<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/the-ill-fated-class-of-2020","slug":"the-ill-fated-class-of-2020","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/the-ill-fated-class-of-2020","credits":[{"heading":"","list":["zaqzol1u"],"entities":[{"id":"zaqzol1u","date":null,"title":"Alex Cameron","title_html":"

Alex Cameron<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/alex-cameron","slug":"alex-cameron","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zaqzol1u\/people\/alex-cameron","text":"Alex Cameron<\/strong> is a theatre, visual, and performance artist based in the Greater Toronto Area, and a graduate of the ill-fated 2019\u201320 school year at University of Toronto Mississauga. Cameron has performed in Tarragon Theatre\u2019s Young Playwrights Acting Unit and the Toronto Fringe Festival, and creates digital video remixes using pre-existing and original footage. Cameron explores and is interested in artwork that is contemporary and post-modern\u2014work that can only exist and have been created with the tools and perspectives of today."}]}]},{"id":"0xxjpfjz","date":null,"title":"This Text is a Monument","title_html":"

This Text is a Monument<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/this-text-is-a-monument","slug":"this-text-is-a-monument","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/this-text-is-a-monument","credits":[{"heading":"","list":["2km3ivb9"],"entities":[{"id":"2km3ivb9","date":null,"title":"Mark Dudiak","title_html":"

Mark Dudiak<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/mark-dudiak","slug":"mark-dudiak","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/2km3ivb9\/people\/mark-dudiak","text":"Mark Dudiak<\/strong> is a Toronto artist who creates videos, installations, and paintings about invisible forces and their influence on the built environment. His work explores contemporary existential concerns such as loneliness, collective anxiety, trans-humanism, and artificial intelligence. He holds a BFA from Emily Carr University of Art and Design and an MFA from Concordia University. Dudiak has exhibited across Canada and internationally at venues including ZK\/U, Berlin; Projet Pang\u00e9e, Montr\u00e9al; Access Gallery, Vancouver; and Nuit Blanche, Toronto."}]}]},{"id":"dx6k73h7","date":null,"title":"Endurance Is Not Resistance","title_html":"

Endurance Is Not Resistance<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/endurance-is-not-resistance","slug":"endurance-is-not-resistance","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/endurance-is-not-resistance","credits":[{"heading":"","list":["48g8rrom"],"entities":[{"id":"48g8rrom","date":null,"title":"Olivia Klevorn","title_html":"

Olivia Klevorn<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/olivia-klevorn","slug":"olivia-klevorn","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/48g8rrom\/people\/olivia-klevorn","text":"Olivia Klevorn<\/strong> is a queer, mixed-race Black emerging artist living in Toronto. She graduated from Yale University in 2017 with a bachelor's in Cultural Anthropology and received a Master\u2019s of Visual Anthropology from the University of Oxford in 2019, with a dissertation on digital labour relations on Instagram. Olivia has trained as a dancer, writer, and actor, and has been mentored by the poet Claudia Rankine. She conducts research for Hans Ulrich Obrist, director of London\u2019s Serpentine Gallery. She regularly performed as part of author Dean Atta\u2019s Black Flamingo Cabaret, and was frequently a featured performer at London\u2019s Royal Vauxhall Tavern. Recently, she has been published in the Blackwood Gallery\u2019s SDUK 07: TILTING (2)<\/em>, Koffler.digital\u2019s online exhibition A Matter of Taste<\/em>, and Carnation Zine<\/em>\u2019s upcoming issue. She was a runner-up for the C Magazine<\/em> New Critics Award."}]}]},{"id":"t32x9nl2","date":null,"title":"Pandemic, Time for a Transversal Political Imagination","title_html":"

Pandemic, Time for a Transversal Political Imagination<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/pandemic-time-for-a-transveral-political-imagination","slug":"pandemic-time-for-a-transveral-political-imagination","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/pandemic-time-for-a-transveral-political-imagination","credits":[{"heading":"","list":["m78auhjy"],"entities":[{"id":"m78auhjy","date":null,"title":"Ali Ahadi","title_html":"

Ali Ahadi<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ali-ahadi","slug":"ali-ahadi","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/m78auhjy\/people\/ali-ahadi","text":"Ali Ahadi<\/strong> is a Vancouver-based artist and writer. His interdisciplinary practice spans from site-specific ephemeral installations to sculpture, photo- and video-based works, writing, and translation. His work is constituted through addressing the problems of presentation and representation, monsteration and demonstration, and, finally, the relationships between aesthetics and contingent forms of abstractions. Ahadi has participated in a body of solo and group exhibitions internationally, including his recent solo exhibition at the Ag Galerie of Tehran, entitled Shit Yes Academy<\/em> (Goh Ballet Academy). In 2012 he received his MFA in visual arts from the University of British Columbia, where he is currently a visual art instructor and a PhD candidate in Interdisciplinary Studies with a central focus on continental philosophy and visual arts."}]}]},{"id":"jw1y9nyf","date":null,"title":"Wake Work and the Coronavirus Pandemic","title_html":"

Wake Work and the Coronavirus Pandemic<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/wake-work-and-the-coronavirus-pandemic","slug":"wake-work-and-the-coronavirus-pandemic","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/wake-work-and-the-coronavirus-pandemic","credits":[{"heading":"","list":["nm0jwf8j"],"entities":[{"id":"nm0jwf8j","date":null,"title":"Beverly Bain","title_html":"

Beverly Bain<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/beverly-bain","slug":"beverly-bain","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/nm0jwf8j\/people\/beverly-bain","text":"Beverly Bain<\/strong> is a Black queer feminist scholar who teaches in Women and Gender Studies at the University of Toronto Mississauga. She teaches and researches in the area of Black and Caribbean diasporic sexualities, violence against women and the Black queer radical feminist tradition in Canada."}]}]},{"id":"erpsho6e","date":null,"title":"When your people are sick","title_html":"

When your people are sick<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/when-your-people-are-sick","slug":"when-your-people-are-sick","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/when-your-people-are-sick","credits":[{"heading":"","list":["b5dwjyu0"],"entities":[{"id":"b5dwjyu0","date":null,"title":"Jayda Marley","title_html":"

Jayda Marley<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jayda-marley","slug":"jayda-marley","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/b5dwjyu0\/people\/jayda-marley","text":"Jayda Marley<\/strong> is a nineteen-year-old nationally acclaimed Queer Afro-Indigenous spoken word poet, youth activist, and community healer from Tkaronto. She works with the Community Healing Project and is a youth facilitator and event organizer with One Mic Educators and Develop Me Youth. As a former competing poet, Jayda holds the first place national championship title of Voices of Today 2018. She is also the founder and creative director of the new open mic series For the Queer Coloured Girls After Me<\/em>. Whether you catch Jayda at an open mic around the city, or on bigger platforms such as Pride Toronto, Nuit Blanche, and even Parliament Hill, she is sure to captivate every crowd she touches with her words. When she isn\u2019t performing, she is waist-deep in a book or teaching youth across Turtle Island how to use their voices using spoken word and activism."}]}]},{"id":"seml5lrs","date":null,"title":"Metanoia","title_html":"

Metanoia<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/metanoia","slug":"metanoia","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/metanoia","credits":[{"heading":"","list":["0a7gi7kd"],"entities":[{"id":"0a7gi7kd","date":null,"title":"Lynn Hutchinson Lee","title_html":"

Lynn Hutchinson Lee<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lynn-hutchinson-lee","slug":"lynn-hutchinson-lee","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/0a7gi7kd\/people\/lynn-hutchinson-lee","text":"Lynn Hutchinson Lee<\/strong> is a Toronto-based multimedia artist. Her spoken word \"Five Songs for Daddy\" was in chirikli collective\u2019s sound installation Canada Without Shadows<\/em> at the Roma Pavilion, 54th Venice Biennale, Italy; BAK<\/em>, Utrecht, Netherlands; Romania\u2019s National Museum of Contemporary Art; and Art Gallery of York University\u2019s Audio Out. Her installation metanoia<\/em> was exhibited at Hamilton\u2019s Workers\u2019 Arts and Heritage Centre. Selected writing appears in The Food of My People<\/em> and CLI-FI: Canadian Tales of Climate Change<\/em> (Exile Editions); Romani Women in Canada: Spectrum of the Blue Water<\/em> (Inanna); and Romani Folio<\/em> (Drunken Boat International Journal of Literature and the Arts<\/em>)."}]}]},{"id":"6p12ww2m","date":null,"title":"\u201cthe future is ritual\u201d","title_html":"

\u201cthe future is ritual\u201d<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/the-future-is-ritual","slug":"the-future-is-ritual","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/the-future-is-ritual","credits":[{"heading":"","list":["zmfujw55"],"entities":[{"id":"zmfujw55","date":null,"title":"shaina sarah isles evero fedelin agbayani","title_html":"

shaina sarah isles evero fedelin agbayani<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/shaina-sarah-isles-evero-fedelin-agbayani","slug":"shaina-sarah-isles-evero-fedelin-agbayani","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zmfujw55\/people\/shaina-sarah-isles-evero-fedelin-agbayani","text":"shaina sarah isles evero fedelin agbayani<\/strong> (sha) is a queer pilipinx divine femmenomenologist grateful to be born in scarborough, dish with one spoon and two-row wampum treaty territory originally stewarded by original caretakers including the wyandot, petun, seneca, missisauga of the credit, and haudenosaunee first nations. grateful to live via a lineage of alchemists, broom-wielders, live-in caregivers, cleaners, and cooks from lands including ilocos sur, romblon, mindoro, quezon, and batangas, she finds solace in the solitude sanctioned by her unique immunity, diagnosed as she is with auto-immune disorder. she is grateful to experience \u201csickness\u201d as a divine invitation to heal through recovering original cosmologies of reciprocity and care."}]}]},{"id":"84bdn41t","date":null,"title":"Essential Work = Essential Worker","title_html":"

Essential Work = Essential Worker<\/p>","display_title":"","subtitle":"Will COVID-19 Force a Revaluation of Migrant Labour?","subtitle_html":"

Will COVID-19 Force a Revaluation of Migrant Labour?<\/p>","uri":"publications\/sduk\/tilting-2\/essential-work-essential-worker","slug":"essential-work-essential-worker","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/essential-work-essential-worker","credits":[{"heading":"","list":["hzilqorv"],"entities":[{"id":"hzilqorv","date":null,"title":"Emily Cadotte","title_html":"

Emily Cadotte<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/emily-cadotte","slug":"emily-cadotte","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/hzilqorv\/people\/emily-cadotte","text":"Emily Cadotte<\/strong> is a doctoral student at the University of Western Ontario where she is also the editor of\u202ftba: journal of art, media, and visual culture<\/em>.\u202fShe holds an MA from OCAD University where she was awarded the program medal for Contemporary Art, Design and New Media Histories. She has taught at Brock University and OCADU, and worked in various arts admin roles. She has published in\u202fArt Education<\/em>,\u202fEsse<\/em>,\u202fand\u202fCanadian Art<\/em>."}]}]},{"id":"w5iuorww","date":null,"title":"New Heuristics","title_html":"

New Heuristics<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/new-heuristics","slug":"new-heuristics","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/new-heuristics","credits":[{"heading":"","list":["7h102gbi"],"entities":[{"id":"7h102gbi","date":null,"title":"Jesse LeCavalier","title_html":"

Jesse LeCavalier<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jesse-lecavalier","slug":"jesse-lecavalier","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/7h102gbi\/people\/jesse-lecavalier","text":"Jesse LeCavalier<\/strong> teaches at the University of Toronto. He volunteered this text in solidarity with TILTING<\/em> contributors and the Blackwood."}]}]},{"id":"faz705li","date":null,"title":"(s\u00e9ro)TROPICAL(e)","title_html":"

(s\u00e9ro)TROPICAL(e)<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting-2\/sero-tropical-e","slug":"sero-tropical-e","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting-2\/sero-tropical-e","credits":[{"heading":"","list":["eson1n4z"],"entities":[{"id":"eson1n4z","date":null,"title":"Gian Cruz","title_html":"

Gian Cruz<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/gian-cruz","slug":"gian-cruz","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/eson1n4z\/people\/gian-cruz","text":"Gian Cruz<\/strong>, born in Manila, the Philippines, is an emerging artist whose artistic practice is heavily rooted in photography and integrates his institutional work and background in art theory and criticism. Cruz\u2019s work is central to the volatility of the image in contemporary culture and the multiple discourses that come along with it. He often extends his photographic work toward a more complex, multidisciplinary orientation integrating performance, translation, history, literature, ecology, cinema, HIV\/AIDS activism, and several other fields and contexts that engage with his current preoccupations as an artist."}]}]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/tilting-2\/28bf636693-1619126301\/blackwood_sduk07_tilting_2.pdf"},{"id":"n30k3l0h","date":"2020-04-20","title":"SDUK 07: TILTING (1)","title_html":"

SDUK 07: TILTING (1)<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/tilting","slug":"tilting","cover":{"id":"n30k3l0h","modified":1608211927,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/tilting\/0679b4c3cb-1607022030\/sduk_07_tilting-1-cover.jpg","type":"image","mime":"image\/jpeg","size":2009486,"extension":"jpg","filename":"sduk_07_tilting-1-cover.jpg","caption":"Sara Graham, Conjecture Diagram no. 05<\/em>, 2014. Graphite on mylar. Courtesy the artist.","caption_plaintext":"Sara Graham, *Conjecture Diagram no. 05*, 2014. Graphite on mylar. Courtesy the artist.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting","preview_mode":"false","number":"7.1","abstract":"On March 23, the Blackwood put forward a call for submissions, in response to the irrefutably global provocation of COVID-19 currently reconfiguring nearly every aspect of life on Earth. The call recognized that these uncertain socio-political circumstances demand agile, dynamic, and multifaceted responses. In their recent book *Now,* the agents of The Invisible Committee call for us to generate desirable social and political worlds through an improvisatory tilt: strategic action that cuts transversally across vertical hierarchies and horizontal networks\u2014privileging neither, in favour of an \u201cintelligence of the situation.\" With decisive actions implemented by individuals, organizations, businesses, and governments, the Blackwood, as a public gallery within a university, asked: how to acknowledge this pandemic as a \u201cmatter of concern,\u201d while responding to its broad-ranging effects across our networks of artists, writers, and cultural workers as a \u201cmatter of care\"? An urgent and provisional response comes in the form of *TILTING*, a special digital issue of the SDUK.\n \n**Contributors:** d\u2019bi.young anitafrika, Aisha Ali, Atanas Bozdarov, Inbal Newman, Craig Rodmore & Florence Yee, Christina Battle, Adam Bierling, Alison Bremner, Eric Cazdyn, Paul Chartrand, D.T. Cochrane, Kimberly Edgar, Amy Fung, Sara Graham, Noelle Hamlyn, Paul Maheke, Andrea Muehlebach, Nicola Privato, John Paul Ricco, Sydney Shen, Ruth Skinner, Sanchari Sur","abstract_html":"

On March 23, the Blackwood put forward a call for submissions, in response to the irrefutably global provocation of COVID-19 currently reconfiguring nearly every aspect of life on Earth. The call recognized that these uncertain socio-political circumstances demand agile, dynamic, and multifaceted responses. In their recent book Now,<\/em> the agents of The Invisible Committee call for us to generate desirable social and political worlds through an improvisatory tilt: strategic action that cuts transversally across vertical hierarchies and horizontal networks\u2014privileging neither, in favour of an \u201cintelligence of the situation.\" With decisive actions implemented by individuals, organizations, businesses, and governments, the Blackwood, as a public gallery within a university, asked: how to acknowledge this pandemic as a \u201cmatter of concern,\u201d while responding to its broad-ranging effects across our networks of artists, writers, and cultural workers as a \u201cmatter of care\"? An urgent and provisional response comes in the form of TILTING<\/em>, a special digital issue of the SDUK.<\/p>\n

Contributors:<\/strong> d\u2019bi.young anitafrika, Aisha Ali, Atanas Bozdarov, Inbal Newman, Craig Rodmore & Florence Yee, Christina Battle, Adam Bierling, Alison Bremner, Eric Cazdyn, Paul Chartrand, D.T. Cochrane, Kimberly Edgar, Amy Fung, Sara Graham, Noelle Hamlyn, Paul Maheke, Andrea Muehlebach, Nicola Privato, John Paul Ricco, Sydney Shen, Ruth Skinner, Sanchari Sur<\/p>","contributions":[{"id":"4rymitly","date":null,"title":"Cover (07.1)","title_html":"

Cover (07.1)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/cover","credits":[]},{"id":"4hxtzs23","date":null,"title":"tl;dr part 1","title_html":"

tl;dr part 1<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/editorial","slug":"editorial","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/editorial","credits":[{"heading":"","list":["ndcwbio2"],"entities":[{"id":"ndcwbio2","date":null,"title":"Editorial","title_html":"

Editorial<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/editorial","slug":"editorial","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ndcwbio2\/people\/editorial","text":""}]}]},{"id":"3hvtaiic","date":null,"title":"Conjecture Diagrams","title_html":"

Conjecture Diagrams<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/conjecture-diagrams","slug":"conjecture-diagrams","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/conjecture-diagrams","credits":[{"heading":"","list":["zch1ch56"],"entities":[{"id":"zch1ch56","date":null,"title":"Sara Graham","title_html":"

Sara Graham<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sara-graham","slug":"sara-graham","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zch1ch56\/people\/sara-graham","text":"Sara Graham<\/strong> has produced a diverse body of work that shares a concern with the images, issues, and ideas that surround and make up the cities we live in or those that we imagine. Graham maintains an ongoing interest in how people and communities shape and are shaped by the numerous systems and networks within the everyday lives of cities, and in how people move within and around cities. She has developed a body of work in which she has explored different ways to transform a viewer\u2019s perception of \u201cplace\u201d using forms of architecture, storytelling, and mapping."}]}]},{"id":"oumpvrl8","date":null,"title":"The Year I Stopped Making Art","title_html":"

The Year I Stopped Making Art<\/p>","display_title":"","subtitle":"Why the art world should assist artists beyond representation; in solidarity","subtitle_html":"

Why the art world should assist artists beyond representation; in solidarity<\/p>","uri":"publications\/sduk\/tilting\/the-year-i-stopped-making-art","slug":"the-year-i-stopped-making-art","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/the-year-i-stopped-making-art","credits":[{"heading":"","list":["r9u5bmtn"],"entities":[{"id":"r9u5bmtn","date":null,"title":"Paul Maheke","title_html":"

Paul Maheke<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/paul-maheke","slug":"paul-maheke","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/r9u5bmtn\/people\/paul-maheke","text":"Paul Maheke<\/strong> was born in Brive-la-Gaillarde and lives and works in London. In 2011 he completed an MA in art practice at l\u2019\u00c9cole Nationale Sup\u00e9rieure d\u2019Arts de Paris-Cergy and, in 2015, a program of study at Open School East, London. Maheke was awarded the South London Gallery Graduate Residency 2015\u201316. His recent projects include Prix Fondation d\u2019Entreprise Ricard, Paris; Performa 19, Abrons Art Center, New York; Elements of Vogue!<\/em>, Chopo Museum, Mexico City; OOLOI<\/em>, Triangle France-Ast\u00e9rides, Marseille; The Distance is Nowhere<\/em> (in collaboration with Sophie Mallett), ICA Miami; S\u00e8nsa<\/em> (in collaboration with Nkisi and Ariel Efraim Ashbel), Blockuniverse, London; Meetings on Art<\/em>, performance art program at 58th Venice Biennale; A Fire Circle for a Public Hearing<\/em>, Chisenhale Gallery, London; Letter to a Barn Owl<\/em>, Kevin Space, Vienna; A cris ouverts<\/em>, Biennale de Rennes; and Give Up the Ghost<\/em>, Baltic Triennial 13, Tallinn."}]}]},{"id":"eisasvgq","date":null,"title":"W.E.I.R.D.: Uncertainty","title_html":"

W.E.I.R.D.: Uncertainty<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/uncertainty","slug":"uncertainty","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/uncertainty","credits":[{"heading":"","list":["vsn1c596"],"entities":[{"id":"vsn1c596","date":null,"title":"Nicola Privato","title_html":"

Nicola Privato<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/nicola-privato","slug":"nicola-privato","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vsn1c596\/people\/nicola-privato","text":"Nicola Privato<\/strong> is a Venice-based musician and digital artist. Privato studied jazz guitar at Trieste Conservatory, graduating in 2010. He has played national and international festivals (Veneto Jazz, JAM, JEFF, Ubi Jazz, Treviso Jazz, Palermo Jazz, Mediterraneo Jazz, and many others) while experimenting with electronics and programming languages, and developing interactive audiovisual installations for musicians exploring the ways technology, social media, and information can be integrated in music performances."}]}]},{"id":"tg41qqyk","date":null,"title":"Impotentiality and Resistance","title_html":"

Impotentiality and Resistance<\/p>","display_title":"","subtitle":"The COVID-19 pandemic returns us to our impotentiality and hence to our capacity to resist","subtitle_html":"

The COVID-19 pandemic returns us to our impotentiality and hence to our capacity to resist<\/p>","uri":"publications\/sduk\/tilting\/impotentiality-and-resistance","slug":"impotentiality-and-resistance","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/impotentiality-and-resistance","credits":[{"heading":"","list":["yp58ewau"],"entities":[{"id":"yp58ewau","date":null,"title":"John Paul Ricco","title_html":"

John Paul Ricco<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/john-paul-ricco","slug":"john-paul-ricco","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/yp58ewau\/people\/john-paul-ricco","text":"John Paul Ricco<\/strong> is Professor of Art History, Comparative Literature, and Visual Culture, and Lead Curator of the Sexual Representation Collection, at the University of Toronto. Ricco works at the juncture of queer theory, contemporary art and literature, and continental philosophy\u2014with a focus on sex, aesthetics, and ethics. He is currently developing a collection of essays, Queer Finitude: Intimacy, Anonymity, Solitude<\/em>, that, along with his previous books, The Logic of the Lure<\/em>, and The Decision Between Us: art and ethics in the time of scenes<\/em> (both University of Chicago Press), will complete his trilogy on \"the intimacy of the outside.\""}]}]},{"id":"8ycc7shw","date":null,"title":"Social Distancing in the Time of Social Media","title_html":"

Social Distancing in the Time of Social Media<\/p>","display_title":"","subtitle":"A Series of Observations and Questions (which have probably changed a lot by the time you read this)","subtitle_html":"

A Series of Observations and Questions (which have probably changed a lot by the time you read this)<\/p>","uri":"publications\/sduk\/tilting\/social-distancing-in-the-time-of-social-media","slug":"social-distancing-in-the-time-of-social-media","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/social-distancing-in-the-time-of-social-media","credits":[{"heading":"","list":["pfw5ghby"],"entities":[{"id":"pfw5ghby","date":null,"title":"Christina Battle","title_html":"

Christina Battle<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/christina-battle","slug":"christina-battle","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/pfw5ghby\/people\/christina-battle","text":"Christina Battle<\/strong> is an artist based in amiskwac\u00eew\u00e2skahikan, (also known as Edmonton, Alberta), within the Aspen Parkland: the transition zone where prairie and forest meet. Her practice focuses on thinking deeply about the concept of disaster: its complexity, and the intricacies that are entwined within it. Much of this work extends from her recent PhD dissertation (2020) which looked closer to community responses to disaster: the ways in which they take shape, and especially to how online models might help to frame and strengthen such response."}]}]},{"id":"33okluwx","date":null,"title":"Hold Still","title_html":"

Hold Still<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/hold-still","slug":"hold-still","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/hold-still","credits":[{"heading":"","list":["9iht2hms"],"entities":[{"id":"9iht2hms","date":null,"title":"Kimberly Edgar","title_html":"

Kimberly Edgar<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kimberly-edgar","slug":"kimberly-edgar","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/9iht2hms\/people\/kimberly-edgar","text":"Kimberly Edgar<\/strong> is a queer visual artist, cartoonist, illustrator, and designer living in Dawson City."}]}]},{"id":"yckssq8h","date":null,"title":"Alternate Forms of Delivery","title_html":"

Alternate Forms of Delivery<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/alternate-forms-of-delivery","slug":"alternate-forms-of-delivery","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/alternate-forms-of-delivery","credits":[{"heading":"","list":["toc8fn40"],"entities":[{"id":"toc8fn40","date":null,"title":"Aisha Ali, Atanas Bozdarov, Inbal Newman, Craig Rodmore, and Florence Yee","title_html":"

Aisha Ali, Atanas Bozdarov, Inbal Newman, Craig Rodmore, and Florence Yee<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/aisha-ali-atanas-bozdarov-craig-rodmore-and-florence-yee","slug":"aisha-ali-atanas-bozdarov-craig-rodmore-and-florence-yee","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/toc8fn40\/people\/aisha-ali-atanas-bozdarov-craig-rodmore-and-florence-yee","text":"Artists, designers, and tinkerers Aisha Ali<\/strong>, Atanas Bozdarov<\/strong>, Inbal Newman<\/strong>, and Craig Rodmore<\/strong>\u2019s collusion\/practice employs strategies of repair and modification; mimicry, reproduction, and repetition; collection and organization; chance and improvisation. Exploring multiple authorship and the composition and function of the gallery and printed matter through the collective production of seen and unseen exhibitions and publications, over the past year they have produced, with Florence Yee<\/strong>, a series of fifteen exhibitions incorporating sculpture, installation, video, sound, photography, and graphic design. They thank Ali Qadeer and Sunny Kerr for their contributions to this project."}]}]},{"id":"decgxb3v","date":null,"title":"Who Is Inside (Your Pandemic)","title_html":"

Who Is Inside (Your Pandemic)<\/p>","display_title":"Who Is Inside
\n(Your Pandemic)","subtitle":"Revisiting the Residues of Global Supremacy","subtitle_html":"

Revisiting the Residues of Global Supremacy<\/p>","uri":"publications\/sduk\/tilting\/who-is-inside","slug":"who-is-inside","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/who-is-inside","credits":[{"heading":"","list":["fnxv43jk"],"entities":[{"id":"fnxv43jk","date":null,"title":"Amy Fung","title_html":"

Amy Fung<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/amy-fung","slug":"amy-fung","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/fnxv43jk\/people\/amy-fung","text":"Amy Fung<\/strong> is a writer and organizer working across intersections of histories and identities. She is currently a doctoral student at Carleton University and received her master\u2019s in English and Film studies from the University of Alberta in 2009 with a specialization in criticism, poetics, and the moving image. Her writings have been commissioned and published by festivals, museums, and publications nationally and internationally. Her first book, Before I Was a Critic, I Was a Human Being<\/em> (Artspeak and Book*hug, 2019), addresses Canada\u2019s mythologies of multiculturalism and settler colonialism through the lens of a national art critic."}]}]},{"id":"30cdk6vl","date":null,"title":"amidst","title_html":"

amidst<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/amidst","slug":"amidst","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/amidst","credits":[{"heading":"","list":["55wh12tj"],"entities":[{"id":"55wh12tj","date":null,"title":"d\u2019bi.young anitafrika","title_html":"

d\u2019bi.young anitafrika<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-bi-young-anitafrika","slug":"d-bi-young-anitafrika","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/55wh12tj\/people\/d-bi-young-anitafrika","text":"d\u2019bi.young anitafrika<\/strong> is an African-Jamaican-Tkarontonian, London-based dub poet, theatre interventionist and decolonial scholar committed to embodying art that ritualizes acts of transformation from violence inflicted upon the people and the planet. The multi-award-winning Canadian Poet of Honour, author of twelve plays, seven albums, and four collections of poetry was recently recognized as a Global Leader in Theatre and Performance by Arts Council England. After receiving hxr Masters from the University of London, anitafrika was awarded a Dean's Scholarship by London South Bank University (LSBU) to conduct doctoral research in Black womxn\u2019s theatre. In addition to being the Director of Curriculum Design and Pedagogy at the new Soulpepper Theatre Academy in Canada, anitafrika works at the UN's Global Initiatives Fellowship as Theatre Interventionist and lectures at LSBU. Shx continues to share hxr liberatory framework\u2014the Anitafrika Method\u2014with practitioners worldwide through hxr ongoing online residencies. Shx most recently worked as Director of Kaie Kellough\u2019s Jah in the Ever-Expanding Song<\/em> for Obsidian Theatre\u2019s 21 Black Futures<\/em> project and is currently completing Dubbin Theatre<\/em>, an anthology of hxr plays written between 2000-2020. You can find hxr latest theatrical work in She Mama Wata<\/em>\u2014 as an audio version that she wrote, directed and performed\u2014featured in Soulpepper Theatre\u2019s Around the World in 80 Plays<\/em>."}]}]},{"id":"yod1t4y5","date":null,"title":"Four Thieves Vinegar","title_html":"

Four Thieves Vinegar<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/four-thieves-vinegar","slug":"four-thieves-vinegar","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/four-thieves-vinegar","credits":[{"heading":"","list":["l1br688b"],"entities":[{"id":"l1br688b","date":null,"title":"Sydney Shen","title_html":"

Sydney Shen<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sydney-shen","slug":"sydney-shen","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/l1br688b\/people\/sydney-shen","text":"Sydney Shen<\/strong>\u2019s sculptures probe contradictions such as fear and wonder, pain and pleasure, sacred and profane. She destabilizes motifs of the macabre, especially those that test the limits of the body, to evoke ambivalent states. Recent solo exhibitions include Onion Master<\/em>, New Museum, New York; and Every Good Boy Does Fine<\/em>, Sophie Tappeiner, Vienna. Shen is a 2019\u201320 Lower Manhattan Cultural Council Workspace resident. She received the 2019 Jerome Foundation Emerging Artist Fellowship, Queens Museum, New York; and the 2018 New Works Grant, Queens Art Fund, New York. She graduated from the Cooper Union in 2011."}]}]},{"id":"uliw1y0g","date":null,"title":"How to Swim in a Living Room","title_html":"

How to Swim in a Living Room<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/how-to-swim-in-a-living-room-prelude","slug":"how-to-swim-in-a-living-room-prelude","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/how-to-swim-in-a-living-room-prelude","credits":[{"heading":"","list":["hbq057fq"],"entities":[{"id":"hbq057fq","date":null,"title":"Adam Bierling","title_html":"

Adam Bierling<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/adam-bierling","slug":"adam-bierling","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/hbq057fq\/people\/adam-bierling","text":"Adam Bierling<\/strong> is an artist, writer, social worker, and curator living in what is known as Toronto. Their work explores relationships of desire, freakishness, cross-species love, alter egos, and queered kin making. They are a recipient of the Delaney Family Entrance Scholarship at OCAD University, where they are currently pursuing a BFA in Criticism and Curatorial Practice and a minor in Gender and Sexuality studies."}]}]},{"id":"8t0ucbcg","date":null,"title":"A Fever, A Crisis","title_html":"

A Fever, A Crisis<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/a-fever-a-crisis","slug":"a-fever-a-crisis","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/a-fever-a-crisis","credits":[{"heading":"","list":["9iht2hms"],"entities":[{"id":"9iht2hms","date":null,"title":"Kimberly Edgar","title_html":"

Kimberly Edgar<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kimberly-edgar","slug":"kimberly-edgar","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/9iht2hms\/people\/kimberly-edgar","text":"Kimberly Edgar<\/strong> is a queer visual artist, cartoonist, illustrator, and designer living in Dawson City."}]}]},{"id":"9vtp1e5f","date":null,"title":"Lifers","title_html":"

Lifers<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/lifers","slug":"lifers","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/lifers","credits":[{"heading":"","list":["od2n6wqz"],"entities":[{"id":"od2n6wqz","date":null,"title":"Noelle Hamlyn","title_html":"

Noelle Hamlyn<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/noelle-hamlyn","slug":"noelle-hamlyn","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/od2n6wqz\/people\/noelle-hamlyn","text":"Holding credentials in craft, fine art, and costuming, Noelle Hamlyn<\/strong> uses craft practices to mediate embodied experience and memory. She blends the technical and conceptual, recognizing hands respond to their tacit subjective experience. Intrigued by textures, ideas, the world, and being in it, she believes objects have power to absorb time, conjure experience, and hold story. Her work has been recognized as a Salt Spring National Art Prize 2017 finalist, best in show at Toronto Outdoor Art Exhibition (2014, 2019), and supported by residencies at the Banff Centre, Harbourfront Centre, Burren College of Art, Salt Spring Arts Council, and Barefoot College, Tanzania, where she rebuilt beekeeping suits as social enterprise."}]}]},{"id":"1sko8tuq","date":null,"title":"A Job Guarantee","title_html":"

A Job Guarantee<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/a-job-guarantee","slug":"a-job-guarantee","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/a-job-guarantee","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"s9dgzbu9","date":null,"title":"\"Deception is a co-effect which cannot be neglected\"","title_html":"

\"Deception is a co-effect which cannot be neglected\"<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/deception-is-a-co-effect-which-cannot-be-neglected","slug":"deception-is-a-co-effect-which-cannot-be-neglected","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/deception-is-a-co-effect-which-cannot-be-neglected","credits":[{"heading":"","list":["dg8ny43v"],"entities":[{"id":"dg8ny43v","date":null,"title":"Ruth Skinner","title_html":"

Ruth Skinner<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ruth-skinner","slug":"ruth-skinner","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/dg8ny43v\/people\/ruth-skinner","text":"Ruth Skinner<\/strong> works as an arts organizer, researcher, sessional instructor, and publisher in London, Ontario. She is finishing a doctoral degree in art and visual culture at Western University, where her research encompasses experimental publishing practices, artists\u2019 books, forensics, and clairvoyance. She is a co-organizer of Support project space and operates the art imprint Edna Press. Previously, she was chair of the board of Forest City Gallery, co-founder of Good Sport project space, and manager of DNA Gallery\u2019s bookshop."}]}]},{"id":"7qaybn6g","date":null,"title":"Virus and Commons","title_html":"

Virus and Commons<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/virus-and-commons","slug":"virus-and-commons","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/virus-and-commons","credits":[{"heading":"","list":["xykb9ptd"],"entities":[{"id":"xykb9ptd","date":null,"title":"Andrea Muehlebach","title_html":"

Andrea Muehlebach<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/andrea-muehlebach","slug":"andrea-muehlebach","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xykb9ptd\/people\/andrea-muehlebach","text":"Andrea Muehlebach<\/strong> is Associate Professor of Anthropology at the Department of Anthropology at the University of Toronto Mississauga. An economic and political anthropologist, she explores the ethics and politics of economic life\u2014as notably on questions such as welfare, citizenship, and morality and, more recently, on the political, economic, and ethical implications of water privatization and financialization. She is the author of The Moral Neoliberal<\/em> (University of Chicago Press, 2012). Her book-in-progress, A Vital Politics: Water Insurgencies in Europe<\/em>, is a study of different water movements in Europe and the question of how water\u2014as commons or \u201cresource\u201d\u2014should be governed and valued now and in the future."}]}]},{"id":"23w1hkis","date":null,"title":"Quarantined Connections at the End of the World","title_html":"

Quarantined Connections at the End of the World<\/p>","display_title":"","subtitle":"The Svalbard Seed Cultures Initiative","subtitle_html":"

The Svalbard Seed Cultures Initiative<\/p>","uri":"publications\/sduk\/tilting\/quarantined-connections","slug":"quarantined-connections","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/quarantined-connections","credits":[{"heading":"","list":["3x2t3mmw"],"entities":[{"id":"3x2t3mmw","date":null,"title":"Paul Chartrand","title_html":"

Paul Chartrand<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/paul-chartrand","slug":"paul-chartrand","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/3x2t3mmw\/people\/paul-chartrand","text":"Paul Chartrand<\/strong> engages with environmental issues through the construction of sculptural life-support apparatuses populated with living plants. He repurposes objects and cultural signifiers like language to act as habitats and conceptual support systems. Doing this subverts and re-contextualizes them as players in functioning ecosystems. Currently he is focused on living text installations, hydroponic assemblages, and interdisciplinary drawing practices. The plants and other natural elements that Chartrand involves all have agency of their own, manifested through their power to change the appearance and effect of the work. Often the projects are dispersed through viewer participation that includes planting, conserving, reading, and physical consumption. By working with plants, it is Chartrand\u2019s intention to meaningfully engage with their agency as well as their relationships with humans past, present, and future."}]}]},{"id":"lmj64phr","date":null,"title":"Distancing","title_html":"

Distancing<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/distancing","slug":"distancing","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/distancing","credits":[{"heading":"","list":["8fy2uzww"],"entities":[{"id":"8fy2uzww","date":null,"title":"Alison Bremner","title_html":"

Alison Bremner<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/alison-bremner","slug":"alison-bremner","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/8fy2uzww\/people\/alison-bremner","text":"Alison Bremner<\/strong> is believed to be the first Tlingit woman to have carved a totem pole. She has studied under master Tsimshian artists David R. Boxley and David A. Boxley. Her work is included in the permanent collections of the Burke Museum, Seattle; Portland Art Museum, Oregon; Ch\u00e2teau Mus\u00e9e Boulogne-sur-Mer, France; Frye Art Museum, Seattle; and the British Museum, London, among others."}]}]},{"id":"c6xhiw5r","date":null,"title":"After the Rains","title_html":"

After the Rains<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/after-the-rains","slug":"after-the-rains","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/after-the-rains","credits":[{"heading":"","list":["6rsxpzdo"],"entities":[{"id":"6rsxpzdo","date":null,"title":"Sanchari Sur","title_html":"

Sanchari Sur<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sanchari-sur","slug":"sanchari-sur","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/6rsxpzdo\/people\/sanchari-sur","text":"Sanchari Sur<\/strong> is a PhD candidate in English at Wilfrid Laurier University. Their work can be found in the Toronto Book Award\u2013shortlisted, The Unpublished City<\/em> (Bookhug, 2017), <\/em>Arc Poetry Magazine, <\/em>Room, <\/em>THIS Magazine, <\/em>Daily Xtra, <\/em>Al Jazeera*, and more. Sur is a recipient of a 2019 Banff Residency (with Electric Literature), a 2018 Lambda Literary Fellowship in fiction, and grants from Ontario Arts Council and Canada Council for the Arts. They curate Balderdash Reading Series in Waterloo, Ontario (est. Jan 2017)."}]}]},{"id":"fqhvexrr","date":null,"title":"Crisis and Critique","title_html":"

Crisis and Critique<\/p>","display_title":"","subtitle":"Even if COVID-19 is only the flu, it is still a crisis. Even if COVID-19 is the great crisis of modernity, it is still nothing special.","subtitle_html":"

Even if COVID-19 is only the flu, it is still a crisis. Even if COVID-19 is the great crisis of modernity, it is still nothing special.<\/p>","uri":"publications\/sduk\/tilting\/crisis-and-critique","slug":"crisis-and-critique","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/crisis-and-critique","credits":[{"heading":"","list":["86fsfjeb"],"entities":[{"id":"86fsfjeb","date":null,"title":"Eric Cazdyn","title_html":"

Eric Cazdyn<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/eric-cazdyn","slug":"eric-cazdyn","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/86fsfjeb\/people\/eric-cazdyn","text":"Eric Cazdyn<\/strong> is Distinguished Professor of Aesthetics and Politics at the University of Toronto (Centre for Comparative Literature and the Department of East Asian Studies), where he teaches courses on critical and cultural theory, psychoanalysis, Marx and Marxism, Deleuze, film and video, architecture, modern literature, and modern Japan. He is the author of the following books: The Already Dead <\/em>(Duke, 2012), After Globalization<\/em> (with Imre Szeman, Wiley-Blackwell, 2011), The Flash of Capital: Film and Geopolitics in Japan<\/em> (Duke, 2002); and editor of Trespasses: Selected Writings of Masao Miyoshi <\/em>(Duke, 2010) and Disastrous Consequences<\/em> (South Atlantic Quarterly special issue, 2007). His most recent book, Nothing: Three Inquiries into Buddhism and Critical Theory<\/em> (with Marcus Boon and Timothy Morton), will be published in 2015 by The University of Chicago Press. Cazdyn is also a filmmaker, and his films have been screened and performed in Japan, Canada, the U.S., Europe, and, most recently, in the U.K., as part of a two-week residency at The Cube Microcinema (Bristol) with Eric Chenaux."}]}]},{"id":"1nw928zg","date":null,"title":"Colophon","title_html":"

Colophon<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/tilting\/colophon","slug":"colophon","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/tilting\/colophon","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/tilting\/653acc47a5-1619192400\/blackwood_sduk07_tilting_1.pdf"},{"id":"s9xksawk","date":"2019-09-01","title":"SDUK 06: FORGING","title_html":"

SDUK 06: FORGING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/forging","slug":"forging","cover":{"id":"s9xksawk","modified":1608145920,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/forging\/878ed39441-1607021702\/sduk_06_forging-cover.jpg","type":"image","mime":"image\/jpeg","size":2592313,"extension":"jpg","filename":"sduk_06_forging-cover.jpg","caption":"Cover image: Zackery Hobler, 18133401<\/em>, 2018. Archival inkjet printer. Courtesy the artist.","caption_plaintext":"Cover image: Zackery Hobler, *18133401*, 2018. Archival inkjet printer. Courtesy the artist.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging","preview_mode":"false","number":"6","abstract":"This sixth broadsheet in the SDUK series rounds out a sustained engagement with climate change, environmental crisis, and resilience that has taken place across multiple sites in Mississauga throughout 2018\u20132019. Concluding this series, though by no means ceasing the Blackwood\u2019s work on climate justice, this issue reflects on how to reckon with, and move forward, in an age of ecological anxiety and accumulating destruction\u2014with hope, but also with urgency. As in the return of fire to landscape conservation documented in Zackery Hobler\u2019s cover image, *FORGING* looks to artistic, poetic, political, and scientific catalysts to re-enliven suppressed or waylaid knowledges in favour of a more liveable future.\n\n**Contributors**: Bureau of Linguistical Reality, D.T. Cochrane, Thirza Cuthand, Phil De Luna, Bonnie Devine, Michael DiRisio, Orit Halpern, Zackery Hobler, Sarah Pereux, John Paul Ricco, Erin Robinsong, Ciara Weber, Wretched of the Earth Collective, Joy Xiang, Alize Zorlutuna","abstract_html":"

This sixth broadsheet in the SDUK series rounds out a sustained engagement with climate change, environmental crisis, and resilience that has taken place across multiple sites in Mississauga throughout 2018\u20132019. Concluding this series, though by no means ceasing the Blackwood\u2019s work on climate justice, this issue reflects on how to reckon with, and move forward, in an age of ecological anxiety and accumulating destruction\u2014with hope, but also with urgency. As in the return of fire to landscape conservation documented in Zackery Hobler\u2019s cover image, FORGING<\/em> looks to artistic, poetic, political, and scientific catalysts to re-enliven suppressed or waylaid knowledges in favour of a more liveable future.<\/p>\n

Contributors<\/strong>: Bureau of Linguistical Reality, D.T. Cochrane, Thirza Cuthand, Phil De Luna, Bonnie Devine, Michael DiRisio, Orit Halpern, Zackery Hobler, Sarah Pereux, John Paul Ricco, Erin Robinsong, Ciara Weber, Wretched of the Earth Collective, Joy Xiang, Alize Zorlutuna<\/p>","contributions":[{"id":"w23j0140","date":null,"title":"Cover (06)","title_html":"

Cover (06)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/cover","credits":[]},{"id":"rc4ioiog","date":null,"title":"Whose Woods These Are","title_html":"

Whose Woods These Are<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/whose-woods-these-are","slug":"whose-woods-these-are","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/whose-woods-these-are","credits":[{"heading":"","list":["people\/zackery-hobler"],"entities":[{"id":"cv91nuzm","date":null,"title":"Zackery Hobler","title_html":"

Zackery Hobler<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/zackery-hobler","slug":"zackery-hobler","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/cv91nuzm\/people\/zackery-hobler","text":"Zackery Hobler<\/strong> is a photographer from Southern Ontario whose changing familial structure and frequent moving during childhood led him to develop a thread in his work where he seeks to circumscribe permanence. His most recent work involves a question surrounding optimism and destruction through the burning of grasslands. His work has been displayed in Canada and the USA, most recently in the Art Gallery of Mississauga and Gallery 44 in Toronto. Hobler\u2019s interest in photobooks has resulted in the irregularly materializing Toronto Photobook Library, a roving community viewing room aimed at bolstering interest in and discussion on the medium through panels and exploratory programming."}]}]},{"id":"gt5rel25","date":null,"title":"How to Read this Broadsheet (06)","title_html":"

How to Read this Broadsheet (06)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/how-to-read","slug":"how-to-read","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/how-to-read","credits":[]},{"id":"m7w780p4","date":null,"title":"An Open Letter to Extinction Rebellion","title_html":"

An Open Letter to Extinction Rebellion<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/an-open-letter-to-extinction-rebellion","slug":"an-open-letter-to-extinction-rebellion","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/an-open-letter-to-extinction-rebellion","credits":[{"heading":"","list":["torhttbk"],"entities":[{"id":"torhttbk","date":null,"title":"Wretched of the Earth","title_html":"

Wretched of the Earth<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/wretched-of-the-earth","slug":"wretched-of-the-earth","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/torhttbk\/people\/wretched-of-the-earth","text":"Wretched of the Earth<\/strong> is a collective of over a dozen grassroots Indigenous, Black, Brown, and diasporic groups, individuals, and allies acting in solidarity with oppressed communities in the Global South and Indigenous North."}]}]},{"id":"xpd6k8zn","date":null,"title":"Forging the Land on Paper","title_html":"

Forging the Land on Paper<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/forging-the-land-on-paper","slug":"forging-the-land-on-paper","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/forging-the-land-on-paper","credits":[{"heading":"","list":["pythb7qb"],"entities":[{"id":"pythb7qb","date":null,"title":"Bonnie Devine","title_html":"

Bonnie Devine<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/bonnie-devine","slug":"bonnie-devine","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/pythb7qb\/people\/bonnie-devine","text":"A member of Serpent River First Nation, Genaabaajing, an Anishinaabe Ojibwa territory on the north shore of Lake Huron, Bonnie Devine<\/strong>'s work emerges from the storytelling and image-making traditions she witnessed as a child. Her art explores issues of land and environment, treaty and history. She is an artist, curator, writer, and educator. Though formally educated at the Ontario College of Art and Design (OCAD U) and York University, her most enduring learning came from her grandparents, who were trappers on the Canadian Shield. Devine\u2019s installation, video, and curatorial projects have been shown in solo and group exhibitions and film festivals across Canada and in the USA, South America, Russia, Europe, and China, including the Art Gallery of Ontario, the Berlin Film Festival, the National Museum of the American Indian, and Today Art Museum in Beijing."}]}]},{"id":"fwoworu0","date":null,"title":"Rag Cosmology","title_html":"

Rag Cosmology<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/rag-cosmology","slug":"rag-cosmology","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/rag-cosmology","credits":[{"heading":"","list":["3drr2g7m"],"entities":[{"id":"3drr2g7m","date":null,"title":"Erin Robinsong","title_html":"

Erin Robinsong<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/erin-robinsong","slug":"erin-robinsong","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/3drr2g7m\/people\/erin-robinsong","text":"Erin Robinsong<\/strong> is a poet and interdisciplinary artist working with ecological imagination. She is author of Rag Cosmology<\/em> (Bookhug, 2017) and Wet Dream<\/em> (Brick Books, 2023), both winners of A.M. Klein Prize for Poetry. A poet-researcher at Concordia University, her interests include embodied poetics, hydrofeminism, multisensory performance, queer & feminist ecologies, geopoetics, and relational poetics and practices. Performances include Zone of Exaggerated Dreaming<\/em>, a solo work about the abyssal ocean, and collaborative works with Andr\u00e9a de Keijzer and Hanna Sybille M\u00fcller include This ritual is not an accident<\/em>; Facing away from that which is coming<\/em>; and Polymorphic Microbe Bodies<\/em>. Erin grew up in Coast Salish territory, on Cortes Island."}]}]},{"id":"c05avycp","date":null,"title":"Golden Futures","title_html":"

Golden Futures<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/golden-futures","slug":"golden-futures","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/golden-futures","credits":[{"heading":"","list":["oj847c8p"],"entities":[{"id":"oj847c8p","date":null,"title":"Orit Halpern","title_html":"

Orit Halpern<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/orit-halpern","slug":"orit-halpern","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/oj847c8p\/people\/orit-halpern","text":"Dr. Orit Halpern<\/strong> is a Strategic Hire in Interactive Design and Theory and an Associate Professor in the Department of Sociology and Anthropology at Concordia University. Her work bridges the histories of science, computing, and cybernetics with design and art practice. Her recent book Beautiful Data: A History of Vision and Reason since 1945 <\/em>(Duke Press, 2015) is a genealogy of interactivity and our contemporary obsessions with \u201cbig\u201d data and data visualization. She is now working on two projects: The Smartness Mandate<\/em>, a history and theory of \u201csmartness,\u201d environment, and ubiquitous computing; and the tentatively titled Resilient Hope<\/em>, which examines the forms of planetary futures being produced and destroyed through large-scale, high-tech infrastructural projects. Halpern has also published and created works for venues including The Journal of Visual Culture<\/em>, Public Culture<\/em>, Configurations<\/em>, C-theory<\/em>, and ZKM Centre for Art and Media."}]}]},{"id":"03ebvot8","date":null,"title":"for the waters","title_html":"

for the waters<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/for-the-waters","slug":"for-the-waters","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/for-the-waters","credits":[{"heading":"","list":["ncgdrb66"],"entities":[{"id":"ncgdrb66","date":null,"title":"Alize Zorlutuna","title_html":"

Alize Zorlutuna<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/alize-zorlutuna","slug":"alize-zorlutuna","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ncgdrb66\/people\/alize-zorlutuna","text":"Alize Zorlutuna<\/strong> is an interdisciplinary artist, curator, and writer who works with installation, video, performance, and material culture, to investigate themes concerning identity, queer sexuality, settler-colonial relationships to land, culture, and history, as well as intimacy with the more-than-human and technology. Her work aims to activate interstices where seemingly incommensurate elements intersect. Alize draws on archival as well as practice-based research, and the body and its sensorial capacities are central to her work. She lives and works in Tkaronto."}]}]},{"id":"fdos6fbo","date":null,"title":"The Collective Afterlife of Things","title_html":"

The Collective Afterlife of Things<\/p>","display_title":"","subtitle":"An Interview with John Paul Ricco","subtitle_html":"

An Interview with John Paul Ricco<\/p>","uri":"publications\/sduk\/forging\/the-collective-afterlife-of-things","slug":"the-collective-afterlife-of-things","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/the-collective-afterlife-of-things","credits":[{"heading":"","list":["17vyzd9p","yp58ewau"],"entities":[{"id":"17vyzd9p","date":null,"title":"Sarah Pereux","title_html":"

Sarah Pereux<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sarah-pereux","slug":"sarah-pereux","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/17vyzd9p\/people\/sarah-pereux","text":"Sarah Pereux<\/strong> is an artist currently living in Toronto. Working primarily in drawing and sculpture, Sarah explores the themes of empathy and the coexistence of humanity and the natural world. She is a fifth-year undergraduate student in the joint Art and Art History program at the University of Toronto Mississauga and Sheridan College. She is also pursuing a certificate in Curatorial Studies at the University of Toronto Mississauga and holds a work-study position at the Blackwood Gallery."},{"id":"yp58ewau","date":null,"title":"John Paul Ricco","title_html":"

John Paul Ricco<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/john-paul-ricco","slug":"john-paul-ricco","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/yp58ewau\/people\/john-paul-ricco","text":"John Paul Ricco<\/strong> is Professor of Art History, Comparative Literature, and Visual Culture, and Lead Curator of the Sexual Representation Collection, at the University of Toronto. Ricco works at the juncture of queer theory, contemporary art and literature, and continental philosophy\u2014with a focus on sex, aesthetics, and ethics. He is currently developing a collection of essays, Queer Finitude: Intimacy, Anonymity, Solitude<\/em>, that, along with his previous books, The Logic of the Lure<\/em>, and The Decision Between Us: art and ethics in the time of scenes<\/em> (both University of Chicago Press), will complete his trilogy on \"the intimacy of the outside.\""}]}]},{"id":"6ta4ls7s","date":null,"title":"Closing the Carbon Loop with Artificial Photosynthesis","title_html":"

Closing the Carbon Loop with Artificial Photosynthesis<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/closing-the-carbon-loop-with-artificial-photosynthesis","slug":"closing-the-carbon-loop-with-artificial-photosynthesis","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/closing-the-carbon-loop-with-artificial-photosynthesis","credits":[{"heading":"","list":["qjysx3e1"],"entities":[{"id":"qjysx3e1","date":null,"title":"Phil De Luna","title_html":"

Phil De Luna<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/phil-de-luna","slug":"phil-de-luna","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/qjysx3e1\/people\/phil-de-luna","text":"Phil De Luna<\/strong> is Program Director of the Materials for Clean Fuels Challenge Program at the National Research Council Canada, where he leads a seven-year collaborative program on CO2 conversion and hydrogen technologies. De Luna received his PhD from the University of Toronto, where he was awarded the Governor General\u2019s Gold Medal. His research on artificial photosynthesis has been published in Science<\/em> and Nature<\/em>. He was included in Forbes Magazine<\/em>\u2019s 2019 Top 30 Under 30 list in the Energy category, was an NRG COSIA Carbon XPRIZE finalist, and serves on the board of directors for Carbon Management Canada."}]}]},{"id":"12g9r0wm","date":null,"title":"A Dictionary for the Future Present","title_html":"

A Dictionary for the Future Present<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/a-dictionary-for-the-future-present","slug":"a-dictionary-for-the-future-present","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/a-dictionary-for-the-future-present","credits":[{"heading":"","list":["nvb8rwk8"],"entities":[{"id":"nvb8rwk8","date":null,"title":"The Bureau of Linguistical Reality","title_html":"

The Bureau of Linguistical Reality<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/the-bureau-of-linguistical-reality","slug":"the-bureau-of-linguistical-reality","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/nvb8rwk8\/people\/the-bureau-of-linguistical-reality","text":"The Bureau of Linguistical Reality<\/strong> was established in 2014 by two artists who were at a total loss for words to describe the emotions and experiences they were having around climate change and other Anthropogenic events.
\n
\nAlicia Escott is an interdisciplinary artist whose work addresses issues of species-loss, the process of commercial mediation in late-capitalist society, and individual experiences of loss, heartbreak, and longing in the Anthropocene. Her work connects the speed of change today with the speed of change in the geologic history of the planet.
\n
\nHeidi Quante is an artist and founder of the non-profit Creative Catalysts, an organization that brings together experts from diverse disciplines to devise innovative ways to raise awareness, inspire dialogue, and spark action on pressing social and environmental issues."}]}]},{"id":"6ccs9m1t","date":null,"title":"Extractions","title_html":"

Extractions<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/extractions","slug":"extractions","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/extractions","credits":[{"heading":"","list":["0w3g8s43"],"entities":[{"id":"0w3g8s43","date":null,"title":"Thirza Cuthand","title_html":"

Thirza Cuthand<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/thirza-cuthand","slug":"thirza-cuthand","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/0w3g8s43\/people\/thirza-cuthand","text":"Thirza Jean Cuthand<\/strong> (b. 1978, Regina SK) makes short experimental videos and films about sexuality, madness, queer identity, love, and Indigeneity, which have screened in festivals and galleries internationally. She completed her BFA majoring in Film\/Video at Emily Carr University of Art and Design in 2005, and her MA in Media Production at Ryerson University in 2015. A Whitney Biennial 2019 artist, she has performed at Live At The End Of The Century in Vancouver, the Performatorium in Regina, and 7a*11d in Toronto. She is Plains Cree\/Scots, a member of Little Pine First Nation, and resides in Toronto, Canada."}]}]},{"id":"vuyocu31","date":null,"title":"To Be Repaired","title_html":"

To Be Repaired<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/to-be-repaired","slug":"to-be-repaired","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/to-be-repaired","credits":[{"heading":"","list":["rydjp3nh"],"entities":[{"id":"rydjp3nh","date":null,"title":"Joy Xiang","title_html":"

Joy Xiang<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/joy-xiang","slug":"joy-xiang","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/rydjp3nh\/people\/joy-xiang","text":"Joy Xiang<\/strong> is a writer, arts worker, and perpetual late bloomer living in Tkaronto. Her work engages desire, migration, material flows, and media nostalgia and futurity. She prioritizes collective and collaborative processes, and learning ways of being together in complication and intimacy. Her first zine cold blood used cold-blooded creatures as a metaphor for creative and survival-focused adaptation strategies. She has been on the editorial team of Milkweed<\/em>, re:asian<\/em>, and Canadian Art<\/em>; written for Mercer Union, Ada X, and Hamilton Artists Inc.; and held positions at Blackwood Gallery and Vtape. She is a member of the feminist working group EMILIA-AMALIA."}]}]},{"id":"mevnc9l9","date":null,"title":"Demon Copper","title_html":"

Demon Copper<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/demon-copper","slug":"demon-copper","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/demon-copper","credits":[{"heading":"Michael DiRisio","list":[],"entities":[]}]},{"id":"4f6wbenr","date":null,"title":"What is Value?","title_html":"

What is Value?<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/what-is-value","slug":"what-is-value","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/what-is-value","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"h5nm7xhb","date":null,"title":"The Blue Dot Movement","title_html":"

The Blue Dot Movement<\/p>","display_title":"","subtitle":"The Fight for a Healthy Environment in Canada","subtitle_html":"

The Fight for a Healthy Environment in Canada<\/p>","uri":"publications\/sduk\/forging\/the-blue-dot-movement","slug":"the-blue-dot-movement","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/the-blue-dot-movement","credits":[{"heading":"","list":["db1crw0y"],"entities":[{"id":"db1crw0y","date":null,"title":"Ciara Weber","title_html":"

Ciara Weber<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ciara-weber","slug":"ciara-weber","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/db1crw0y\/people\/ciara-weber","text":"Ciara Weber<\/strong> is a recent graduate of the University of Toronto Mississauga, where she earned an undergraduate degree studying criminology, anthropology, and sociology. Learning in a multidisciplinary fashion has strengthened her knowledge of environmentalism, feminism, law, and Indigenous rights. She is an emerging paralegal as she continues her studies at Seneca College, where she hopes to one day work in advocacy for women and children."}]}]},{"id":"jz5k0gv3","date":null,"title":"Local Useful Knowledge: Resources, Research, Initiatives (06)","title_html":"

Local Useful Knowledge: Resources, Research, Initiatives (06)<\/p>","display_title":"Local Useful Knowledge: Resources, Research, Initiatives","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/local-useful-knowledge","slug":"local-useful-knowledge","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/local-useful-knowledge","credits":[]},{"id":"6u7jp9iw","date":null,"title":"Glossary (06)","title_html":"

Glossary (06)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/forging\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/forging\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/forging\/b07d599b08-1586794589\/blackwood_sduk06_forging.pdf"},{"id":"iihvixsw","date":"2019-07-01","title":"SDUK 05: ACCOUNTING","title_html":"

SDUK 05: ACCOUNTING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/accounting","slug":"accounting","cover":{"id":"iihvixsw","modified":1608136139,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/accounting\/2e27a01833-1607021499\/sduk_05_accounting-cover.jpg","type":"image","mime":"image\/jpeg","size":1822189,"extension":"jpg","filename":"sduk_05_accounting-cover.jpg","caption":"Cover image: A billet of highly enriched uranium recovered from Y-12 National Security Complex, Oak Ridge, Tennessee. Included in Randy Lee Cutler\u2019s An Elemental Typology<\/em>, 2019. Courtesy the artist.","caption_plaintext":"Cover image: A billet of highly enriched uranium recovered from Y-12 National Security Complex, Oak Ridge, Tennessee. Included in Randy Lee Cutler\u2019s *An Elemental Typology*, 2019. Courtesy the artist.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting","preview_mode":"false","number":"5","abstract":"This fifth SDUK broadsheet examines the multifaceted meanings of *ACCOUNTING* in the age of climate change. This issue considers accounting in its colloquial sense, pertaining to investment and economics, but also moves beyond the ledger book to consider what remains uncounted, and what is consciously left out. Throughout this issue, we find slippery concepts, things, and actors that pose a challenge to accounting as a means of representation and understanding.\n\n**Contributors**: Laurel Besco, J.R. Carpenter, D.T. Cochrane, Randy Lee Cutler, Adam Dickinson, Steve Hoffman, Indigenous Womxn's Collective, Fraser McCallum, James K. Rowe, Kristen Schaper, Camille-Mary Sharp, Alexis Shotwell, Kristen Simmons, Kelly Wood","abstract_html":"

This fifth SDUK broadsheet examines the multifaceted meanings of ACCOUNTING<\/em> in the age of climate change. This issue considers accounting in its colloquial sense, pertaining to investment and economics, but also moves beyond the ledger book to consider what remains uncounted, and what is consciously left out. Throughout this issue, we find slippery concepts, things, and actors that pose a challenge to accounting as a means of representation and understanding.<\/p>\n

Contributors<\/strong>: Laurel Besco, J.R. Carpenter, D.T. Cochrane, Randy Lee Cutler, Adam Dickinson, Steve Hoffman, Indigenous Womxn's Collective, Fraser McCallum, James K. Rowe, Kristen Schaper, Camille-Mary Sharp, Alexis Shotwell, Kristen Simmons, Kelly Wood<\/p>","contributions":[{"id":"qz2zsdnj","date":null,"title":"Cover (05)","title_html":"

Cover (05)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/cover","credits":[]},{"id":"g8umg4s0","date":null,"title":"How to Read This Broadsheet (05)","title_html":"

How to Read This Broadsheet (05)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/how-to-read","slug":"how-to-read","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/how-to-read","credits":[]},{"id":"5g386qpi","date":null,"title":"Vampirement","title_html":"

Vampirement<\/p>","display_title":"","subtitle":"How the Canadian Pension Plan Investment Board Feeds on Some Futures to Secure Others","subtitle_html":"

How the Canadian Pension Plan Investment Board Feeds on Some Futures to Secure Others<\/p>","uri":"publications\/sduk\/accounting\/vampirement","slug":"vampirement","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/vampirement","credits":[{"heading":"","list":["x9x0ypt8","8it585w9"],"entities":[{"id":"x9x0ypt8","date":null,"title":"James K. Rowe","title_html":"

James K. Rowe<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/james-k-rowe","slug":"james-k-rowe","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/x9x0ypt8\/people\/james-k-rowe","text":"James K. Rowe<\/strong> is an Associate Professor of Environmental Studies at the University of Victoria. He is a member of the Corporate Mapping Project, a research alliance investigating the power of the fossil fuel industry. He is currently completing a book titled Radical Mindfulness: Facing the Forces of Domination<\/em>."},{"id":"8it585w9","date":null,"title":"Alexis Shotwell","title_html":"

Alexis Shotwell<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/alexis-shotwell","slug":"alexis-shotwell","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/8it585w9\/people\/alexis-shotwell","text":"Alexis Shotwell<\/strong> teaches and writes in Ottawa, on unceded Algonquin territory, where she\u2019s a part of the Punch Up anarchist collective. She is the co-investigator for the AIDS Activist History Project, and author of Knowing Otherwise: Race, Gender, and Implicit Understanding<\/em> and Against Purity: Living Ethically in Compromised Times<\/em>."}]}]},{"id":"5d9x991z","date":null,"title":"GERM","title_html":"

GERM<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/germ","slug":"germ","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/germ","credits":[{"heading":"","list":["eooiqe3s"],"entities":[{"id":"eooiqe3s","date":null,"title":"Adam Dickinson","title_html":"

Adam Dickinson<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/adam-dickinson","slug":"adam-dickinson","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/eooiqe3s\/people\/adam-dickinson","text":"Adam Dickinson<\/strong> is the author of four books of poetry. His latest book, Anatomic<\/em> (Coach House Books), involves the results of chemical and microbial testing on his body. His work has been nominated for the Governor General\u2019s Award for Poetry, the Trillium Book Award for Poetry, and the Raymond Souster Award. He was also a finalist for the CBC Poetry Prize and the K.M. Hunter Artist Award in Literature. He has been featured at festivals such as Poetry International in Rotterdam, Netherlands, and the Oslo International Poetry Festival in Norway. He teaches at Brock University in St. Catharines, Ontario, Canada."}]}]},{"id":"2368louf","date":null,"title":"Broadening the Imaginary in Disaster Management","title_html":"

Broadening the Imaginary in Disaster Management<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/broadening-the-imaginary-in-disaster-management","slug":"broadening-the-imaginary-in-disaster-management","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/broadening-the-imaginary-in-disaster-management","credits":[{"heading":"","list":["puywbtkn"],"entities":[{"id":"puywbtkn","date":null,"title":"Steve G. Hoffman","title_html":"

Steve G. Hoffman<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/steve-g-hoffman","slug":"steve-g-hoffman","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/puywbtkn\/people\/steve-g-hoffman","text":"Steve G. Hoffman<\/strong> is an Assistant Professor of Sociology at the University of Toronto Mississauga, where he teaches classes on classical sociological theory, the sociology of disaster, power and cultural politics, and science and technology studies. Hoffman\u2019s research focuses on the cultural politics of knowledge production, with a particular interest in the \u201contic work\u201d that goes into the production and popular use of simulation techniques and technologies. Although born and raised in Southern California, after spending most of his adult life in Chicago, Buffalo, and now Toronto, he sees the Great Lakes Region of North America as home turf."}]}]},{"id":"7bt1d6bv","date":null,"title":"Settler Atmospherics","title_html":"

Settler Atmospherics<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/settler-atmospherics","slug":"settler-atmospherics","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/settler-atmospherics","credits":[{"heading":"","list":["ai46eai8"],"entities":[{"id":"ai46eai8","date":null,"title":"Kristen Simmons","title_html":"

Kristen Simmons<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kristen-simmons","slug":"kristen-simmons","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ai46eai8\/people\/kristen-simmons","text":"Kristen Simmons<\/strong> is a citizen of the Moapa Band of Southern Paiutes and a doctoral candidate in the Department of Anthropology at the University of Chicago. She currently resides on the Moapa River Indian Reservation in southern Nevada as she conducts field research on atmospherics of the settler state and whiteness."}]}]},{"id":"uwn5lkba","date":null,"title":"Performance Action at Whitney Museum","title_html":"

Performance Action at Whitney Museum<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/performance-action","slug":"performance-action","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/performance-action","credits":[{"heading":"","list":["090qauhn"],"entities":[{"id":"090qauhn","date":null,"title":"Indigenous Womxn\u2019s Collective","title_html":"

Indigenous Womxn\u2019s Collective<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/the-indigenous-womxn-s-collective","slug":"the-indigenous-womxn-s-collective","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/090qauhn\/people\/the-indigenous-womxn-s-collective","text":"Indigenous Womxn\u2019s Collective<\/strong> (now known as The Indigenous Kinship Collective: New York City<\/strong>) is a community who gathers on Lenni Lenape, Algonquin, and Haudenosaunee land to honour themselves and their relatives through art, activism, and education. The Collective, as matriarchs and knowledge keepers, centre their intersectional narratives by practicing accountability and self-determination. They are defined by those who came before them and those to come. The Whitney Biennial performance action reproduced in this broadsheet was executed by Maria Hupfield<\/strong> and Regan de Loggans<\/strong>.
\n
\nRegan de Loggans is an Art Historian and Anthropologist specializing in Fashion and Textile history and criticism, currently working as the American Art Curatorial Fellow at Peabody Essex Museum.
\n
\nMaria Hupfield is a maker, a mover, a connector, and an Anishinaabe-kwe of Wasauksing First Nation. She is also an Assistant Professor of Indigenous Digital Arts and Performance at the University of Toronto Mississauga."}]}]},{"id":"is3zv3ey","date":null,"title":"Decolonization, Divestment, Deluge","title_html":"

Decolonization, Divestment, Deluge<\/p>","display_title":"","subtitle":"Museums in the Era of Climate Change","subtitle_html":"

Museums in the Era of Climate Change<\/p>","uri":"publications\/sduk\/accounting\/decolonization-divestment-deluge","slug":"decolonization-divestment-deluge","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/decolonization-divestment-deluge","credits":[{"heading":"","list":["people\/camille-mary-sharp"],"entities":[{"id":"a2tef1o4","date":null,"title":"Camille-Mary Sharp","title_html":"

Camille-Mary Sharp<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/camille-mary-sharp","slug":"camille-mary-sharp","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/a2tef1o4\/people\/camille-mary-sharp","text":"Camille-Mary Sharp<\/strong> is a PhD candidate at the Faculty of Information, University of Toronto. Bridging the fields of museum studies and political economy, her research reframes discussions surrounding museum decolonization to include funding models\u2014and oil sponsorship in particular."}]}]},{"id":"v3quub5p","date":null,"title":"Twelve Months at Tottenham","title_html":"

Twelve Months at Tottenham<\/p>","display_title":"","subtitle":"after Luke Howard","subtitle_html":"

after Luke Howard<\/p>","uri":"publications\/sduk\/accounting\/twelve-months-at-tottenham","slug":"twelve-months-at-tottenham","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/twelve-months-at-tottenham","credits":[{"heading":"","list":["519bj0do"],"entities":[{"id":"519bj0do","date":null,"title":"J.R. Carpenter","title_html":"

J.R. Carpenter<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/j-r-carpenter","slug":"j-r-carpenter","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/519bj0do\/people\/j-r-carpenter","text":"J.R. Carpenter<\/strong> is a Canadian-born UK-based artist, writer, and practice-led researcher working across print, performance, and digital media. Her pioneering works of digital literature have been presented in museums and festivals around the world. She is a two-time winner of the CBC Quebec Writing Competition. Her first novel, Words the Dog Knows<\/em>, won the Expozine Alternative Press Award for Best English Book. Her web-based work, The Gathering Cloud<\/em>, won the New Media Writing Prize 2016. Her poetry collection, An Ocean of Static<\/em>, was highly commended by the Forward Prizes 2018."}]}]},{"id":"20bts6d3","date":null,"title":"An Elemental Typology","title_html":"

An Elemental Typology<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/an-elemental-typology","slug":"an-elemental-typology","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/an-elemental-typology","credits":[{"heading":"","list":["5fh2x1q9"],"entities":[{"id":"5fh2x1q9","date":null,"title":"Randy Lee Cutler","title_html":"

Randy Lee Cutler<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/randy-lee-cutler","slug":"randy-lee-cutler","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/5fh2x1q9\/people\/randy-lee-cutler","text":"Randy Lee Cutler<\/strong> is a Vancouver-based writer, artist, and educator. She is an Associate Professor at Emily Carr University of Art + Design in the Faculty of Visual Art and Material Practice. In addition to performance and video work, she contributes essays to catalogues and magazines while maintaining an experimental relationship to pedagogy, gardening, and embodiment. Through the intersections of gender, art, science, and technology, Cutler investigates the emergence of new cultural forms and expression."}]}]},{"id":"l6s6pvog","date":null,"title":"Aviation and Climate Change","title_html":"

Aviation and Climate Change<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/aviation-and-climate-change","slug":"aviation-and-climate-change","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/aviation-and-climate-change","credits":[{"heading":"","list":["ox509757"],"entities":[{"id":"ox509757","date":null,"title":"Laurel Besco","title_html":"

Laurel Besco<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/laurel-besco","slug":"laurel-besco","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ox509757\/people\/laurel-besco","text":"Laurel Besco<\/strong> is an Assistant Professor for the Institute for Management and Innovation, and the Geography Department at the University of Toronto Mississauga. She received her PhD from the University of Ottawa, and previously attended the University of Waterloo for her MA and BES degrees. Her research interests include environmental\/sustainability law and policy, green economy, and corporate sustainability."}]}]},{"id":"pb3kjk9c","date":null,"title":"Ontario\u2019s Energy Grid and the Ontario Clean Air Alliance","title_html":"

Ontario\u2019s Energy Grid and the Ontario Clean Air Alliance<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/ontario-s-energy-grid-and-the-ontario-clean-air-alliance","slug":"ontario-s-energy-grid-and-the-ontario-clean-air-alliance","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/ontario-s-energy-grid-and-the-ontario-clean-air-alliance","credits":[{"heading":"","list":["c9zakqar"],"entities":[{"id":"c9zakqar","date":null,"title":"Kristen Schaper","title_html":"

Kristen Schaper<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kristen-schaper","slug":"kristen-schaper","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/c9zakqar\/people\/kristen-schaper","text":"Kristen Schaper<\/strong> is a recent graduate of the Master of Science in Sustainability Management program at the University of Toronto Mississauga. Her interests lie within conservation and outreach. She currently works with Credit Valley Conservation Authority and brings educational workshops, presentations, and outings to over 2000 youth within the Credit River Watershed."}]}]},{"id":"v61rh79k","date":null,"title":"Implementing Environmental Efficiency in Freight Trucking","title_html":"

Implementing Environmental Efficiency in Freight Trucking<\/p>","display_title":"","subtitle":"Musket Transport","subtitle_html":"

Musket Transport<\/p>","uri":"publications\/sduk\/accounting\/implementing-environmental-efficiency-in-freight-trucking","slug":"implementing-environmental-efficiency-in-freight-trucking","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/implementing-environmental-efficiency-in-freight-trucking","credits":[]},{"id":"lq6ui8wu","date":null,"title":"What is a Price?","title_html":"

What is a Price?<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/what-is-a-price","slug":"what-is-a-price","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/what-is-a-price","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"0uy3j4mw","date":null,"title":"Dust Management","title_html":"

Dust Management<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/dust-management","slug":"dust-management","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/dust-management","credits":[{"heading":"","list":["a95spi6y"],"entities":[{"id":"a95spi6y","date":null,"title":"Fraser McCallum","title_html":"

Fraser McCallum<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/fraser-mccallum","slug":"fraser-mccallum","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/a95spi6y\/people\/fraser-mccallum","text":"Fraser McCallum<\/strong> is Project Coordinator at the Blackwood Gallery. In this role, he works primarily on programs outside of the gallery spaces, including offsite exhibitions, public programs, virtual programming, and publications. Fraser is an interdisciplinary artist of settler Euro-Canadian ancestry, whose practice often draws together histories and ongoing sociopolitical conditions through archives, places, and stories. Fraser has held previous roles at Gallery 44 and Art Metropole, and received a Master of Visual Studies from the University of Toronto. His work has been exhibited at HKW, Berlin; Sheridan College, Oakville; Modern Fuel, Kingston; and The Art Museum at the University of Toronto. His video works have been screened by the plumb, LIFT, Hamilton Artists Inc., and Trinity Square Video. Fraser\u2019s writing has been published in the Blackwood\u2019s Society for the Diffusion of Useful Knowledge<\/em> series, PUBLIC<\/em>, and Imaginations: Journal of Cross-Cultural Image Studies<\/em>."}]}]},{"id":"becnnqn4","date":null,"title":"Local Useful Knowledge: Resources, Research, Initiatives (05)","title_html":"

Local Useful Knowledge: Resources, Research, Initiatives (05)<\/p>","display_title":"Local Useful Knowledge: Resources, Research, Initiatives","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/local-useful-knowledge","slug":"local-useful-knowledge","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/local-useful-knowledge","credits":[]},{"id":"tp481umw","date":null,"title":"Glossary (05)","title_html":"

Glossary (05)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/accounting\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/accounting\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/accounting\/58f59ca6bd-1586794596\/blackwood_sduk05_accounting.pdf"},{"id":"wxlfcu18","date":"2019-05-01","title":"SDUK 04: SHORING","title_html":"

SDUK 04: SHORING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/shoring","slug":"shoring","cover":{"id":"wxlfcu18","modified":1608079045,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/shoring\/c96da53663-1607021353\/sduk_04_shoring-cover.jpg","type":"image","mime":"image\/jpeg","size":1731940,"extension":"jpg","filename":"sduk_04_shoring-cover.jpg","caption":"Cover image: Lois Weinberger, Holing the Earth<\/em> (detail), 2010. Photograph. Photo: Paris Tsitsos \u00a9 Studio Weinberger","caption_plaintext":"Cover image: Lois Weinberger, *Holing the Earth* (detail), 2010. Photograph. Photo: Paris Tsitsos \u00a9 Studio Weinberger","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring","preview_mode":"false","number":"4","abstract":"This fourth broadsheet in the SDUK series is themed *SHORING*\u2014a concept that touches on both literal shores (representing the meeting\u2014or separation\u2014of land and water), and broader representations of terraforming, resource extraction, data visualization, interdisciplinary research, and the many other supports that have held up existing infrastructures, exploitations, and innovations.\n\n**Contributors**: Laurel Albina, Ruth Beer, Jessica Caporusso, Skye Mor\u00e9t, Fraser McCallum, Genevieve Robertson, Synthetic Collective, Dan Weaver, Lois Weinberger","abstract_html":"

This fourth broadsheet in the SDUK series is themed SHORING<\/em>\u2014a concept that touches on both literal shores (representing the meeting\u2014or separation\u2014of land and water), and broader representations of terraforming, resource extraction, data visualization, interdisciplinary research, and the many other supports that have held up existing infrastructures, exploitations, and innovations.<\/p>\n

Contributors<\/strong>: Laurel Albina, Ruth Beer, Jessica Caporusso, Skye Mor\u00e9t, Fraser McCallum, Genevieve Robertson, Synthetic Collective, Dan Weaver, Lois Weinberger<\/p>","contributions":[{"id":"hgf1m85b","date":null,"title":"Cover (04)","title_html":"

Cover (04)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/cover","credits":[]},{"id":"udfur12d","date":null,"title":"Holding the Earth","title_html":"

Holding the Earth<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/holding-the-earth","slug":"holding-the-earth","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/holding-the-earth","credits":[{"heading":"","list":["mqcaraua"],"entities":[{"id":"mqcaraua","date":null,"title":"Lois Weinberger","title_html":"

Lois Weinberger<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lois-weinberger","slug":"lois-weinberger","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/mqcaraua\/people\/lois-weinberger","text":"Lois Weinberger <\/strong>(born 1947 in Tyrol, lives in Vienna, Austria) works on a poetic-political network that draws our attention to marginal zones and questions hierarchies of various types. Weinberger, who sees himself as a field worker, embarked in the 1970s on ethno-poetic works that form the basis for his ongoing artistic investigations of natural and man-made spaces. He has contributed significantly to discussions on art and nature since the early 1990s."}]}]},{"id":"mgszg5ka","date":null,"title":"How to Read This Broadsheet (04)","title_html":"

How to Read This Broadsheet (04)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/how-to-read","slug":"how-to-read","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/how-to-read","credits":[]},{"id":"m1z2j00k","date":null,"title":"Still Running Water","title_html":"

Still Running Water<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/still-running-water","slug":"still-running-water","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/still-running-water","credits":[{"heading":"","list":["yzwq3iik"],"entities":[{"id":"yzwq3iik","date":null,"title":"Genevieve Robertson","title_html":"

Genevieve Robertson<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/genevieve-robertson","slug":"genevieve-robertson","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/yzwq3iik\/people\/genevieve-robertson","text":"Genevieve Robertson<\/strong> is an interdisciplinary artist with a background in environmental studies. She holds an MFA from Emily Carr University (2016) and a BFA from NSCAD University (2009), and presently serves as the Executive Director at Oxygen Art Centre in Nelson, British Columbia. Through recent research on the Salish Sea and the Fraser and Columbia rivers, she has engaged with the complexities that emerge when relating to land and water in a time of large-scale industrial exploitation. She has exhibited her work nationally and participated in residencies internationally. Her work is informed by a personal and intergenerational history of resource labour in remote forestry camps on British Columbia\u2019s west coast."}]}]},{"id":"0616eyvz","date":null,"title":"Energy Series","title_html":"

Energy Series<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/energy-series","slug":"energy-series","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/energy-series","credits":[{"heading":"","list":["rilev3tt"],"entities":[{"id":"rilev3tt","date":null,"title":"Laurel Albina","title_html":"

Laurel Albina<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/laurel-albina","slug":"laurel-albina","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/rilev3tt\/people\/laurel-albina","text":"Laurel Albina<\/strong> is a Canadian-born Palestinian-American writer and trade-union negotiator. She is a 2011 alumna of the Writers in Residence program at Hedgebrook, a 2014 fellow with the Jack Straw Writers Program, and a graduate of The Writer\u2019s Studio at Simon Fraser University. Her poetry has been published in Grey Sparrow Journal<\/em> and Prairie Fire<\/em>, and she is the 2016 winner of Briarpatch<\/em>\u2019s Writing in the Margins poetry contest. She lives in East Vancouver, BC, with her partner and two children."}]}]},{"id":"3ouucqza","date":null,"title":"Embracing an interdisciplinary approach to plastics pollution awareness and action","title_html":"

Embracing an interdisciplinary approach to plastics pollution awareness and action<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/embracing-an-interdisciplinary-approach","slug":"embracing-an-interdisciplinary-approach","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/embracing-an-interdisciplinary-approach","credits":[{"heading":"","list":["h4tb0iri"],"entities":[{"id":"h4tb0iri","date":null,"title":"Synthetic Collective","title_html":"

Synthetic Collective<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/synthetic-collective","slug":"synthetic-collective","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/h4tb0iri\/people\/synthetic-collective","text":"Synthetic Collective<\/strong> is an interdisciplinary collaboration between visual artists, cultural workers, and scientists working together to sample, map, understand, and visualize the complexities of plastics and micro-plastics pollution in the Great Lakes Region. Their enquiry is at the intersections of geologic processes, plastics pollution, and artistic production. The collective is working to expand its network of resources and researchers with the goal of developing a more tangible understanding of plastics pollution as a wicked problem: one that is both a local and global systemic issue, yet also a potential site for innovation and remediation. Synthetic Collective includes Sara L. Belontz, Patricia L. Corcoran, Heather Davis, Kathleen A. Hill, Kelly Jazvac, Kirsty Robertson, and Kelly Wood."}]}]},{"id":"gu3zcn9g","date":null,"title":"Antarctica: a Chromatic Paradox","title_html":"

Antarctica: a Chromatic Paradox<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/antarctica","slug":"antarctica","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/antarctica","credits":[{"heading":"","list":["hxbdnocw"],"entities":[{"id":"hxbdnocw","date":null,"title":"Skye Mor\u00e9t","title_html":"

Skye Mor\u00e9t<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/skye-moret","slug":"skye-moret","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/hxbdnocw\/people\/skye-moret","text":"Skye Mor\u00e9t<\/strong> is a data-driven designer and marine scientist. Her diverse background on the ocean\u2014having sailed 80,000+ miles around the globe\u2014fuels her belief in the power of art and design in communicating nature and science. Her work investigates the complex relationship between nature and technology-mediated human expectations, experiences, and engagement. Skye is a Senior Researcher on the Ocean Archive Project with User Group Co-op and is an Assistant Professor in the Collaborative Design + Design Systems graduate program at the Pacific Northwest College of Art. Her work has been published in Science<\/em>, Slate<\/em>, Migrant<\/em> Journal<\/em>, Popular Science<\/em>, Roads & Kingdoms<\/em>, and Public Radio International<\/em>, among others."}]}]},{"id":"oun5k98t","date":null,"title":"Gas Station","title_html":"

Gas Station<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/gas-station","slug":"gas-station","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/gas-station","credits":[{"heading":"","list":["fy66tsoh"],"entities":[{"id":"fy66tsoh","date":null,"title":"Ruth Beer","title_html":"

Ruth Beer<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ruth-beer","slug":"ruth-beer","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/fy66tsoh\/people\/ruth-beer","text":"Ruth Beer<\/strong> is an interdisciplinary Vancouver-based artist whose artworks, which include sculpture, photography, video, and sound, have been presented in national and international exhibitions and publications. Her research-creation practice is informed by social sciences and humanities within the expanded field of contemporary art and media. Recent supported projects as lead artist\/researcher include Trading Routes: Grease Trails, Oil Pipelines<\/em> (tradingroutes.ca<\/a>) and Shifting Ground: Mapping Energy, Community and Geography in the North<\/em> (mappingchange.ca<\/a>), both of which address energy, culture, and ecologies in transition. She is a Professor in the Faculty of Art and Graduate Studies at Emily Carr University of Art and Design."}]}]},{"id":"t8ytcwot","date":null,"title":"The State of Energy","title_html":"

The State of Energy<\/p>","display_title":"","subtitle":"Material dimensions of \u201cdirty\u201d renewables in Mauritius","subtitle_html":"

Material dimensions of \u201cdirty\u201d renewables in Mauritius<\/p>","uri":"publications\/sduk\/shoring\/the-state-of-energy","slug":"the-state-of-energy","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/the-state-of-energy","credits":[{"heading":"","list":["wszmxfkx"],"entities":[{"id":"wszmxfkx","date":null,"title":"Jessica Caporusso","title_html":"

Jessica Caporusso<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jessica-caporusso","slug":"jessica-caporusso","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/wszmxfkx\/people\/jessica-caporusso","text":"Jessica Caporusso<\/strong> is a PhD candidate in the Department of Anthropology at York University. Her research interests meet at the intersection of political ecology, bioenergy, and discard studies. Her dissertation examines how \u201cwaste\u201d\u2014as an externality and as resource\u2014is defined through neocolonial logics, by investigating the transformation of crop residues into biofuel feedstock in the small island developing state of Mauritius. Jessica\u2019s work explores the multiple and contested meanings of waste and value while also tracking the development of bioenergy as a source of energetic, political, and economic power. She is an active contributor to the Plant Studies Collaboratory and the Energy Working Group at York."}]}]},{"id":"s277xah0","date":null,"title":"Observing our Changing Atmosphere from the Northern Edge of the Canadian Arctic","title_html":"

Observing our Changing Atmosphere from the Northern Edge of the Canadian Arctic<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/observing-our-changing-atmosphere","slug":"observing-our-changing-atmosphere","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/observing-our-changing-atmosphere","credits":[{"heading":"","list":["b7pmfcgu"],"entities":[{"id":"b7pmfcgu","date":null,"title":"Dan Weaver","title_html":"

Dan Weaver<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/dan-weaver","slug":"dan-weaver","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/b7pmfcgu\/people\/dan-weaver","text":"Dan Weaver<\/strong> is an Assistant Professor at the University of Toronto Scarborough, focusing on physics education. He researches the Arctic atmosphere and climate change, and during his PhD, he collected data using a high-resolution spectrometer at the Polar Environment Atmospheric Research Laboratory (PEARL), near Eureka, Nunavut (80\u00b0N). Dan is an advocate for science and evidence-based public policy decision-making. He is also a photographer."}]}]},{"id":"rfgczkpj","date":null,"title":"Shorelines and other imagined spaces","title_html":"

Shorelines and other imagined spaces<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/shorelines-and-other-imagined-spaces","slug":"shorelines-and-other-imagined-spaces","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/shorelines-and-other-imagined-spaces","credits":[{"heading":"","list":["45v4h0vj"],"entities":[{"id":"45v4h0vj","date":null,"title":"Alison Cooley","title_html":"

Alison Cooley<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/alison-cooley","slug":"alison-cooley","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/45v4h0vj\/people\/alison-cooley","text":"Alison Cooley<\/strong> is the former Assistant Curator at the Blackwood."}]}]},{"id":"09kjivlk","date":null,"title":"What is Innovation?","title_html":"

What is Innovation?<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/what-is-innovation","slug":"what-is-innovation","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/what-is-innovation","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"izn72dso","date":null,"title":"Just Vertical","title_html":"

Just Vertical<\/p>","display_title":"","subtitle":"The multifaceted benefits of vertical gardening","subtitle_html":"

The multifaceted benefits of vertical gardening<\/p>","uri":"publications\/sduk\/shoring\/just-vertical","slug":"just-vertical","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/just-vertical","credits":[{"heading":"","list":["a95spi6y"],"entities":[{"id":"a95spi6y","date":null,"title":"Fraser McCallum","title_html":"

Fraser McCallum<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/fraser-mccallum","slug":"fraser-mccallum","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/a95spi6y\/people\/fraser-mccallum","text":"Fraser McCallum<\/strong> is Project Coordinator at the Blackwood Gallery. In this role, he works primarily on programs outside of the gallery spaces, including offsite exhibitions, public programs, virtual programming, and publications. Fraser is an interdisciplinary artist of settler Euro-Canadian ancestry, whose practice often draws together histories and ongoing sociopolitical conditions through archives, places, and stories. Fraser has held previous roles at Gallery 44 and Art Metropole, and received a Master of Visual Studies from the University of Toronto. His work has been exhibited at HKW, Berlin; Sheridan College, Oakville; Modern Fuel, Kingston; and The Art Museum at the University of Toronto. His video works have been screened by the plumb, LIFT, Hamilton Artists Inc., and Trinity Square Video. Fraser\u2019s writing has been published in the Blackwood\u2019s Society for the Diffusion of Useful Knowledge<\/em> series, PUBLIC<\/em>, and Imaginations: Journal of Cross-Cultural Image Studies<\/em>."}]}]},{"id":"ymfliruz","date":null,"title":"Local Useful Knowledge: Resources, Research, Initiatives (04)","title_html":"

Local Useful Knowledge: Resources, Research, Initiatives (04)<\/p>","display_title":"Local Useful Knowledge: Resources, Research, Initiatives","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/local-useful-knowledge","slug":"local-useful-knowledge","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/local-useful-knowledge","credits":[]},{"id":"b7ky847z","date":null,"title":"Glossary (04)","title_html":"

Glossary (04)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/shoring\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/shoring\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/shoring\/dcffa4212e-1586794541\/blackwood_sduk04_shoring.pdf"},{"id":"2qvwor4y","date":"2019-03-01","title":"SDUK 03: BEARING","title_html":"

SDUK 03: BEARING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/bearing","slug":"bearing","cover":{"id":"2qvwor4y","modified":1608051636,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/bearing\/fc81442a22-1607021223\/sduk_03_bearing-cover.jpg","type":"image","mime":"image\/jpeg","size":2068183,"extension":"jpg","filename":"sduk_03_bearing-cover.jpg","caption":"Cover image: Joseph Tisiga, Trespassers Menaced by Psychosis<\/em>, 2017. Watercolour on paper. Courtesy the artist and Parisian Laundry.","caption_plaintext":"Cover image: Joseph Tisiga, *Trespassers Menaced by Psychosis*, 2017. Watercolour on paper. Courtesy the artist and Parisian Laundry.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing","preview_mode":"false","number":"3","abstract":"This SDUK broadsheet is the first to follow *The Work of Wind: Air, Land, Sea*, a ten-day contemporary art festival engaging with climate change, environmental crisis, and resilience which took place in Mississauga\u2019s Southdown Industrial Area in September 2018. Taking *BEARING* as its theme, this issue turns our attention to alienation, affect, anxiety, and questions of responsibility and resilience.\n\n**Contributors**: Malala Andrialavidrazana, Amy Balkin, The Climate Change Project, D.T. Cochrane, Jeff Diamanti, Sara Hughes, W.R. Peltier, Jacquelyn Ross, Marina Roy, D.W. Schindler, Alexis Shotwell, John P. Smol, David Suzuki, Joseph Tisiga, Joy Xiang","abstract_html":"

This SDUK broadsheet is the first to follow The Work of Wind: Air, Land, Sea<\/em>, a ten-day contemporary art festival engaging with climate change, environmental crisis, and resilience which took place in Mississauga\u2019s Southdown Industrial Area in September 2018. Taking BEARING<\/em> as its theme, this issue turns our attention to alienation, affect, anxiety, and questions of responsibility and resilience.<\/p>\n

Contributors<\/strong>: Malala Andrialavidrazana, Amy Balkin, The Climate Change Project, D.T. Cochrane, Jeff Diamanti, Sara Hughes, W.R. Peltier, Jacquelyn Ross, Marina Roy, D.W. Schindler, Alexis Shotwell, John P. Smol, David Suzuki, Joseph Tisiga, Joy Xiang<\/p>","contributions":[{"id":"121uv5yr","date":null,"title":"Cover (03)","title_html":"

Cover (03)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/cover","credits":[]},{"id":"09ys4mqv","date":null,"title":"IBC (Indian Brand Corporation): Dystopic Autonomy","title_html":"

IBC (Indian Brand Corporation): Dystopic Autonomy<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/ibc-indian-brand-corporation","slug":"ibc-indian-brand-corporation","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/ibc-indian-brand-corporation","credits":[{"heading":"","list":["059yghwa"],"entities":[{"id":"059yghwa","date":null,"title":"Joseph Tisiga","title_html":"

Joseph Tisiga<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/joseph-tisiga","slug":"joseph-tisiga","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/059yghwa\/people\/joseph-tisiga","text":"Joseph Tisiga<\/strong> maintains a multidisciplinary practice that is rooted in painting and drawing, but also draws from performance, photography, sculpture, and installation. His work reflects upon notions of identity and what contributes to this construct\u2014community, nationality, family, history, location, real and imagined memories. Tisiga\u2019s works look at cultural and social inheritance, the mundane, the metaphysical and the mythological, often all at once and on the same surface. This conflation of interests and perspectives plays itself out in the artist\u2019s narratives, which are distinctly non-linear, cross cultural and supernatural.
\n
\nTisiga is a multidisciplinary artist based in Montreal and a member of the Kaska Dena First Nation. Tisiga recently held solo exhibitions at the Mus\u00e9e d\u2019art de Joliette (Joliette), the Eli and Edythe Broad Art Museum (Lansing), Michigan State University (East Lansing), the Audain Art Museum (Whistler), and Bradley Ertaskiran (Montreal). Other notable exhibitions include those held at the National Gallery of Canada (Ottawa), the Winnipeg Art Gallery (Winnipeg), MASS MoCA (North Adams), the Museum of Contemporary Native Arts, (Santa Fe), and the West Vancouver Museum (Vancouver). Tisiga is the recipient of The Yukon Art Prize (2021), the Sobey Art Award (2020), and the REVEAL Indigenous Art Award (2017)."}]}]},{"id":"t1umvnh9","date":null,"title":"How to Read this Broadsheet (03)","title_html":"

How to Read this Broadsheet (03)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/how-to-read-this-broadsheet","slug":"how-to-read-this-broadsheet","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/how-to-read-this-broadsheet","credits":[]},{"id":"r9cge2m2","date":null,"title":"Carrying Capacity","title_html":"

Carrying Capacity<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/carrying-capacity","slug":"carrying-capacity","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/carrying-capacity","credits":[{"heading":"","list":["e3d2p2ot"],"entities":[{"id":"e3d2p2ot","date":null,"title":"Marina Roy","title_html":"

Marina Roy<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/marina-roy","slug":"marina-roy","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/e3d2p2ot\/people\/marina-roy","text":"Marina Roy<\/strong> is a Vancouver-based artist and writer, and associate professor in visual art at the University of British Columbia. Her artwork investigates the grotesque, at the intersection of language, image, and materiality, and her research interests include ecology, posthumanism, psychoanalysis, and biopolitics. Humour is explored through a corporeal register: humans\u2019 underlying animality and mortality, as well as the absurdity of humanist moral positions vis-\u00e0-vis life on this planet. She has shown nationally and internationally. Roy was recipient of the VIVA award in 2010. In 2001 she published sign after the x<\/em> (Arsenal\/Artspeak), a book that revolves around the letter X and its multiple meanings. Her newest book Queuejumping<\/em> (Information Office\/Art Metropole, 2022), uses the letter Q as device to investigate such interwoven issues as the \u201cinvention\u201d of language and art, the shifting nature of sovereignty, feminist utopias, ecological devastation, and animal extinction."}]}]},{"id":"d4px83pn","date":null,"title":"Open Letter to the Federal Government","title_html":"

Open Letter to the Federal Government<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/open-letter-to-the-federal-government","slug":"open-letter-to-the-federal-government","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/open-letter-to-the-federal-government","credits":[{"heading":"","list":["zf6s0ery","5q006b1z","cl95tif4","px05f4eq"],"entities":[{"id":"zf6s0ery","date":null,"title":"W.R. Peltier","title_html":"

W.R. Peltier<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/w-r-peltier","slug":"w-r-peltier","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zf6s0ery\/people\/w-r-peltier","text":"W. R. Peltier<\/strong> is a Professor of Physics at the University of Toronto, Director of the Centre for Global Change Science, former Principal Investigator of the Polar Climate Stability Network, and Scientific Director of SciNet. His research interests include atmospheric and oceanic waves and turbulence, geophysical fluid dynamics, physics of the planetary interior, and planetary climate."},{"id":"5q006b1z","date":null,"title":"D.W. Schindler","title_html":"

D.W. Schindler<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-w-schindler","slug":"d-w-schindler","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/5q006b1z\/people\/d-w-schindler","text":"D.W. Schindler<\/strong> began his career as an assistant professor at Trent University (1966\u20131968). In 1968, he was the founding director of the Experimental Lakes Area (ELA) in northwestern Ontario, where ecosystem-scale experiments with a variety of pollutants and long-term monitoring of lakes and streams have taken place for over forty years. He was the Killam Memorial Chair and Professor of Ecology at the University of Alberta from 1989 to 2013 and is currently Professor Emeritus. Schindler\u2019s science aims to underpin environmental policy and has earned him numerous national and international awards, including the Gerhard Herzberg Gold Medal, the First Stockholm Water Prize, the Volvo Environmental Prize, and the Tyler Prize for Environmental Achievement."},{"id":"cl95tif4","date":null,"title":"John P. Smol","title_html":"

John P. Smol<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/john-p-smol","slug":"john-p-smol","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/cl95tif4\/people\/john-p-smol","text":"John P. Smol<\/strong> is a Professor in the Department of Biology at Queen\u2019s University, where he is also holder of the Canada Research Chair in Environmental Change. He was the founding editor of the Journal of Paleolimnology<\/em> and is currently editor-in-chief of the journal Environmental Reviews<\/em>. He is also the series editor of the book series Developments in Paleoenvironmental Research<\/em> and is on the editorial boards of several other journals. He holds and has held adjunct appointments in Canada, the United States, and China. John co-directs the Paleoecological Environmental Assessment and Research Laboratory (PEARL) at Queen's University, a group of about forty paleolimnologists working throughout the world on a variety of limnological and paleoecological problems."},{"id":"px05f4eq","date":null,"title":"David Suzuki","title_html":"

David Suzuki<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/david-suzuki","slug":"david-suzuki","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/px05f4eq\/people\/david-suzuki","text":"David Suzuki<\/strong> is an award-winning geneticist and broadcaster, and co-founder of the David Suzuki Foundation. In 1975, he helped launch and host the long-running CBC Radio program Quirks and Quarks<\/em>. In 1979, he became familiar to audiences around the world as host of CBC TV\u2019s The Nature of Things<\/em>, which still airs new episodes. From 1969 to 2001, he was a faculty member at the University of British Columbia, and is currently professor emeritus. He is widely recognized as a world leader in sustainable ecology and has received numerous awards for his work, including a UNESCO prize for science and a United Nations Environment Program medal. He is also a Companion of the Order of Canada. He has 29 honorary degrees from universities in Canada, the US, and Australia. For his support of Canada\u2019s Indigenous peoples, Suzuki has been honoured with eight names and formal adoption by two First Nations."}]}]},{"id":"08dfqo93","date":null,"title":"Claiming Bad Kin","title_html":"

Claiming Bad Kin<\/p>","display_title":"","subtitle":"Solidarity from Complicit Locations","subtitle_html":"

Solidarity from Complicit Locations<\/p>","uri":"publications\/sduk\/bearing\/claiming-bad-kin","slug":"claiming-bad-kin","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/claiming-bad-kin","credits":[{"heading":"","list":["8it585w9"],"entities":[{"id":"8it585w9","date":null,"title":"Alexis Shotwell","title_html":"

Alexis Shotwell<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/alexis-shotwell","slug":"alexis-shotwell","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/8it585w9\/people\/alexis-shotwell","text":"Alexis Shotwell<\/strong> teaches and writes in Ottawa, on unceded Algonquin territory, where she\u2019s a part of the Punch Up anarchist collective. She is the co-investigator for the AIDS Activist History Project, and author of Knowing Otherwise: Race, Gender, and Implicit Understanding<\/em> and Against Purity: Living Ethically in Compromised Times<\/em>."}]}]},{"id":"h444k325","date":null,"title":"A Brief History of Feeling","title_html":"

A Brief History of Feeling<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/a-brief-history-of-feeling","slug":"a-brief-history-of-feeling","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/a-brief-history-of-feeling","credits":[{"heading":"","list":["fzvilfkx"],"entities":[{"id":"fzvilfkx","date":null,"title":"Jacquelyn Ross","title_html":"

Jacquelyn Ross<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jacquelyn-ross","slug":"jacquelyn-ross","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/fzvilfkx\/people\/jacquelyn-ross","text":"Jacquelyn Ross<\/strong> is a writer based in Vancouver. Her fiction, poetry, essays, and art criticism have appeared in BOMB<\/em>, Mousse<\/em>, C Magazine<\/em>, The Capilano Review<\/em>, Artforum<\/em>, Kijiji and elsewhere, and her recent chapbooks include Mayonnaise<\/em> and Drawings on Yellow Paper<\/em>. She publishes books by emerging artists and writers under the small press Blank Cheque, and is currently at work on a novel and a collection of short stories."}]}]},{"id":"h7gj25vl","date":null,"title":"Energy-Bearing Media","title_html":"

Energy-Bearing Media<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/energy-bearing-media","slug":"energy-bearing-media","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/energy-bearing-media","credits":[{"heading":"","list":["fla9z36a"],"entities":[{"id":"fla9z36a","date":null,"title":"Jeff Diamanti","title_html":"

Jeff Diamanti<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/jeff-diamanti","slug":"jeff-diamanti","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/fla9z36a\/people\/jeff-diamanti","text":"Jeff Diamanti<\/strong> teaches Literary and Cultural Analysis at the University of Amsterdam. In 2016\u201317 he was the Media@McGill Postdoctoral Fellow in Media and the Environment where he co-convened the international colloquium on Climate Realism. His work tracks the political and media ecology of fossil fuels and has appeared in Radical Philosophy<\/em>, Postmodern Culture<\/em>, Mediations<\/em>, Western American Literature<\/em>, and Reviews in Cultural Theory<\/em>, as well as the books Fueling Culture<\/em> (Fordham UP, 2017) and A Companion to Critical and Cultural Studies<\/em> (Wiley-Blackwell, 2017). He is currently working on a book called Terminal Landscapes: Media Ecologies of Postindustrial Energy Cultures<\/em>."}]}]},{"id":"bdcgut2m","date":null,"title":"Figures 1928, Airline routes and distances","title_html":"

Figures 1928, Airline routes and distances<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/figures-1928-airline-routes-and-distances","slug":"figures-1928-airline-routes-and-distances","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/figures-1928-airline-routes-and-distances","credits":[{"heading":"","list":["qsnuwmsy"],"entities":[{"id":"qsnuwmsy","date":null,"title":"Malala Andrialavidrazana","title_html":"

Malala Andrialavidrazana<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/malala-andrialavidrazana","slug":"malala-andrialavidrazana","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/qsnuwmsy\/people\/malala-andrialavidrazana","text":"Born and raised in Madagascar before settling in Paris in the early 1980s, Malala Andrialavidrazana<\/strong> fuels her practice by moving from one land to another. By way of the photographic medium, she interrogates barriers and interactions within cross-cultural contexts, thoughtfully shifting between private spaces and global considerations to explore social imaginaries. Over time, she has invented a language that is resolutely turned toward history, while simultaneously expressing a profound engagement with contemporary issues and developments. Based on extensive in situ as well as bibliographic and archival research, her visual compositions open up the possibility of alternative forms of storytelling and history-making."}]}]},{"id":"f2wzm0ho","date":null,"title":"What is Growth?","title_html":"

What is Growth?<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/what-is-growth","slug":"what-is-growth","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/what-is-growth","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"bwwu7k7l","date":null,"title":"This, Too, Will Contaminate","title_html":"

This, Too, Will Contaminate<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/this-too-will-contaminate","slug":"this-too-will-contaminate","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/this-too-will-contaminate","credits":[{"heading":"","list":["rydjp3nh"],"entities":[{"id":"rydjp3nh","date":null,"title":"Joy Xiang","title_html":"

Joy Xiang<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/joy-xiang","slug":"joy-xiang","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/rydjp3nh\/people\/joy-xiang","text":"Joy Xiang<\/strong> is a writer, arts worker, and perpetual late bloomer living in Tkaronto. Her work engages desire, migration, material flows, and media nostalgia and futurity. She prioritizes collective and collaborative processes, and learning ways of being together in complication and intimacy. Her first zine cold blood used cold-blooded creatures as a metaphor for creative and survival-focused adaptation strategies. She has been on the editorial team of Milkweed<\/em>, re:asian<\/em>, and Canadian Art<\/em>; written for Mercer Union, Ada X, and Hamilton Artists Inc.; and held positions at Blackwood Gallery and Vtape. She is a member of the feminist working group EMILIA-AMALIA."}]}]},{"id":"q41f1j72","date":null,"title":"The Need for Urban Climate Justice","title_html":"

The Need for Urban Climate Justice<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/the-need-for-urban-climate-justice","slug":"the-need-for-urban-climate-justice","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/the-need-for-urban-climate-justice","credits":[{"heading":"","list":["ggemjxa9"],"entities":[{"id":"ggemjxa9","date":null,"title":"Sara Hughes","title_html":"

Sara Hughes<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sara-hughes","slug":"sara-hughes","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ggemjxa9\/people\/sara-hughes","text":"Sara Hughes<\/strong> is an Assistant Professor in the Department of Political Science at the University of Toronto. Her research interests include urban politics and governance, water policy, and climate change policy. She focuses on understanding how political interests, institutions, and environmental problems interact at the urban scale, and the social and environmental outcomes they generate. Her research has been funded by SSHRC, Connaught, and the Government of Minnesota, and she has held fellowships at the US Environmental Protection Agency and the National Center for Atmospheric Research. In 2013, she was named a Clarence N. Stone Scholar by the urban politics section of the American Political Science Association. She has a PhD in Environmental Science and Management from the University of California, Santa Barbara."}]}]},{"id":"gdi1rgiw","date":null,"title":"The role of municipalities in changing behaviours","title_html":"

The role of municipalities in changing behaviours<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/the-role-of-municipalities-in-changing-behaviours","slug":"the-role-of-municipalities-in-changing-behaviours","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/the-role-of-municipalities-in-changing-behaviours","credits":[{"heading":"The Climate Change Project, City of Mississauga","list":[],"entities":[]}]},{"id":"qy59ayr1","date":null,"title":"A PEOPLE'S ARCHIVE OF SINKING AND MELTING: NUNAVUT","title_html":"

A PEOPLE'S ARCHIVE OF SINKING AND MELTING: NUNAVUT<\/p>","display_title":"","subtitle":"CALL FOR PARTICIPATION","subtitle_html":"

CALL FOR PARTICIPATION<\/p>","uri":"publications\/sduk\/bearing\/call-for-participation","slug":"call-for-participation","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/call-for-participation","credits":[{"heading":"","list":["nwixsc75"],"entities":[{"id":"nwixsc75","date":null,"title":"Amy Balkin","title_html":"

Amy Balkin<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/amy-balkin","slug":"amy-balkin","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/nwixsc75\/people\/amy-balkin","text":"Amy Balkin<\/strong> is an artist whose works propose alternatives for conceiving the public domain outside current legal and discursive systems, addressing property relations, environmental justice, and equity in the context of climate change. A People\u2019s Archive of Sinking and Melting<\/em> is a growing collection of items contributed by people living in places that may disappear (or already are) owing to the physical, political, and economic impacts of climate change, including sea-level rise, coastal erosion, and desertification. Organized into \"common but differentiated\u201d collections, contributed objects together form a record of community-gathered evidence, and an archive of the future anterior\u2014what will have been. The archive operates from the principle that any item is equally valuable as a record of present or projected future disappearance of a place, as chosen by someone there. It can be anything that happens to be there, including detritus, flotsam, or jetsam. As of 2019, the archive contains contributions from Anvers Island (Antarctica), Cape Verde, Greenland, Kivalina (Alaska), Nepal, New Orleans, Panama, Peru, Senegal, Trinidad and Tobago, and Tuvalu."}]}]},{"id":"zl2h8s6o","date":null,"title":"Local Useful Knowledge: Resources, Research, Initiatives (03)","title_html":"

Local Useful Knowledge: Resources, Research, Initiatives (03)<\/p>","display_title":"Local Useful Knowledge: Resources, Research, Initiatives","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/local-useful-knowledge","slug":"local-useful-knowledge","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/local-useful-knowledge","credits":[]},{"id":"7mpzpyo2","date":null,"title":"Glossary (03)","title_html":"

Glossary (03)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/bearing\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/bearing\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/bearing\/13851afc1b-1586794534\/blackwood_sduk03_bearing.pdf"},{"id":"rxm5x1uo","date":"2018-08-01","title":"SDUK 02: COMMUTING","title_html":"

SDUK 02: COMMUTING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/commuting","slug":"commuting","cover":{"id":"rxm5x1uo","modified":1608051757,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/commuting\/f1bbc2fc9e-1607021009\/sduk_02_commuting-cover.jpg","type":"image","mime":"image\/jpeg","size":1716609,"extension":"jpg","filename":"sduk_02_commuting-cover.jpg","caption":"Cover image: Dana Prieto, This end up fragile<\/em> (from the series 1:10000<\/em>), 2018. Cardboard boxes, mail parcel tags, packing tape, ceramic vessels, wooden boxes. Courtesy the artist.","caption_plaintext":"Cover image: Dana Prieto, *This end up fragile* (from the series *1:10000*), 2018. Cardboard boxes, mail parcel tags, packing tape, ceramic vessels, wooden boxes. Courtesy the artist.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting","preview_mode":"false","number":"2","abstract":"This SDUK broadsheet takes *COMMUTING* as its theme. Alongside the most familiar usage of \u201ccommuting\u201d (moving to and from work), the contributions in this issue touch on many aspects of circulation, migration, and change that are flowing across and rumbling below the surface of the Earth. As this publication platform traces the diffusion of knowledge, this issue in particular explores the shifts, displacements, and movements we must consider in an age of rapid global change in order to commute the Earth\u2019s death sentence.\n\n**Contributors**: Canada's Waste Flow, Sydney Hart, Matt Hern, Myra J. Hird, Am Johal, Kent Moore, Andrea Muehlebach, Michelle Murphy, Natasha Naveau, Dana Prieto, Stanka Radovi\u0107, Harvey Shear, Karolina Sobecka","abstract_html":"

This SDUK broadsheet takes COMMUTING<\/em> as its theme. Alongside the most familiar usage of \u201ccommuting\u201d (moving to and from work), the contributions in this issue touch on many aspects of circulation, migration, and change that are flowing across and rumbling below the surface of the Earth. As this publication platform traces the diffusion of knowledge, this issue in particular explores the shifts, displacements, and movements we must consider in an age of rapid global change in order to commute the Earth\u2019s death sentence.<\/p>\n

Contributors<\/strong>: Canada's Waste Flow, Sydney Hart, Matt Hern, Myra J. Hird, Am Johal, Kent Moore, Andrea Muehlebach, Michelle Murphy, Natasha Naveau, Dana Prieto, Stanka Radovi\u0107, Harvey Shear, Karolina Sobecka<\/p>","contributions":[{"id":"zura4is5","date":null,"title":"Cover (02)","title_html":"

Cover (02)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/cover","credits":[]},{"id":"vmsxyvhx","date":null,"title":"1:10000","title_html":"

1:10000<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/1-1000","slug":"1-1000","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/1-1000","credits":[{"heading":"","list":["1vho0qny"],"entities":[{"id":"1vho0qny","date":null,"title":"Dana Prieto","title_html":"

Dana Prieto<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/dana-prieto","slug":"dana-prieto","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/1vho0qny\/people\/dana-prieto","text":"Dana Prieto<\/strong> is an Argentine-Canadian artist and educator based in Tkaronto. Her site-responsive work examines our deep relations with colonial structures and infrastructures through a careful attention to the ground, and the different forms of living and dying within it. Dana\u2019s practice is material, process, and place-focused, and often unfolds over extended periods of artistic research and interdisciplinary collaborations. For over ten years, Dana has worked with ceramic processes and soil-derived materials to reflect on the technologies of containment found in the places where she lives and works: looking at mines, bodies, nests, vessels, institutions, and land. Dana holds a Master of Visual Studies from University of Toronto and a Bachelor of Fine Arts from OCAD University. Her work has been presented in national and international galleries, public spaces and informal cultural venues."}]}]},{"id":"e5ui06je","date":null,"title":"How to Read this Broadsheet (02)","title_html":"

How to Read this Broadsheet (02)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/how-to-read-this-broadsheet","slug":"how-to-read-this-broadsheet","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/how-to-read-this-broadsheet","credits":[]},{"id":"rbnhvghx","date":null,"title":"Fort McMurray","title_html":"

Fort McMurray<\/p>","display_title":"","subtitle":"Dene, Woodland Cree, and Chipewyan Territories","subtitle_html":"

Dene, Woodland Cree, and Chipewyan Territories<\/p>","uri":"publications\/sduk\/commuting\/fort-mcmurray","slug":"fort-mcmurray","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/fort-mcmurray","credits":[{"heading":"","list":["lydib1av","trisxu8g"],"entities":[{"id":"lydib1av","date":null,"title":"Matt Hern","title_html":"

Matt Hern<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/matt-hern","slug":"matt-hern","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/lydib1av\/people\/matt-hern","text":"Matt Hern<\/strong> is a founder of Solid State Industries, teaches at multiple universities, and lectures widely. He is the author of What a City Is For: Remaking the Politics of Displacement<\/em>, among many other books."},{"id":"trisxu8g","date":null,"title":"Am Johal","title_html":"

Am Johal<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/am-johal","slug":"am-johal","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/trisxu8g\/people\/am-johal","text":"Am Johal<\/strong> is Director of Simon Fraser University\u2019s Vancity Office of Community Engagement and author of Ecological Metapolitics: Badiou and the Anthropocene<\/em>."}]}]},{"id":"7bpeg0tg","date":null,"title":"Clouds and Complexity","title_html":"

Clouds and Complexity<\/p>","display_title":"Clouds and Complexity: Viewing the Earth from Space","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/clouds-and-complexity","slug":"clouds-and-complexity","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/clouds-and-complexity","credits":[{"heading":"","list":["65il4jf8"],"entities":[{"id":"65il4jf8","date":null,"title":"Kent Moore","title_html":"

Kent Moore<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kent-moore","slug":"kent-moore","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/65il4jf8\/people\/kent-moore","text":"Kent Moore<\/strong> is a Professor of Physics and Vice-Principal of Research at the University of Toronto Mississauga. Moore has a PhD in Geophysical Fluid Dynamics from Princeton University, and his research interests include geophysical fluid dynamics, mesoscale meteorology, and polar meteorology. He has published over 160 peer-reviewed research papers and has played a leadership role in a number of national and international research collaborations focused on improving our understanding of the interactions that occur with the climate system. Professor Moore has also trained over forty undergraduate students, graduate students, and post-doctoral fellows who have gone onto varied careers in the financial services industry, government, and academia."}]}]},{"id":"jhvwtrzz","date":null,"title":"A memory, an ideal, a proposition","title_html":"

A memory, an ideal, a proposition<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/a-memory-an-ideal-a-proposition","slug":"a-memory-an-ideal-a-proposition","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/a-memory-an-ideal-a-proposition","credits":[{"heading":"","list":["vrf3jrgt"],"entities":[{"id":"vrf3jrgt","date":null,"title":"Karolina Sobecka","title_html":"

Karolina Sobecka<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/karolina-sobecka","slug":"karolina-sobecka","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vrf3jrgt\/people\/karolina-sobecka","text":"Karolina Sobecka<\/strong> is an artist and designer working at the intersection of art, science, and technology. Sobecka\u2019s work has been shown internationally, including at the Victoria & Albert Museum, National Art Museum of China, MOMA Film, ZKM, WRO Biennial, Zero1, Marfa Dialogues NY, and Science Gallery. She has received multiple awards and commissions, including from Creative Capital, New Museum, Rhizome, NYFA, and Princess Grace Foundation, and Vida Art and Artificial Life Awards, as well as residencies at Banff, Eyebeam, Queens Museum, and others. Sobecka is the founder of design studio Flightphase, has taught at Rhode Island School of Design, School of the Art Institute of Chicago, and University of Washington."}]}]},{"id":"s0dvylut","date":null,"title":"Alterlife and Decolonial Chemical Relations","title_html":"

Alterlife and Decolonial Chemical Relations<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/alterlife-and-decolonial-chemical-relations","slug":"alterlife-and-decolonial-chemical-relations","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/alterlife-and-decolonial-chemical-relations","credits":[{"heading":"","list":["people\/michelle-murphy"],"entities":[{"id":"eaxan78y","date":null,"title":"Michelle Murphy","title_html":"

Michelle Murphy<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/michelle-murphy","slug":"michelle-murphy","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/eaxan78y\/people\/michelle-murphy","text":"Michelle Murphy<\/strong> works on decolonial feminist technoscience studies. She is the author of three books, the most recent being The Economization of Life<\/em> (Duke University Press, 2017). She is director of the Technoscience Research Unit, which hosts a social justice technoscience lab with a specific focus on environmental and data justice. Murphy is a Professor of History and Women and Gender Studies at the University of Toronto. She is M\u00e9tis from Winnipeg."}]}]},{"id":"6trj18gq","date":null,"title":"\u1525\u1472\u1472\u14a5\u1483\u140c \u146d\u1450","title_html":"

\u1525\u1472\u1472\u14a5\u1483\u140c \u146d\u1450<\/p>","display_title":"\u1525\u1472\u1472\u14a5\u1483\u140c \u146d\u1450
\nShkakamikwe Kido
\nIt Comes Through The Land","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/shkakamikwe-kido","slug":"shkakamikwe-kido","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/shkakamikwe-kido","credits":[{"heading":"","list":["506bngz5"],"entities":[{"id":"506bngz5","date":null,"title":"Natasha Naveau","title_html":"

Natasha Naveau<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/natasha","slug":"natasha","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/506bngz5\/people\/natasha","text":"Natasha Naveau<\/strong> is an emerging documentary media maker based in Toronto. Her multidisciplinary academic experience includes a BFA from NSCAD, Halifax, with a focus on print media, and studying Commercial Photography in Vancouver; she is currently an MFA candidate in Ryerson\u2019s Documentary Media program. She has varied work experience as well, behind the camera, editing and collaborating on narrative, reality-based, and non-fiction works. She comes from an eastern European and Chipewyan heritage, and was raised in an Anishinaabeg community. This has greatly influenced her work and interests, which tend to navigate conversations of identity and intersectionality, learning through culture, and our relationships to land and the environment."}]}]},{"id":"mhssjmcw","date":null,"title":"St. Lawrence Crossing","title_html":"

St. Lawrence Crossing<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/st-lawrence-crossing","slug":"st-lawrence-crossing","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/st-lawrence-crossing","credits":[{"heading":"","list":["27mb277d"],"entities":[{"id":"27mb277d","date":null,"title":"Sydney Hart","title_html":"

Sydney Hart<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sydney-hart","slug":"sydney-hart","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/27mb277d\/people\/sydney-hart","text":"Sydney Hart<\/strong> is a researcher, artist, and PhD student in the Cultural Studies program at Queen\u2019s University, ON. His current research investigates how media infrastructures reflect inequalities in mobility, and focuses on air travel through North America. He has written criticism for publications including Espace art actuel<\/em> and Scapegoat Journal<\/em>, and recently created Without Zebra<\/em>, a media art exhibition at Kingston\u2019s Art and Media Lab. Originally from Tiohti\u00e0:ke \/ Montr\u00e9al, he is now based on unceded Coast Salish territories in Vancouver."}]}]},{"id":"d0i1ddcp","date":null,"title":"Sister Water","title_html":"

Sister Water<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/sister-water","slug":"sister-water","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/sister-water","credits":[{"heading":"","list":["xykb9ptd"],"entities":[{"id":"xykb9ptd","date":null,"title":"Andrea Muehlebach","title_html":"

Andrea Muehlebach<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/andrea-muehlebach","slug":"andrea-muehlebach","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xykb9ptd\/people\/andrea-muehlebach","text":"Andrea Muehlebach<\/strong> is Associate Professor of Anthropology at the Department of Anthropology at the University of Toronto Mississauga. An economic and political anthropologist, she explores the ethics and politics of economic life\u2014as notably on questions such as welfare, citizenship, and morality and, more recently, on the political, economic, and ethical implications of water privatization and financialization. She is the author of The Moral Neoliberal<\/em> (University of Chicago Press, 2012). Her book-in-progress, A Vital Politics: Water Insurgencies in Europe<\/em>, is a study of different water movements in Europe and the question of how water\u2014as commons or \u201cresource\u201d\u2014should be governed and valued now and in the future."}]}]},{"id":"hdbwrbw2","date":null,"title":"Changing Together","title_html":"

Changing Together<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/changing-together","slug":"changing-together","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/changing-together","credits":[{"heading":"","list":["mrp43fqf"],"entities":[{"id":"mrp43fqf","date":null,"title":"Stanka Radovi\u0107","title_html":"

Stanka Radovi\u0107<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/stanka-radovic","slug":"stanka-radovic","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/mrp43fqf\/people\/stanka-radovic","text":"Stanka Radovi\u0107<\/strong> is Associate Professor of English at the University of Toronto. Her work explores space and urban environments in contemporary dystopian fiction, postcolonial literatures, and diasporic\/migrant literatures, focusing on the interplay between social space and spatial imagination. Radovi\u0107 received her PhD in Comparative Literature from Cornell University. Her first book Locating the Destitute: Space and Identity in Caribbean Fiction<\/em> (University of Virginia Press, 2014) examines the impact of colonial spatial hierarchy on postcolonial self-understanding in the writings of V.S. Naipaul, Patrick Chamoiseau, Beryl Gilroy, and Rapha\u00ebl Confiant."}]}]},{"id":"bjg9g7a7","date":null,"title":"The Right to Charge","title_html":"

The Right to Charge<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/the-right-to-charge","slug":"the-right-to-charge","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/the-right-to-charge","credits":[{"heading":"","list":["a95spi6y"],"entities":[{"id":"a95spi6y","date":null,"title":"Fraser McCallum","title_html":"

Fraser McCallum<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/fraser-mccallum","slug":"fraser-mccallum","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/a95spi6y\/people\/fraser-mccallum","text":"Fraser McCallum<\/strong> is Project Coordinator at the Blackwood Gallery. In this role, he works primarily on programs outside of the gallery spaces, including offsite exhibitions, public programs, virtual programming, and publications. Fraser is an interdisciplinary artist of settler Euro-Canadian ancestry, whose practice often draws together histories and ongoing sociopolitical conditions through archives, places, and stories. Fraser has held previous roles at Gallery 44 and Art Metropole, and received a Master of Visual Studies from the University of Toronto. His work has been exhibited at HKW, Berlin; Sheridan College, Oakville; Modern Fuel, Kingston; and The Art Museum at the University of Toronto. His video works have been screened by the plumb, LIFT, Hamilton Artists Inc., and Trinity Square Video. Fraser\u2019s writing has been published in the Blackwood\u2019s Society for the Diffusion of Useful Knowledge<\/em> series, PUBLIC<\/em>, and Imaginations: Journal of Cross-Cultural Image Studies<\/em>."}]}]},{"id":"wf4rz57x","date":null,"title":"What is The Market?","title_html":"

What is The Market?<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/what-is-the-market","slug":"what-is-the-market","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/what-is-the-market","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"ltbw0fo1","date":null,"title":"Canada\u2019s Waste Flow","title_html":"

Canada\u2019s Waste Flow<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/canada-s-waste-flow","slug":"canada-s-waste-flow","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/canada-s-waste-flow","credits":[{"heading":"","list":["7qbjavl1","929847ab"],"entities":[{"id":"7qbjavl1","date":null,"title":"Myra J. Hird","title_html":"

Myra J. Hird<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/myra-j-hird","slug":"myra-j-hird","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/7qbjavl1\/people\/myra-j-hird","text":"Myra J. Hird<\/strong> directs Canada\u2019s Waste Flow<\/strong> (CWF), an interdisciplinary research program connecting people interested in the topic of waste to consider Canada\u2019s waste future. Researchers at CWF study the movement, processing, treatment, and after-effects of diverse waste streams, including by-products of mining, nuclear energy, biomedicine, and domestic waste linked to larger issues such as overconsumption, settler colonialism, intra- and extra-governmental relations, and public dialogue. Hird is a Professor in the School of Environmental Studies."},{"id":"929847ab","date":null,"title":"Canada's Waste Flow","title_html":"

Canada's Waste Flow<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/canada-s-waste-flow","slug":"canada-s-waste-flow","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/929847ab\/people\/canada-s-waste-flow","text":"Canada's Waste Flow<\/strong> (CWF) is an interdisciplinary research program connecting people interested in the topic of waste to consider Canada\u2019s waste future. Directed by Myra J. Hird at Queen\u2019s University, researchers at CWF study the movement, processing, treatment, and after-effects of diverse waste streams, including by-products of mining, nuclear energy, biomedicine, and domestic waste. The genera Research Group<\/strong> is a university-wide initiative that brings together interdisciplinary scholars at Queen\u2019s University to generate and synthesize new and innovative research on waste, and to mobilize this knowledge to benefit Canadians and the global community."}]}]},{"id":"mlawnbjn","date":null,"title":"A Brief History of Lake Ontario and Lake Ontario Waterkeeper","title_html":"

A Brief History of Lake Ontario and Lake Ontario Waterkeeper<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/a-brief-history-of-lake-ontario-and-lake-ontario-waterkeeper","slug":"a-brief-history-of-lake-ontario-and-lake-ontario-waterkeeper","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/a-brief-history-of-lake-ontario-and-lake-ontario-waterkeeper","credits":[{"heading":"","list":["zmsdca75"],"entities":[{"id":"zmsdca75","date":null,"title":"Harvey Shear","title_html":"

Harvey Shear<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/harvey-shear","slug":"harvey-shear","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zmsdca75\/people\/harvey-shear","text":"Harvey Shear<\/strong> is Professor of Geography at the University of Toronto Mississauga. He teaches undergraduate courses on world freshwater resources, ecology and economy, and the Great Lakes, and he is co-instructor for the Environment-Geography internship program. Shear has published numerous scientific papers on aquatic ecology and management, on ecological and sustainability indicators for the Great Lakes, and on the hydrology and nutrient regime in Lake Chapala, Mexico\u2019s largest lake. He also developed a set of sustainability indicators for the Town of Oakville as part of its Environmental Strategic Plan, which are also used in the Town\u2019s State of Environment Report."}]}]},{"id":"hii8pzmj","date":null,"title":"Reflecting on Sustainable Transportation","title_html":"

Reflecting on Sustainable Transportation<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/reflecting-on-sustainable-transportation","slug":"reflecting-on-sustainable-transportation","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/reflecting-on-sustainable-transportation","credits":[{"heading":"The Climate Change Project, City of Mississauga","list":[],"entities":[]}]},{"id":"zptrj0ec","date":null,"title":"Local Useful Knowledge: Resources, Research, Initiatives (02)","title_html":"

Local Useful Knowledge: Resources, Research, Initiatives (02)<\/p>","display_title":"Local Useful Knowledge: Resources, Research, Initiatives","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/local-useful-knowledge-resources-research-initiatives","slug":"local-useful-knowledge-resources-research-initiatives","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/local-useful-knowledge-resources-research-initiatives","credits":[]},{"id":"u5xfxh1n","date":null,"title":"Glossary (02)","title_html":"

Glossary (02)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/commuting\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/commuting\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/commuting\/7cf2d75f1b-1586794529\/blackwood_sduk02_commuting.pdf"},{"id":"rqe5kzno","date":"2018-06-01","title":"SDUK 01: GRAFTING","title_html":"

SDUK 01: GRAFTING<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/grafting","slug":"grafting","cover":{"id":"rqe5kzno","modified":1608051908,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/grafting\/7c7dcf687a-1607020566\/sduk_01_grafting-cover.jpg","type":"image","mime":"image\/jpeg","size":2166292,"extension":"jpg","filename":"sduk_01_grafting-cover.jpg","caption":"Cover image: Joseph Graham, William Newman, and John Stacy, The geologic time spiral\u2014A path to the past<\/em> (ver. 1.2, 2008). U.S. Geological Survey General Information.","caption_plaintext":"Cover image: Joseph Graham, William Newman, and John Stacy, *The geologic time spiral\u2014A path to the past* (ver. 1.2, 2008). U.S. Geological Survey General Information.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting","preview_mode":"false","number":"1","abstract":"The Society for the Diffusion of Useful Knowledge broadsheet series takes aim at a broad range of concerns\u2014and this issue, *GRAFTING*, explores how we come to know, define, and interact with nature, where we see its boundaries and identify its needs, and how we understand its entanglement with culture.\n\n**Contributors**: Amanda Boetzkes, Civic Laboratory for Environmental Action Research, The Climate Change Project, Heather Davis, Endocrine Disruptors Action Group, Lisa Hall, Julie Joosten, Elizabeth LaPens\u00e9e, The LEAP, Yihan Li, Morris Lum, Shannon Mattern, Andrea Olive, Kika Thorne, Zoe Todd, Kyle Powys Whyte, Tania Willard","abstract_html":"

The Society for the Diffusion of Useful Knowledge broadsheet series takes aim at a broad range of concerns\u2014and this issue, GRAFTING<\/em>, explores how we come to know, define, and interact with nature, where we see its boundaries and identify its needs, and how we understand its entanglement with culture.<\/p>\n

Contributors<\/strong>: Amanda Boetzkes, Civic Laboratory for Environmental Action Research, The Climate Change Project, Heather Davis, Endocrine Disruptors Action Group, Lisa Hall, Julie Joosten, Elizabeth LaPens\u00e9e, The LEAP, Yihan Li, Morris Lum, Shannon Mattern, Andrea Olive, Kika Thorne, Zoe Todd, Kyle Powys Whyte, Tania Willard<\/p>","contributions":[{"id":"d1w9ikv4","date":null,"title":"Cover (01)","title_html":"

Cover (01)<\/p>","display_title":"Cover","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/cover","slug":"cover","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/cover","credits":[]},{"id":"em128z2i","date":null,"title":"Geologic Time Spiral","title_html":"

Geologic Time Spiral<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/geologic-time-spiral","slug":"geologic-time-spiral","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/geologic-time-spiral","credits":[{"heading":"","list":["wee16wev"],"entities":[{"id":"wee16wev","date":null,"title":"Lisa Hall","title_html":"

Lisa Hall<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lisa-hall","slug":"lisa-hall","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/wee16wev\/people\/lisa-hall","text":"Lisa Hall<\/strong> is an Assistant Professor at the Dalla Lana School of Public Health, University of Toronto. Her current research explores the production of scientific knowledges and social imaginaries relating to energy, the environment, and health. Drawing on the anthropology and sociology of knowledge, she engages these issues empirically through a set of related projects on global environmental change and fracking. She previously worked as a public health physician and epidemiologist in London, UK."}]}]},{"id":"s26slln0","date":null,"title":"How to Read this Broadsheet (01)","title_html":"

How to Read this Broadsheet (01)<\/p>","display_title":"How to Read this Broadsheet","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/how-to-read-this-broadsheet","slug":"how-to-read-this-broadsheet","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/how-to-read-this-broadsheet","credits":[]},{"id":"e2ey21zo","date":null,"title":"How to Graft a City","title_html":"

How to Graft a City<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/how-to-graft-a-city","slug":"how-to-graft-a-city","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/how-to-graft-a-city","credits":[{"heading":"","list":["nev0e1zm"],"entities":[{"id":"nev0e1zm","date":null,"title":"Shannon Mattern","title_html":"

Shannon Mattern<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/shannon-mattern","slug":"shannon-mattern","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/nev0e1zm\/people\/shannon-mattern","text":"Shannon Mattern<\/strong> is an Associate Professor of Media Studies at The New School. Her writing and teaching focus on archives, libraries, and other media spaces; media infrastructures; spatial epistemologies; and mediated sensation and exhibition. She is the author of The New Downtown Library: Designing with Communities<\/em>; Deep Mapping the Media City<\/em>; and Code and Clay, Data and Dirt<\/em>, and she contributes a regular long-form column about urban data and mediated infrastructures to Places Journal<\/em>."}]}]},{"id":"x04bbdpr","date":null,"title":"Intersections","title_html":"

Intersections<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/intersections","slug":"intersections","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/intersections","credits":[{"heading":"","list":["w5uwaqnf"],"entities":[{"id":"w5uwaqnf","date":null,"title":"Morris Lum","title_html":"

Morris Lum<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/morris-lum","slug":"morris-lum","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/w5uwaqnf\/people\/morris-lum","text":"Morris Lum<\/strong> is a Trinidadian-born artist, photographer, and educator whose work explores the hybrid nature of the Chinese-Canadian community through photography and documentary practices. Morris received his MFA in Documentary Media from Ryerson University in 2009. His work examines how Chinese Canadian and American histories have been represented in the media and in archival material. Lum\u2019s work has been exhibited and screened across Canada and the United States. Over the last decade, Lum has been working on a cross-North America project that looks specifically at the transformation of Chinatowns."}]}]},{"id":"d7ouj08r","date":null,"title":"Climate Change: An Unprecedentedly Old Catastrophe","title_html":"

Climate Change: An Unprecedentedly Old Catastrophe<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/climate-change-an-unprecedentedly-old-catastrophe","slug":"climate-change-an-unprecedentedly-old-catastrophe","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/climate-change-an-unprecedentedly-old-catastrophe","credits":[{"heading":"","list":["0gg3j8hv"],"entities":[{"id":"0gg3j8hv","date":null,"title":"Kyle Powys Whyte","title_html":"

Kyle Powys Whyte<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kyle-powys-whyte","slug":"kyle-powys-whyte","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/0gg3j8hv\/people\/kyle-powys-whyte","text":"Kyle Powys Whyte<\/strong> holds the Timnick Chair in the Humanities at Michigan State University. He is Associate Professor of Philosophy and Community Sustainability there, as well as a faculty member of the Environmental Philosophy & Ethics graduate concentration, the Geocognition Research Lab, and a faculty affiliate of the American Indian & Indigenous Studies and Environmental Science & Policy programs. Whyte is Potawatomi and an enrolled member of the Citizen Potawatomi Nation. His research, teaching, training, and activism address moral and political issues concerning climate policy and Indigenous peoples, as well as the ethics of cooperative relationships between Indigenous peoples and climate science organizations."}]}]},{"id":"i8nrt1ax","date":null,"title":"The LEAP Manifesto","title_html":"

The LEAP Manifesto<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/leap","slug":"leap","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/leap","credits":[{"heading":"","list":["6bcxxk1s"],"entities":[{"id":"6bcxxk1s","date":null,"title":"LEAP","title_html":"

LEAP<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/leap","slug":"leap","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/6bcxxk1s\/people\/leap","text":"The writing of The LEAP Manifesto<\/strong> was initiated in the spring of 2015 at a two-day meeting in Toronto attended by representatives from Canada\u2019s Indigenous rights, social and food justice, environmental, faith-based, and labour movements. The This Changes Everything<\/em> team convened the meeting but did not determine any outcomes. The idea was to create a space to not just say \u201cno\u201d to the worst attacks on human rights and environmental standards, but to dream together about the world we actually want and how we could get there. The Manifesto went through several drafts and was shaped by the contributions of dozens of people."}]}]},{"id":"n06xv6ks","date":null,"title":"Decolonizing the Anthropocene","title_html":"

Decolonizing the Anthropocene<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/decolonizing-the-anthropocene","slug":"decolonizing-the-anthropocene","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/decolonizing-the-anthropocene","credits":[{"heading":"","list":["0ae8vu07","zksqahio"],"entities":[{"id":"0ae8vu07","date":null,"title":"Heather Davis","title_html":"

Heather Davis<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/heather-davis","slug":"heather-davis","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/0ae8vu07\/people\/heather-davis","text":"Heather Davis<\/strong> is an itinerant writer and editor. She has written widely for art and academic publications on questions of contemporary art, politics, and ecology. She is the co-editor of Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies <\/em>(Open Humanities Press, 2015) and editor of Desire Change: Contemporary Feminist Art in Canada<\/em> (MAWA and McGill Queen\u2019s UP, 2017)."},{"id":"zksqahio","date":null,"title":"Zoe Todd","title_html":"

Zoe Todd<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/zoe-todd","slug":"zoe-todd","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/zksqahio\/people\/zoe-todd","text":"Zoe Todd<\/strong> (M\u00e9tis\/otipemisiw) is from Amiskwaciw\u00e2skahikan (Edmonton), Alberta. She writes about fish, art, M\u00e9tis legal traditions, the Anthropocene, extinction, and decolonization in urban and prairie contexts. She also studies human-animal relations, colonialism, and environmental change in north\/western Canada."}]}]},{"id":"ksegh6ux","date":null,"title":"This, Seeded in a Glance","title_html":"

This, Seeded in a Glance<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/this-seeded-in-a-glance","slug":"this-seeded-in-a-glance","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/this-seeded-in-a-glance","credits":[{"heading":"","list":["xceey389"],"entities":[{"id":"xceey389","date":null,"title":"Julie Joosten","title_html":"

Julie Joosten<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/julie-joosten","slug":"julie-joosten","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xceey389\/people\/julie-joosten","text":"Julie Joosten<\/strong> is a poet, essayist, and editor who lives and works in Tkaronto. Her first book of poetry, Light Light<\/em> (Book Thug, 2013), was short-listed for the Governor General\u2019s Award. Her next book, For Nor<\/em>, is forthcoming from Book Thug in the spring of 2019. It explores perceptual styles, affect, form, and politics."}]}]},{"id":"havgl7r1","date":null,"title":"Tree Permit TP-2016-00332","title_html":"

Tree Permit TP-2016-00332<\/p>","display_title":"","subtitle":"Applicant: John Ross, Application Date: Apr 14, 2016, City of Vancouver. Legal Description: 026-604-124-12 & 15 EXC. OLD COURTHOUSE & SITE INCLUDE VOLUMETRIC PCLS COLOURED CREEN EX PLAN 12829 BLK.","subtitle_html":"

Applicant: John Ross, Application Date: Apr 14, 2016, City of Vancouver. Legal Description: 026-604-124-12 & 15 EXC. OLD COURTHOUSE & SITE INCLUDE VOLUMETRIC PCLS COLOURED CREEN EX PLAN 12829 BLK.<\/p>","uri":"publications\/sduk\/grafting\/tree-permit-tp-2016","slug":"tree-permit-tp-2016","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/tree-permit-tp-2016","credits":[{"heading":"","list":["vr627lt5"],"entities":[{"id":"vr627lt5","date":null,"title":"Kika Thorne","title_html":"

Kika Thorne<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kika-thorne","slug":"kika-thorne","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vr627lt5\/people\/kika-thorne","text":"A settler living in Tkaronto, Kika Thorne<\/strong> oscillates between action and abstraction. Kika Thorne, artist, filmmaker, and curator, was a co-founder of she\/TV; participated in and documented the sculptural protests of the Toronto-based October, February and April Groups; helped found the Anarchist Free Space & Free School in Toronto's Kensington Market; and, in her role as curator for VIVO Media Arts Centre, helped instigate SAFE ASSEMBLY<\/em>, a fourteen-day collective program and gathering to express dissent against the effects of the 2010 Winter Olympic Games in Vancouver. Thorne has exhibited extensively, including projects at e-flux, Kino Arsenal, and Forum Expanded, Berlin; Murray Guy, New York; The Apartment, Access, Contemporary Art Gallery and Vancouver Art Gallery, Vancouver; and Pleasure Dome and the Justina M. Barnicke Gallery, Toronto. Her room-sized tensile sculptures were the focus of The WILDcraft<\/em>, a solo exhibition at the Art Gallery of Windsor. She received her MFA from the University of Victoria, and she is currently working towards a PhD in Studio Practice at York University, Toronto."}]}]},{"id":"sywhz88x","date":null,"title":"Prosthetic Carapace","title_html":"

Prosthetic Carapace<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/prosthetic-carapace","slug":"prosthetic-carapace","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/prosthetic-carapace","credits":[{"heading":"","list":["wsng49gb"],"entities":[{"id":"wsng49gb","date":null,"title":"Amanda Boetzkes","title_html":"

Amanda Boetzkes<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/amanda-boetzkes","slug":"amanda-boetzkes","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/wsng49gb\/people\/amanda-boetzkes","text":"Amanda Boetzkes<\/strong> is Professor of Contemporary Art History and Theory at the University of Guelph. Her research specializes in ecology, theories of consciousness and perception. Over the course of her career, she has analyzed complex human relationships with the environment through the lens of aesthetics, patterns of human waste, and the global energy economy. She is the author of Plastic Capitalism: Contemporary Art and the Drive to Waste<\/em> (MIT Press, 2019), The Ethics of Earth Art<\/em> (University of Minnesota Press, 2010) and a forthcoming book titled Ecologicity, Vision and the Planetarity of Art<\/em>. She is co-editor of Art's Realism in the Post-Truth Era<\/em> (Edinburgh University Press, 2024), Artworks for Jellyfish and Other Others<\/em> (Noxious Sector Press, 2022) and Heidegger and the Work of Art History<\/em> (Ashgate, 2014). In her most recent research, Boetzkes focuses on environmental knowledge and aesthetics in the circumpolar North, the politics of Inuit sovereignty, and the Greenland Ice Sheet as a site of scientific, social, and perceptual importance. In 2019, she held an interdisciplinary, site-specific workshop in Ilulissat, Greenland, and curated a performance by the Greenlandic artist Jessie Kleemann on the Ice Sheet. This performance has since shown at numerous exhibitions and galleries including Inua<\/em> at the inaugural exhibition of the Inuit Art Center in Winnipeg (2021); Exposure: Native Art and Political Ecology<\/em> at the Museum of Contemporary Native Art in Santa Fe (2021); Worst Case Scenario: Four Artists from Greenland - Pia Arke, Julie Edel Hardenberg, Elisabeth Heilmann Blind, <\/em>Jessie Kleemann at the Lunds Konsthalle in Sweden (2021); <\/em>Jessie Kleemann at the Portland Museum of Art (2022); <\/em>Jessie Kleemann: Running Time* at the Danish National Gallery (2023); and the Nordic pavilion of COP28 in Dubai (2023)."}]}]},{"id":"yy9i20g7","date":null,"title":"Pollution is Colonialism","title_html":"

Pollution is Colonialism<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/pollution-is-colonialism","slug":"pollution-is-colonialism","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/pollution-is-colonialism","credits":[{"heading":"","list":["u5up4i3z","vb61iiuw"],"entities":[{"id":"u5up4i3z","date":null,"title":"Endocrine Disruptors Action Group","title_html":"

Endocrine Disruptors Action Group<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/endocrine-disruptors-action-group","slug":"endocrine-disruptors-action-group","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/u5up4i3z\/people\/endocrine-disruptors-action-group","text":"Endocrine Disruptors Action Group<\/strong> (EDAction) is a coalition of academic researchers concerned with the widespread presence of endocrine-disrupting chemicals (EDCs) in our bodies, commodities, built environments, industrial emissions, ecologies, waters, and atmospheres. EDAction investigates ways to improve Canadian toxics governance and seeks to advance critical discussions about the regulation, science, and monitoring of endocrine-disrupting chemicals guided by the values of reproductive and environmental justice."},{"id":"vb61iiuw","date":null,"title":"Civic Laboratory for Environmental Action Research","title_html":"

Civic Laboratory for Environmental Action Research<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/civic-laboratory-for-environmental-action-research","slug":"civic-laboratory-for-environmental-action-research","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/vb61iiuw\/people\/civic-laboratory-for-environmental-action-research","text":"Civic Laboratory for Environmental Action Research<\/strong> (CLEAR) is a feminist, anti-colonial, marine science laboratory. This means our methods foreground values of equity, humility, and justice. We specialize in community-based and citizen science monitoring of plastic pollution, particularly of plastics in food webs."}]}]},{"id":"m27dkgax","date":null,"title":"What is The Economy?","title_html":"

What is The Economy?<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/what-is-the-economy","slug":"what-is-the-economy","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/what-is-the-economy","credits":[{"heading":"","list":["q2pg54i8"],"entities":[{"id":"q2pg54i8","date":null,"title":"D.T. Cochrane","title_html":"

D.T. Cochrane<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/d-t-cochrane","slug":"d-t-cochrane","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/q2pg54i8\/people\/d-t-cochrane","text":"D.T. Cochrane<\/strong> is an economist currently living in Peterborough, Canada with his partner and two children. He is an economic research consultant with the Blackwood Gallery at the University of Toronto Mississauga and the Indigenous Network on Economies and Trade. He is a postdoctoral fellow in \"Innovation and Rentiership\" at York University with Dr. Kean Birch. He is also a researcher with Canadians for Tax Fairness, where he works on issues of corporate power and inequality. D.T.\u2019s central interest is the translation of qualities into quantities, and the ways that process and its outputs participate in the many struggles to remake our worlds."}]}]},{"id":"of8bn3gb","date":null,"title":"Serpentine Galleries","title_html":"

Serpentine Galleries<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/serpentine-galleries","slug":"serpentine-galleries","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/serpentine-galleries","credits":[{"heading":"","list":["a95spi6y"],"entities":[{"id":"a95spi6y","date":null,"title":"Fraser McCallum","title_html":"

Fraser McCallum<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/fraser-mccallum","slug":"fraser-mccallum","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/a95spi6y\/people\/fraser-mccallum","text":"Fraser McCallum<\/strong> is Project Coordinator at the Blackwood Gallery. In this role, he works primarily on programs outside of the gallery spaces, including offsite exhibitions, public programs, virtual programming, and publications. Fraser is an interdisciplinary artist of settler Euro-Canadian ancestry, whose practice often draws together histories and ongoing sociopolitical conditions through archives, places, and stories. Fraser has held previous roles at Gallery 44 and Art Metropole, and received a Master of Visual Studies from the University of Toronto. His work has been exhibited at HKW, Berlin; Sheridan College, Oakville; Modern Fuel, Kingston; and The Art Museum at the University of Toronto. His video works have been screened by the plumb, LIFT, Hamilton Artists Inc., and Trinity Square Video. Fraser\u2019s writing has been published in the Blackwood\u2019s Society for the Diffusion of Useful Knowledge<\/em> series, PUBLIC<\/em>, and Imaginations: Journal of Cross-Cultural Image Studies<\/em>."}]}]},{"id":"rndutt2x","date":null,"title":"Credit Valley Conservation Authority","title_html":"

Credit Valley Conservation Authority<\/p>","display_title":"Credit Valley Conservation Authority: Nature\/Culture\/Nature","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/credit-valley-conservation-authority","slug":"credit-valley-conservation-authority","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/credit-valley-conservation-authority","credits":[{"heading":"","list":["u6w4xrjn"],"entities":[{"id":"u6w4xrjn","date":null,"title":"Andrea Olive","title_html":"

Andrea Olive<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/andrea-olive","slug":"andrea-olive","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/u6w4xrjn\/people\/andrea-olive","text":"Andrea Olive<\/strong> is an Associate Professor of Political Science and Geography at the University of Toronto Mississauga. She is the author of two books, Land, Stewardship and Legitimacy<\/em> and The Canadian Environment in Political Context<\/em>. Her main areas of research are conservation policy, Canada-US environmental policy, and oil politics in the grasslands ecosystem. While not writing or teaching, Olive can be found wandering the trails of the Niagara Escarpment in the Credit Valley and Halton Conservation Authority areas."}]}]},{"id":"u2yyznyf","date":null,"title":"Learning from Natural Assets","title_html":"

Learning from Natural Assets<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/learning-from-natural-assets","slug":"learning-from-natural-assets","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/learning-from-natural-assets","credits":[{"heading":"The Climate Change Project, City of Mississauga","list":[],"entities":[]}]},{"id":"cz1jbn5m","date":null,"title":"Local Useful Knowledge: Resources, Research, Initiatives (01)","title_html":"

Local Useful Knowledge: Resources, Research, Initiatives (01)<\/p>","display_title":"Local Useful Knowledge: Resources, Research, Initiatives","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/local-useful-knowledge-resources-research-initiatives","slug":"local-useful-knowledge-resources-research-initiatives","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/local-useful-knowledge-resources-research-initiatives","credits":[]},{"id":"6ldcr8it","date":null,"title":"Glossary (01)","title_html":"

Glossary (01)<\/p>","display_title":"Glossary","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/grafting\/glossary","slug":"glossary","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/grafting\/glossary","credits":[]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/grafting\/d504be83ad-1586794524\/blackwood_sduk01_grafting.pdf"},{"id":"i0gbfc4l","date":"2017-07-01","title":"TAKE CARE","title_html":"

TAKE CARE<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"publications\/sduk\/take-care","slug":"take-care","cover":{"id":"i0gbfc4l","modified":1608260367,"url":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/take-care\/7caa3379cb-1607020395\/take_care_broadsheet-cover.jpg","type":"image","mime":"image\/jpeg","size":2067725,"extension":"jpg","filename":"take_care_broadsheet-cover.jpg","caption":"Cover image: Anchi Lin, To The Shore<\/em>, 2014. Digital video and a broom, 3:37 minutes, looped. Courtesy the artist.","caption_plaintext":"Cover image: Anchi Lin, *To The Shore*, 2014. Digital video and a broom, 3:37 minutes, looped. Courtesy the artist.","srcset":"\"\"","bg":{}},"blueprint":"Broadsheet","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care","preview_mode":"false","number":"0","abstract":"Designed to circulate research and support creative inquiry in advance of an exhibition program, *Take Care* set out in search of a people yet to come.\n\nThis broadsheet anticipated **(link: https:\/\/www.blackwoodgallery.ca\/program\/take-care text: Take Care)**, a transdisciplinary project involving over 200 artists, activists, curators, and researchers critically engaging the crisis of care. Curated by Letters & Handshakes, the project encompassed a five-month exhibition series, performances, workshops, and a publishing program organized around five circuits of care.\n\n**Contributors**: Albert Banerjee, Care Watch, Emma Dowling, Steven Eastwood, Lauren Fournier, Kassandra Hangdaan, Marisa Mor\u00e1n Jahn, Anchi Lin, Park McArthur and Constantina Zavitsanos, Ai-jen Poo, Radiodress, ReMatriate, Chlo\u00e9 Roubert and Gemma Savio, Lynx Sainte-Marie, Sarah Sharma.","abstract_html":"

Designed to circulate research and support creative inquiry in advance of an exhibition program, Take Care<\/em> set out in search of a people yet to come.<\/p>\n

This broadsheet anticipated Take Care<\/a><\/strong>, a transdisciplinary project involving over 200 artists, activists, curators, and researchers critically engaging the crisis of care. Curated by Letters & Handshakes, the project encompassed a five-month exhibition series, performances, workshops, and a publishing program organized around five circuits of care.<\/p>\n

Contributors<\/strong>: Albert Banerjee, Care Watch, Emma Dowling, Steven Eastwood, Lauren Fournier, Kassandra Hangdaan, Marisa Mor\u00e1n Jahn, Anchi Lin, Park McArthur and Constantina Zavitsanos, Ai-jen Poo, Radiodress, ReMatriate, Chlo\u00e9 Roubert and Gemma Savio, Lynx Sainte-Marie, Sarah Sharma.<\/p>","contributions":[{"id":"mcggi1np","date":null,"title":"Cover & Editorial","title_html":"

Cover & Editorial<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/cover-editorial","slug":"cover-editorial","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/cover-editorial","credits":[{"heading":"","list":["lrtvrpzu","xbabfntk"],"entities":[{"id":"lrtvrpzu","date":null,"title":"Anchi Lin","title_html":"

Anchi Lin<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/anchi-lin","slug":"anchi-lin","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/lrtvrpzu\/people\/anchi-lin","text":"Anchi Lin<\/strong> is an artist of Taiwanese heritage who lives and works in Vancouver. Her work negotiates and interfaces with concepts such as language, identity, gender, and cultural norms. Lin received a BFA in Visual Art from Simon Fraser University and was the recipient of the Vancouver Contemporary Art Gallery Emerging Artist Award and the Bob Rennie Undergraduate Award in Visual Art. She has exhibited at galleries in Vancouver and Taipei."},{"id":"xbabfntk","date":null,"title":"Letters & Handshakes","title_html":"

Letters & Handshakes<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/letters-handshakes","slug":"letters-handshakes","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xbabfntk\/people\/letters-handshakes","text":"Letters & Handshakes<\/strong> is a collaboration of Greig de Peuter (Department of Communication Studies, Wilfrid Laurier University) and Christine Shaw (Blackwood Gallery and Department of Visual Studies, University of Toronto Mississauga).
\nLetters & Handshakes\u2019 past projects include the exhibitions I stood before the source<\/em> and Precarious: Carole Cond\u00e9 + Karl Beveridge<\/em>, the forum Fighting Foreclosed Futures: Politics of Student Debt<\/em>, and the symposium and micropublication Surplus3: Labour and the Digital<\/em>."}]}]},{"id":"rkqvvepe","date":null,"title":"Care and Dying: Albert Banerjee in Conversation with Steven Eastwood","title_html":"

Care and Dying: Albert Banerjee in Conversation with Steven Eastwood<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/care-and-dying-albert-banerjee-in-conversation-with-steven-eastwood","slug":"care-and-dying-albert-banerjee-in-conversation-with-steven-eastwood","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/care-and-dying-albert-banerjee-in-conversation-with-steven-eastwood","credits":[{"heading":"","list":["38tg8z0x","4jodvljn"],"entities":[{"id":"38tg8z0x","date":null,"title":"Albert Banerjee","title_html":"

Albert Banerjee<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/albert-banerjee","slug":"albert-banerjee","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/38tg8z0x\/people\/albert-banerjee","text":"Albert Banerjee<\/strong> is a health sociologist. His research challenges the ethos of mastery that orients much of contemporary healthcare while cultivating alternatives. One such alternative is the feminist ethics of care, which he is using as a framework to orient quality improvement in the context of nursing homes for older persons. He is CoFAS Marie Curie Research Fellow at Stockholm University."},{"id":"4jodvljn","date":null,"title":"Steven Eastwood","title_html":"

Steven Eastwood<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/steven-eastwood","slug":"steven-eastwood","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/4jodvljn\/people\/steven-eastwood","text":"Steven Eastwood<\/strong> is an award-winning artist-filmmaker whose work often involves participatory and co-creation methodologies. His recent films and moving image artworks include The Stimming Pool<\/em> (2024); STIM CINEMA<\/em> (2023); ISLAND<\/em> (2018), THE INTERVAL AND THE INSTANT<\/em> (2017); BURIED LAND<\/em> (2010); The Hiss of the Blow<\/em> (2009). Steven is Professor of Film Practice at Queen Mary University of London.
\n
\nIn 2018, The Blackwood presented Steven Eastwood\u2019s THE INTERVAL AND THE INSTANT<\/em> in the 5-part exhibition series Take Care<\/em>, curated by Letters & Handshakes (Greig de Peuter & Christine Shaw). Steven\u2019s participation in Take Care included \u201cThe Interval and the Instant: Inscribing Death and Dying,\u201d a conversation with Dr. Naheed Dosani, Dr. Jenny Lau, and Dr. Kim Wedger as part of the the 3-day event Running with Concepts: The Empathic Edition<\/em>."}]}]},{"id":"9rc4oeat","date":null,"title":"Care as Infrastructure","title_html":"

Care as Infrastructure<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/care-as-infrastructure","slug":"care-as-infrastructure","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/care-as-infrastructure","credits":[{"heading":"","list":["orzcg78c","xbabfntk"],"entities":[{"id":"orzcg78c","date":null,"title":"Ai-jen Poo","title_html":"

Ai-jen Poo<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/ai-jen-poo","slug":"ai-jen-poo","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/orzcg78c\/people\/ai-jen-poo","text":"Ai-jen Poo<\/strong> is an organizer, social entrepreneur, and author. She is the Director of the National Domestic Workers Alliance and Co-director of Caring Across Generations. The National Domestic Workers Alliance is the voice of the cleaning and caregiving workforce in the United States, representing sixty-four local domestic worker and home care worker organizations in thirty US cities."},{"id":"xbabfntk","date":null,"title":"Letters & Handshakes","title_html":"

Letters & Handshakes<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/letters-handshakes","slug":"letters-handshakes","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/xbabfntk\/people\/letters-handshakes","text":"Letters & Handshakes<\/strong> is a collaboration of Greig de Peuter (Department of Communication Studies, Wilfrid Laurier University) and Christine Shaw (Blackwood Gallery and Department of Visual Studies, University of Toronto Mississauga).
\nLetters & Handshakes\u2019 past projects include the exhibitions I stood before the source<\/em> and Precarious: Carole Cond\u00e9 + Karl Beveridge<\/em>, the forum Fighting Foreclosed Futures: Politics of Student Debt<\/em>, and the symposium and micropublication Surplus3: Labour and the Digital<\/em>."}]}]},{"id":"c8j3cnzm","date":null,"title":"covering, distribution, cleaning my instrument","title_html":"

covering, distribution, cleaning my instrument<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/covering-distribution-cleaning-my-instrument","slug":"covering-distribution-cleaning-my-instrument","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/covering-distribution-cleaning-my-instrument","credits":[{"heading":"","list":["7uvp6asb"],"entities":[{"id":"7uvp6asb","date":null,"title":"Radiodress","title_html":"

Radiodress<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/radiodress","slug":"radiodress","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/7uvp6asb\/people\/radiodress","text":"Radiodress<\/strong> is an artist, Priestess, and Prison Chaplain. In hir creative practice, s\/he uses live and recorded ritual, singing, yelling, talking, and listening to consider bodies as sites of knowledge, and communication as a political practice. Exploring the relationship between collective voice and the empathic act of listening, hir work engages with consensual ceremony as a site of vulnerability, and an entry point to sensation and emotion-based transformation. Radiodress\u2019s projects have been performed widely in North America, Europe, South Asia, and the Middle East."}]}]},{"id":"00tzv35v","date":null,"title":"Dilemmas of Care","title_html":"

Dilemmas of Care<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/dilemmas-of-care","slug":"dilemmas-of-care","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/dilemmas-of-care","credits":[{"heading":"","list":["haazwkca"],"entities":[{"id":"haazwkca","date":null,"title":"Emma Dowling","title_html":"

Emma Dowling<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/emma-dowling","slug":"emma-dowling","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/haazwkca\/people\/emma-dowling","text":"Emma Dowling<\/strong> is Senior Researcher at the Institute for Sociology at Friedrich-Schiller University Jena. Her interests cover global social justice, feminist political economy, and affective and emotional labour. She is the author of a forthcoming book on the crisis of care to be published by Verso."}]}]},{"id":"rrchyjzm","date":null,"title":"Careforce (broadsheet)","title_html":"

Careforce (broadsheet)<\/p>","display_title":"CareForce","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/careforce-broadsheet","slug":"careforce-broadsheet","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/careforce-broadsheet","credits":[{"heading":"","list":["ifxtftry"],"entities":[{"id":"ifxtftry","date":null,"title":"Marisa Mor\u00e1n Jahn","title_html":"

Marisa Mor\u00e1n Jahn<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/marisa-moran-jahn","slug":"marisa-moran-jahn","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/ifxtftry\/people\/marisa-moran-jahn","text":"An artist and transmedia producer of Ecuadorian and Chinese descent, Marisa Mor\u00e1n Jahn<\/strong> founded Studio REV-, a non-profit organization whose key projects include El Bibliobandido<\/em>, Video Slink Uganda<\/em>, Contratados<\/em>, the Nannyvan<\/em>, an app for domestic workers that CNN named as \u201cone of five apps to change the world,\u201d and the CareForce<\/em>. She is a graduate of MIT and teaches at MIT, Columbia University, and The New School."}]}]},{"id":"nmhbhce2","date":null,"title":"Antinomies of Self-Care","title_html":"

Antinomies of Self-Care<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/antinomies-of-self-care","slug":"antinomies-of-self-care","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/antinomies-of-self-care","credits":[{"heading":"","list":["gps7vs0l","5hgg7iv3","rcej0g2i"],"entities":[{"id":"gps7vs0l","date":null,"title":"Lauren Fournier","title_html":"

Lauren Fournier<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lauren-fournier","slug":"lauren-fournier","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/gps7vs0l\/people\/lauren-fournier","text":"Lauren Fournier<\/strong> is a writer, artist, curator, and researcher. She is a doctoral candidate at York University, where she is completing a SSHRC-funded cross-disciplinary study of auto-theory as a contemporary mode of feminist practice. Her prior work as a front-line mental health and harm-reduction worker informs her research. Her work has been exhibited across Canada and in Berlin, Athens, and Houston, and her writing has appeared in numerous arts and academic publications."},{"id":"5hgg7iv3","date":null,"title":"Lynx Sainte-Marie","title_html":"

Lynx Sainte-Marie<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/lynx-sainte-marie","slug":"lynx-sainte-marie","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/5hgg7iv3\/people\/lynx-sainte-marie","text":"Lynx Sainte-Marie<\/strong>, Afro+Goth Poet, is a multimedia artist, activist, and educator of the Jamaican diaspora, with ancestral roots indigenous to Africa and the British Isles. A disabled\/chronically ill, non-binary\/genderfluid person, they identify within queer and trans, femme, boi, gender non-conforming, crip, and spoonie communities. A poet across media, Lynx utilizes multiple art forms to engage audiences around issues of identity, oppression, liberation, resiliency, and survival."},{"id":"rcej0g2i","date":null,"title":"Sarah Sharma","title_html":"

Sarah Sharma<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/sarah-sharma","slug":"sarah-sharma","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/rcej0g2i\/people\/sarah-sharma","text":"Sarah Sharma<\/strong> is Associate Professor of Media Theory at the Institute of Communication, Culture, Information, and Technology and Director of the McLuhan Centre for Culture and Technology at the University of Toronto. She is the author of In the Meantime: Temporality and Cultural Politics <\/em>(Duke University Press, 2014) and is currently working on a new book that explores the gendered politics of exit and refusal, or what she terms the \u2018(s)Exit\u2019 within contemporary techno-culture."}]}]},{"id":"07t7t9e3","date":null,"title":"Other forms of conviviality","title_html":"

Other forms of conviviality<\/p>","display_title":"Other forms of conviviality","subtitle":"The best and least of which is our daily care and the host of which is our collaborative work","subtitle_html":"

The best and least of which is our daily care and the host of which is our collaborative work<\/p>","uri":"publications\/sduk\/take-care\/other-forms-of-conviviality","slug":"other-forms-of-conviviality","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/other-forms-of-conviviality","credits":[{"heading":"","list":["x7jb2s0k","bmjnibfl"],"entities":[{"id":"x7jb2s0k","date":null,"title":"Park McArthur","title_html":"

Park McArthur<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/park-mcarthur","slug":"park-mcarthur","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/x7jb2s0k\/people\/park-mcarthur","text":"Park McArthur<\/strong> is a New York-based artist working in sculpture, sound, and text. Solo exhibitions include Lars Friedrich, Berlin; Essex Street, New York; Chisenhale Gallery, London; and San Francisco Museum of Modern Art. Group exhibitions include Greater New York<\/em>, PS1 MoMA, New York; Unorthodox<\/em>, The Jewish Museum, New York; Ludwig Forum, Aachen; and the Whitney Biennial, New York. Her book Beverly Buchanan, 1978\u20131981<\/em>, co-edited with Jennifer Burris Staton, was published by Ath\u00e9n\u00e9e Press in 2015."},{"id":"bmjnibfl","date":null,"title":"Constantina Zavitsanos","title_html":"

Constantina Zavitsanos<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/constantina-zavitsanos","slug":"constantina-zavitsanos","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/bmjnibfl\/people\/constantina-zavitsanos","text":"Constantina Zavitsanos<\/strong> is an artist who works in sculpture, performance, text, and sound. Her work deals with the material re\/production of debt, dependency, and means beyond measure. Zavitsanos has exhibited works at EFA Project Space, New Museum, and Guggenheim Museum, New York; Slought Foundation, Philadelphia; and Tramway, Glasgow. This Could Be Us<\/em>, co-edited with Amalle Dublon, will be published by the New Museum (New York) in 2018. Zavitsanos lives in New York and teaches at the New School."}]}]},{"id":"17ku60y7","date":null,"title":"It Takes Work to Get the Natural Look (broadsheet)","title_html":"

It Takes Work to Get the Natural Look (broadsheet)<\/p>","display_title":"It Takes Work to Get the Natural Look","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/it-takes-work-to-get-the-natural-look-broadsheet","slug":"it-takes-work-to-get-the-natural-look-broadsheet","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/it-takes-work-to-get-the-natural-look-broadsheet","credits":[{"heading":"","list":["a607lq7c","w870fc0a"],"entities":[{"id":"a607lq7c","date":null,"title":"Chlo\u00e9 Roubert","title_html":"

Chlo\u00e9 Roubert<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/chloe-roubert","slug":"chloe-roubert","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/a607lq7c\/people\/chloe-roubert","text":"Chlo\u00e9 Roubert<\/strong> is an artist and anthropologist whose practice is research-driven and blends writing and design. She is interested in human-organic life relations, urban space, and taxonomies. Her work has been shown at the Banff Center for the Arts in Canada, B\u00e9tonsalon in Paris, and the Bauhaus-Dessau Foundation in Germany."},{"id":"w870fc0a","date":null,"title":"Gemma Savio","title_html":"

Gemma Savio<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/gemma-savio","slug":"gemma-savio","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/w870fc0a\/people\/gemma-savio","text":"Gemma Savio<\/strong> is an architect and academic. Her research is focused on the processes of architectural production under the accelerated conditions of political economy across the twentieth century. Savio is a PhD candidate at the University of Newcastle (Australia)."}]}]},{"id":"9xs420e5","date":null,"title":"Water is Life","title_html":"

Water is Life<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/water-is-life","slug":"water-is-life","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/water-is-life","credits":[{"heading":"","list":["o7llhhy3"],"entities":[{"id":"o7llhhy3","date":null,"title":"Onaman Collective","title_html":"

Onaman Collective<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/onaman-collective","slug":"onaman-collective","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/o7llhhy3\/people\/onaman-collective","text":"Onaman Collective<\/strong> is a community-based social arts and justice organization founded in 2014 by Christi Belcourt, Isaac Murdoch, and Erin Konsmo. Onaman Collective is interested in helping Indigenous communities, particularly youth, with reclaiming the richness and vibrancy of their heritage. The collective combines land-based contemporary art with traditional arts, anishnaabemowin immersion, and Elders\u2019 and traditional knowledge."}]}]},{"id":"3wfzj3jn","date":null,"title":"Seniors' Advocacy in Ontario","title_html":"

Seniors' Advocacy in Ontario<\/p>","display_title":"","subtitle":"An Interview with Care Watch","subtitle_html":"

An Interview with Care Watch<\/p>","uri":"publications\/sduk\/take-care\/seniors-advocacy-in-ontario","slug":"seniors-advocacy-in-ontario","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/seniors-advocacy-in-ontario","credits":[{"heading":"","list":["qhq0v5q9","j0kpa18k"],"entities":[{"id":"qhq0v5q9","date":null,"title":"Care Watch","title_html":"

Care Watch<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/care-watch","slug":"care-watch","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/qhq0v5q9\/people\/care-watch","text":"Care Watch<\/strong> is a senior-citizen-led organization that advocates for high-quality, affordable, and equitable home and community care for Ontario\u2019s elderly. They monitor provincial policy and provide analysis and feedback to decision-makers on how to achieve a home care system that supports dignified aging."},{"id":"j0kpa18k","date":null,"title":"Kassandra Hangdaan","title_html":"

Kassandra Hangdaan<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/kassandra-hangdaan","slug":"kassandra-hangdaan","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/j0kpa18k\/people\/kassandra-hangdaan","text":"Kassandra Hangdaan<\/strong> is a fourth-year student at University of Toronto Mississauga, where she studies philosophy and political science. She writes for on- and off-campus publications such as The Medium<\/em>. In her free time, she enjoys freestyle writing and scoping out new places for food."}]}]},{"id":"mdrnyi7j","date":null,"title":"In Sickness and Study (broadsheet)","title_html":"

In Sickness and Study (broadsheet)<\/p>","display_title":"In Sickness and Study","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/in-sickness-and-study-broadsheet","slug":"in-sickness-and-study-broadsheet","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/in-sickness-and-study-broadsheet","credits":[{"heading":"","list":["v6qvdo82"],"entities":[{"id":"v6qvdo82","date":null,"title":"Carolyn Lazard","title_html":"

Carolyn Lazard<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/carolyn-lazard","slug":"carolyn-lazard","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/v6qvdo82\/people\/carolyn-lazard","text":"Carolyn Lazard<\/strong> is an artist working in video, performance, and text. Their work engages collective practice to address the ecology of care, dependency, and visibility. Lazard has presented work in various spaces including Light Industry, Cleopatra\u2019s, Recess, Anthology Film Archives, the Wexner Center for the Arts, Slought Foundation, the New Museum, MoMA, and the Whitney Museum of American Art. They have published writing in the Brooklyn Rail<\/em> and Mousse Magazine<\/em> and are currently writing an accessibility guide for common practice. They are a founding member of Canaries, a healing and arts collective of chronically ill women and gender non-conforming artists. Lazard holds a BA from Bard College and lives in Philadelphia where they are completing an MFA at the University of Pennsylvania."}]}]},{"id":"v88lfzms","date":null,"title":"Shut. Muskrat. Down","title_html":"

Shut. Muskrat. Down<\/p>","display_title":"","subtitle":"","subtitle_html":"","uri":"publications\/sduk\/take-care\/shut-muskrat-down","slug":"shut-muskrat-down","cover":null,"blueprint":"Contribution","dates":{"value":null},"frontend_uri":"publications\/sduk\/take-care\/shut-muskrat-down","credits":[{"heading":"","list":["wsqakjmu"],"entities":[{"id":"wsqakjmu","date":null,"title":"Labrador Land Protectors","title_html":"

Labrador Land Protectors<\/p>","display_title":"","subtitle":null,"subtitle_html":"","uri":"people\/labrador-land-protectors","slug":"labrador-land-protectors","cover":null,"blueprint":"Entity","dates":{"value":null},"frontend_uri":"graph\/wsqakjmu\/people\/labrador-land-protectors","text":"Labrador Land Protectors<\/strong> is a group of concerned citizens fighting against the Muskrat Falls hydroelectric dam in Happy Valley-Goose Bay, Newfoundland and Labrador."}]}]}],"pdf":"https:\/\/content.blackwoodgallery.ca\/media\/pages\/publications\/sduk\/take-care\/f99b3ada72-1587405986\/blackwood_00_takecare.pdf"}],"footer_left":"

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\nThe Blackwood is situated on the Territory of the Mississaugas of the Credit, Seneca, and Huron-Wendat.","footer_right":"","mobile_menu_text":"The Blackwood<\/strong>
\nUniversity of Toronto Mississauga
\n3359 Mississauga Rd, Mississauga, ON
\n905-828-3789
\nblackwood.gallery[at]utoronto.ca
\n
\nThe galleries are open. Hours of operation: Monday\u2013Saturday, 12\u20135pm. Closed Monday, October 13 for the holiday<\/strong>.
\n
\nFacebook<\/a><\/u> | Twitter<\/a><\/u> | Instagram<\/a><\/u>
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\nThe Blackwood is situated on the Territory of the Mississaugas of the Credit, Seneca, and Huron-Wendat."}